Industry Profile: Steve Lemon

— Jane Cohen and Bob Grossweiner

Award-winning veteran concert/event production professional Steve Lemon has done it all, from theatrical presentations to film production to concert tour, stage and production management to special events to general contracting to industrial and trade show management.

Everyone has to start somewhere. For Steve, it was as a lighting designer in 1973 for Miss Joanie's Dance Studio in El Cajon, Calif. His non-touring experience includes master carpenter, property master and rigger from 1976-1982 for clients such as the San Diego Opera, Old Globe Theater, San Diego Symphony, and San Diego Sports Arena. He's come a ways since then, and since 1989, has been specializing in large-scale event planning and execution. Among his large-scale event projects are the New York Times Square New Year's Eve Ball Drop in 1996 (production coordinator / general contractor), the 1996 Summer Olympic Games - AT&T Global Olympic Village and the General Motors World of Motion Pavilion, Centennial Olympic Park (project manager/general contractor).

Steve, who started Guns N' Roses' current tour as their production manager, but handed it off to fellow production vet Patrick Whitley ("too much time on the road for me lately"), is also president and managing director of Live 4 Live, Inc., a full service production company specializing in large scale event planning and management. "Live 4 Live Inc.'s role is to facilitate the needs of the client through any or all of the eight phases of a project," says Steve. They are: Concept Development; Design Development & Budgeting; Fabrication & Construction; Installation; Operation, Maintenance & Touring; Demolition & Disassembly; Warehousing, Storage & Asset Management; Final Settlement & Event Recap.

Prior to GNR, Steve was out with Aerosmith from 2000-2002. In 2000, a very busy year for Steve, he served as tour manager (Oscar De la Joya), project manager (Diamond Jubilee - Perry Farrell), live event production manager (Experience Music Project (EMP) and Funk 2000 - L.A. Forum), staging supervisor (Steven Spielberg's "Artificial Intelligence" - Flesh Fair), staging coordinator (Voice of a Child and Wave Loch - Portable Wave), event manager (Riverside Orange Blossom Festival), project manager (StreamSearch.com - Internet Film &Music Awards - Playboy Mansion West), consultant (StreamSearch.com - MI2 Soundtrack Release Party - House of Blues, New Orleans) and general contractor, design and fabrication, event management (Stanford University Commencement Ceremony).

In 1999, he did production management for the Republican Governors Association and Day In The Garden in Bethel, N.Y.; live event production management for Ricky Martin's "Shake Your Bon Bon" video; project management (Film Aid - Refugee Relief Effort, Bosnia); and live event planning/management (iBASH / Pixelon, Inc. - 1999 Product Launch, Las Vegas). He was also a festival producer (The Millennium Show, Los Angeles) and concert producer (Rock 'n' Roll Marathon, San Diego).

In 1998, Steve worked with KISS as their production manager and also was project manager for the group's "Biggest Halloween Party On Earth at Dodger Stadium. He was also production manager for Day In The Garden (Woodstock '98); produced the Rock 'n' Roll Marathon in San Diego; served as a consultant (Marketing Entertainment Group of America); did concept development (L.A. Millennium Celebration / City Of Los Angeles Cultural Affairs Department); facility design consulting Enchanted Rock Studios in Austin, Texas; and entertainment development (Speed Zone Theme Parks / Malibu Entertainment Worldwide).

In '97, Steve was production and stage manager at the World Culture & Sports Festival in Washington, D.C.; was project manager for KISS' Roswell, N.M. project; did project coordination for AT&T Investment Analysts Presentation; worked on concept and design development and budgeting for the Rolling Stones' Project Babylon - "An Alternative Gathering " and for Landmark Entertainment Group - "Rolling Stones Experience." Steve was also production manager for Jon Bon Jovi's solo Japan tour.

Steve started the new year off in 1995 with Luther Vandross on tour in Europe. Following that he worked for a year and a half (May 1995- November 1996) as project manager / general contractor for the Summer Olympic Games in Atlanta at AT&T Global Olympic Village and the General Motors World of Motion Pavilion in Centennial Olympic Park, before closing out 1996 as production coordinator / general contractor for the New York Times Square New Year's Eve Ball Drop.

1994 marked the 25th anniversary of Woodstock, and Steve was employed as project manager / production coordinator. That same year, he also provided design and production consulting for The Meadows Amphitheater in Connecticut and as production manager for The Artist Formerly Known As Prince.

In 1993, he combined the world of pop music and sports, touring as production manager for Janet Jackson and as production coordinator for the Legends of Soccer Tour. In 1992, Steve found himself on U2'S Zoo TV tour as utility production manager and as tour manager for John Mellencamp, a holdover from the previous year. That same year, Steve was Skid Row's production consultant and Scorpions production manager.

In 1990, Steve rang the new year in as event coordinator in Tokyo at a New Year's Eve Festival, site coordinated for Bon Jovi and production managed Cher. In 1989, he was project manager / production coordinator at the Moscow Music Peace Festival that featured artists like Bon Jovi, Scorpions, Ozzy Osbourne and Motley Crue, and also provided site coordination, special effects, production/set design and rigging for Bon Jovi as he did in 1998. In '87, he started working with Bon Jovi in special effects and as a rigger.

In 1986, Steve provided project coordination for probably his biggest at the time - Diana Ross' wedding in Romanmotier, Switzerland. He also went out with Ozzy Osbourne as a production manager and set designer. In '85 Steve was production manager Tears For Fears and Diana Ross as well as providing stage management for Ross. Shifting to corporate work, he was producer / production coordinator for IBM National Marketing Division - Recognition programs: Miami, New Orleans, Kaanapali Maui, Westerfield Quitt Productions Limited. Steve was also a rigger for Don Henley.

From 1981-82 and again in '84, Steve went out with Van Halen as advance production manager and rigger. He worked on Diana Ross' 1983-84 tour as a rigger and in '84, Steve worked with Hall &Oates as advance production manager and rigger and a rigger on Air Supply. He also rigged on Eric Clapton's 1981 tour.

Steve has been well recognized for his work. Among his industry accolades is being named an AT&T 100, AT&T's highest honor acknowledging the top one 100 individuals involved in The 1996 Atlanta Centennial Olympic Games for their performance, dedication and commitment to excellence, as recognized by Robert Allen (CEO, AT&T) and William Porter Payne (CEO, Atlanta Committee for the Olympic Games). Steve was also recognized by his peers twice in 1989 as a Performance Magazine industry award winner -- Site Coordinator of the Year for his work on the Moscow Music & Peace Festival and Innovation of the Year for designing Bon Jovi's arena catwalk. He was also a Performance nominee for Set Designer of the Year in 1989 and for Production Manager of the Year in 1994. He was also nominated for Pollstar Production Manager of the Year 2001, and in 2002, as Tour Manager of the Year by PLSN.

Steve is also an active participant in industry organizations. He served on the board of directors of ESTA (Entertainment Services and Technology Association), an ANSI accredited organization regulating procedures, standards and practices in the entertainment industry, from Jan. 1, 1997 to Dec. 31, 1999.

Using his entrepreneurial skills, Steve has started several businesses: Da Voiba Imaging, Inc., a design and image consulting firm; Innovents, LLC, an event production and consulting group; LEMCO Entertainment Services, supplier of crowd barriers to facilities and companies in the entertainment industry; and Atlas Production Services, Inc., a theatrical and arena rigging service and supply company.

In recent years, what have been some of the production industry trends?
The continued corporatization of the industry, now more than ever, businessmen are requiring production and tour management to legitimize the way we do business. While difficult at times to apply, this is a good thing in the big picture because it is forcing all to achieve and adhere to certain standards. Now, we production managers are compared to one another openly and regularly by promoters, buildings and managers. This isn't a one-way street though. It also forces the buildings and promoters to be compared openly and thus creates a standard there too.

In addition, I'm growing concerned over promoters in some secondary and tertiary markets who are responsible to a larger entity for being their own profit center, but they are (apparently) being forced to "take a hit for the team" on losses and not allowed to share in the profits of the "home run" markets. I'm sure there is a grand scheme that explains it all, but this bothers me.

As the years are passing us by, we are seeing more and more of the people who during the "golden age of rock n roll" helped make this business what it is, pass away. Those of us who are now referred to as "old school" remember and grieve those losses and must look into the mirror and consider our own mortality. As we are all growing old here in the business, we will see an increasing amount of our friends, associates and colleagues pass on in the years ahead.

How do you deal with stress on the road?
I work out, and if that isn't enough I try to remember I can only be responsible for the things under my control.

You have worked both in the corporate and concert worlds. How are they similar?
For starters, the people working in each of the two worlds think the other one is the place they want to be. The concert world is developing in a corporate direction right now, especially since the arrival of publicly held corporations- CCE, Sanctuary and so on. There are some good things coming out of it like policies and processes. At times I really enjoy learning more about the business of business, it's fascinating to me. At other times I cannot imagine how anything gets done. I enjoy corporate work. I give good boardroom. I enjoy concert work because it is "the fire that modern people dance around" as Joe Perry said. Similarities? It's now more about the money and less about the craft.

You've been both a tour manager and production manager. Which do you enjoy more?
I want the control of the tour manager and the role of the production manager. I love tour management because you're in control, you live in a world where there is no black and white- just different shades of gray and this makes it fun and sporting day in day out provided you are given the latitude to run the tour as you see fit. In production there is black and white, something fits or it doesn't, something comes in budget or it doesn't, the people who work for you (or rather you work for) are self-starters with their eye on the ball. I think I would have to take production management over tour management if forced to make a choice. Who wants to be Ike when they can be Patton?

Your industry prediction for the next five years
Kids today are growing up in a "cut and paste" world. Everyone who can afford it has a set of protools and is mixing music in their bedroom or their garage. They know that all they have to do is get the guitar riff or vocal track just once, then copy and paste the rest of the song- or worse they rip it off another successful song. Great, but live they cannot play the music they just recorded and sold to their fans! No problem, they're in the record company "mill" now so all is great right? Since they can't play their own music, they sample it into their live performance. Once the fans figure out that the band whose music they love cannot even play it, they lose interest and presto -- one hit wonder, career over. I predict there will be a movement back to original, authentic music that fans will respect and appreciate for all the right reasons. Artists need to practice the craft of their chosen career because fans are smart and "everyone who can afford it has a set of protools".

First industry job
Lighting designer for Miss Joanie's Dance Studio in El Cajon, Calif., 1973.

Career highlights
Rigging a 150 ft wide and 250 ft long Bon Jovi catwalk in Giants Stadium; producing the Moscow Music Peace Festival; Woodstocks '94 and '99; 1996 AT&T Global Olympic Village in Atlanta; meeting Johnny Cash.

Career disappointment(s)
I missed out on some rites of passage like club tours with baby bands on mini budgets. I did the low-budget thing in the theater while growing up but not on tour as an adult.

Greatest challenge
The AT&T Global Olympic Village in Centennial Olympic Park in Atlanta for the 1996 summer Olympic games. That project demanded a massive integration of paradigms rarely required of us today, like playing 12 games of 3D chess simultaneously.

Best business decision
To try a lot of different jobs in the business. It's easier to stay working and you gain an appreciation for what others go through.

Best advice you received
"Hey kid, an actor has to eat too you know. I suggest you try working in the shop and learning something new this next show"

Best advice to offer
Find a job you like and you'll never work a day in your life

Most memorable industry/tour experience
When I was on tour with Ozzie, I had cold chills in 1986 while standing in the box where Hitler gave speeches in Nuremberg and realizing that the immense granite monument-like parade grounds had been built a mere 50 years ago.

What friends would be surprised to learn about you
I'm a stress addict

Industry pet peeve
It's getting harder to find people of honor and dignity in this business.

Office paraphernalia
Fork, back-scratcher, Far Side calendar, magic 8 ball, antenna ball collection, Yoda puppet, voodoo doll, 10 lb. Shackle, 15 lb. nut & bolt, monster size tie wrap.

If I wasn't doing this, I would be...
At worst, following the elephants with a shovel, but I'd still be in show business!

Industry mentor(s)
No names but one is a teacher, one a promoter, one a manager one a golfer.

Steve can be reached at: 760-631-4800;e-mail: srlemon@attglobal.net

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Mark Hyman, Ashley Talent International 11/09/01
Brett Hyman, Category 5 Entertainment 07/23/04
Bruce Iglauer, Alligator Records 08/17/01
Bruce Iglauer, Alligator Records 05/28/14
Doug Isaac, Super Bowl Concert Series Producer (EXI) 08/24/01
David Israelite, National Music Publishers' Association 11/29/08
Tom Jackson, Tom Jackson Productions 02/06/13
Jay Jacobs, Parc Landon 09/21/07
Larry Jacobson, World Audience 09/17/04
Audra Jaeger, The Management Trust 05/09/03
Ralph James, The Agency Group 01/31/11
Jeffrey Jampol, Jampol Artist Management 07/18/12
Jean Michel Jarre, International Confederation of Societies of Authors and Composers (CISAC) 06/19/13
Michael Jaworek, The Birchmere 05/08/09
Peter Jesperson, New West Records 11/03/06
John Jeter, The Handlebar 08/15/12
Mike Johnson, Groundrush Media 02/17/06
Mike Gormley & Jolene Pellant, Yes, Dear Entertainment 04/23/10
Susan Joseph, Justice Entertainment Group 02/21/11
Darren Julien, Julien's Auctions 10/25/10
Henry Juszkiewicz, Gibson Guitars 09/28/10
Justin Kalifowitz, Downtown Publishing 04/20/17
Leonard Kalikow, Music Business Reference, Inc. 06/26/08
Craig Kallman, Atlantic Records 03/20/09
Steve Kane, Warner Music Canada 02/09/17
Danny Kapilian, Independent Producer 07/12/02
Mike Kappus, The Rosebud Agency 10/26/09
Andy Kaufman, Birdland 05/17/02
Wendy Kay, Mars Talent Agency 03/09/01
Lucas Keller, The Collective 03/22/11
Marty Kern, Clemson University 07/07/01
Carlos Keyes, Red Entertainment 10/08/04
Golnar Khosrowshahi, Reservoir Media Management 10/24/12
Martin Kierszenbaum, Interscope/Cherrytree Records 09/06/09
Barney Kilpatrick, Rattlesby Records 10/28/05
John Kinsner, The Walnut Room 03/28/08
Doug Kirby, LiveTourArtists 10/24/03
Steve Kirsner, Compaq Center 06/29/01
JoAnne Klabin, Sweet Relief 03/21/03
Andrew Klein, Revolution Marketing 11/05/04
Larry Klein, Producer, bassist, songwriter 03/13/12
Jack Kleinsinger, Highlights in Jazz 04/25/08
Ann Kline, Casa Kline 09/04/14
Brian Knaff, Talent Buyers Network 09/29/01
Kymberlee Knight, IEBA 11/16/00
Mike Kociela, 360 Productions 05/30/08
Stefan Kohlmeyer, Bach Technology 02/08/10
Lily Kohn, Microsoft Corporation 02/14/11
Tim Kolleth, Alligator Records 01/25/08
Al Kooper, Musician/songwriter/producer/author 02/06/14
Mitchell Koulouris, Digital Musicworks International, Inc. 02/11/05
Mark Krantz, John Schreiber Group 06/15/01
Jeff Krasno, Velour Music Group 11/19/07
Jeffrey Kruger, The Kruger Organisation 01/25/02
Harvey Kubernik, Author/historian/music journalist 08/20/15
Ted Kurland, Ted Kurland Associates 01/15/01
Jordan Kurland, Zeitgeist Artist Management 08/23/11
Carianne Laguna, Blackheart Records 03/07/08
Brady Lahr, Kufala Recordings 04/30/04
Ernie Lake, EL Records 01/19/07
Roks Lam, Wolfman Jack Entertainment 12/17/04
Anni Lam, Parc Landon 06/29/07
Gary Lane, CenterLane Attractions 10/14/05
Tom LaPenna, Lucky Man Productions 09/10/04
Camilo Lara, EMI Music Mexico/MIS 08/10/07
Gary Lashinsky, Lipizzaner Tours 05/13/05
Gregg Latterman, Aware Records 12/13/02
Tony Laurenson, Eat to the Beat 02/27/04
Emily Lazar, The Lodge 10/15/15
Bill Leabody, Leabody Systems 06/10/05
Peter Leak, 24-7 Worldwide Management 03/28/12
Steve Leeds, SR. VP/Promotion/Rock Formats at Virgin Records 07/26/02
Bob Lefsetz, The Lefsetz Letter 11/14/08
Carl Leighton-Pope, Leighton-Pope Organisation 07/05/09
Steve Lemon, Live 4 Live, Inc. 12/06/02
Randy Lennox, Universal Music Canada 06/24/15
Simma Levine, Disson Furst and Partners 11/10/00
Andy Levine, Sixthman 06/08/07
Rich Levy, Clear Channel Entertainment Properties 06/25/04
Eddie Levy, Chelsea Music Publishing 07/24/14
Myles Lewis, Denise Rich Songs 12/20/10
Adam Lewis, Planetary Group 01/20/16
Terry Lickona, Austin City Limits 03/14/11
Justine Liddelow, Stage and Screen Travel Services 08/31/11
Jim Lidestri, Border City Media 09/03/15
Larry Lieberman, 4EverWild 03/28/03
Eric Lilavois, Crown City Studios, and London Bridge Studio 12/10/14
Miriam Linna, Norton Records 05/18/17
Marc Lipkin, Alligator Records 03/05/05
Tommy LiPuma (Part 1), Verve Records 11/08/10
Tommy LiPuma (Part 2), Verve Records 11/15/10
Alexander Ljung, SoundCloud 10/04/10
Andy Lo Russo, The Singing Chef 12/16/05
Phil Lobel, Lobeline Communications 08/13/04
Paul Lohr, New Frontier Touring 01/21/05
Paul Lohr, New Frontier Touring 05/17/10
Julie Lokin, New Audiences 03/23/01
Dave Lory, Artemis Records 03/30/02
Max Loubiere, Tour Director 04/11/12
Mark Lourie, Skyline Music 03/08/02
Dave Lucas, Live-360 04/28/06
Joe Lucchese, EventJoe 02/23/07
Kevin Lyman, 4 fini 03/30/01
Kevin Lyman, Vans Warped Tour 05/23/12
Bubba Mac, 09/14/07
David Macias, Emergent Music Marketing 06/17/05
Kristen Madsen, Grammy Foundation and MusiCares 11/22/10
Larry Magid, Larry Magid Entertainment 05/04/10
Peter Malkin, PM Management 02/07/03
Toby Mamis, Alive Enterprises 02/12/01
Billy Mann, Green & Bloom | Topl1ne, Manncom 09/18/14
Tasea Margeolas, Multi Entertainment 06/23/06
Tony Margherita, dBpm Records 09/06/11
Bob Roux & Mark Campana, Live Nation 12/20/11
Lee Marshall, Magic Arts & Entertainment 09/13/02
Zach Martin, Radio Producer at New York's WAXQ-FM 08/30/02
Mario Martin, Gorgeous PR 04/27/07
Molly Martinez, Ticket Summit 2008 05/23/08
Paul Mascioli, Mascioli Entertainment 01/14/05
Michael Maska, Big Hassle 01/28/05
Ted Mason, Mi-5 Recordings 11/16/01
Steve Masur, Masur & Associates, LLC 11/21/03
Pam Matthews, The Ryman Auditorium 04/08/05
Terry McBride, Nettwerk Music Group 03/01/10
Michael McCarty, ole 06/20/11
Jim McDonald, McDonald Group 12/19/03
Virginia McEnerney, HeadCount 11/26/07
Doc McGhee, McGhee Entertainment 06/14/10
Camilla McGuinn, Tour Manager 08/24/07
Andy McLean, North By Northeast (NXNE) 04/01/05
Dennis McNally, Grateful Dead historian/publicist 09/06/02
Garry McQuinn, Back Row Productions 06/14/11
Ruthann McTyre, The Rita Benton Music Library; and president of the Music Library Association 08/31/10
Dick McVey, Musician's Referral Service 10/27/07
Katherine McVicker, Music Works International 01/08/15
John Meglen, Concerts West/AEG Live 02/21/13
Mark Meharry, Music Glue 05/28/15
Jorge Mejia, Sony/ATV Music Publishing 09/17/15
Dan Melnick, Festival Productions, Inc. 02/22/02
André Ménard, Festival International de Jazz de Montréal 06/12/09
Bob Merlis, Merlis For Hire/Memphis International Records 01/16/04
Doug Merrick, Cumberland Talent Agency and Merrick Music Group 07/21/06
Louis Messina, The Messina Group 10/22/04
Louis Messina, The Messina Group/AEG Live 07/17/09
Louis Jay Meyers, North American Folk Music and Dance Alliance 03/30/07
Louis Jay Meyers, Folk Alliance International 01/23/09
Todd Miller, House Of Blues - New Orleans 11/14/03
Jeff Miller, Fantasma Productions 03/16/07
Ben Miller, Rock Ridge Music 11/02/07
J. B. Miller, Empire Entertainment 08/22/08
Richard Mills, S.L. Feldman 11/02/09
Marty Monson, Barbershop Harmony Society 07/07/16
Linda Moran, Songwriters Hall of Fame (SHOF) 04/05/09
Jesse Morreale, Nobody In Particular Presents (NIPP) 09/20/02
Chuck Morris, Live Rocky Mountains 09/28/09
Mo Morrison, Independent production 05/24/02
Kevin Morrow, Steel Wool Entertainment 01/25/17
Nick Moss, Blue Bella Records 11/30/07
Jim Musselman, Appleseed Recordings 04/14/06
Natalia Nastaskin, United Talent Agency 04/13/16
Marc Nathan, Flagship Records 07/01/05
David Neilon, Rising Star Promotions 11/30/01
Don Neuen, Star Coaches Inc. 10/10/12
Dennis Newhall, DIG Music 10/07/05
John Nittolo, John Nittolo Productions 04/13/07
Ian Noble, Metropolitan Talent 05/23/03
Fabricio Nobre, A Construtora Música e Cultura 05/04/17
Josh Norek, JN Media, LLC 07/05/02
David Norman, Tour Manager 04/20/07
Mimi Northcott, Canadian Recording Services (CRS) 04/11/08
Bill Nowlin, Rounder Records 01/05/07
John Nugent, NY JAM Inc. 11/08/02
Andy Nulman, Just For Laughs 11/20/13
Sal Nunziato, NYCD 06/01/01
Bob O'Neal, Ryman Auditorium 06/28/02
Andrea Orbeck, Prehab Health and Fitness 03/15/10
Heather Orser, Toad's Place 01/29/01
Janet Oseroff, MultiMediaProperties 11/18/05
Marc Ostrow, Boosey & Hawkes 12/05/08
Riley O’Connor, Live Nation Canada 07/24/09
Jeremy Palmer, Buddy Lee Attractions 11/02/01
John Palmer, Megawave Records 08/31/07
Panos Panay, Sonicbids 12/23/05
Julien Paquin, Paquin Artists Agency 04/30/14
Graham Parker, WQXR-FM 11/26/14
Crispin Parry, British Underground 02/24/08
Donald Passman, Gang, Tyre, Ramer & Brown 04/09/10
Donald S. Passman, Gang, Tyre, Ramer & Brown 01/06/16
Bruce Patron, Overland Entertainment 07/28/06
Alexandra Patsavas, Chop Shop Music 09/27/11
Cheryl Pawelski, Omnivore Entertainment Group 09/26/13
Kerry Peace, Alligator Records 08/18/06
Eric Peltoniemi, Red House Records 12/14/09
Scott Perry, Sperry Media 03/11/05
Lawrence Peryer, Jr., 23 Omnimedia 11/07/08
John Peters, MassConcerts 06/07/11
Holger Petersen, Stony Plain Records 04/15/05
Jon Phillips, Silverback Professional Artist Mgmt/Controlled Substance Sound 08/29/08
Dave Pichilingi, Sound City 03/30/16
Vince Pileggi, Music Inc./Music Inc. Sounds 12/01/06
Eric Pirritt, Endit! Presents / The Fox Theatre 10/17/03
Neil Portnow, The Recording Academy 02/08/11
Louis Posen, Hopeless Records 04/04/11
Stephen Posen, Estate of Glenn Gould 01/23/13
Nadia Prescher, Madison House 06/20/03
Jeff Price, TuneCore 02/28/11
Tom Principato, Powerhouse Records 02/01/08
Roger Probert, Core Records 12/08/06
John "Grinder" Procaccini, JP Squared (JP2) 01/17/03
Mark Pucci, Independent Music Publicist 09/09/05
David Pullman, The Pullman Group 11/03/00
Rod Quinton, Saigon Sound System 04/18/11
Dolphus Ramseur, Ramseur Records 10/19/07
Jack Randall, Ted Kurland Associates 04/05/02
Jack Randall, The Kurland Agency 03/08/17
Debra Rathwell, AEG Live 05/03/13
Jeff Ravitz, Visual Terrain 02/08/08
Paul Reed, Association of Independent Festivals (AIF) 06/14/17
Rich Rees, M.P.I. Talent Agency 09/19/08
John Reese, Freeze Artist Management 08/01/08
Bill Reeves, WRIII, Inc. 10/20/06
Stephen Rehage, Rehage Entertainment 07/30/04
Lisa Reiss, Pearl Productions 08/17/07
Salaam Remi, Composer, producer, musician and label executive. 01/08/14
David Renzer, Universal Music Publishing Group 08/23/09
Alison Richard, Universal Orlando Resort 05/06/05
Kelli Richards, The All Access Group 02/07/12
Gary Richards, HARD Events 08/29/13
Sam Righi, Waterfront Entertainment Group 05/30/03
Jon Rinaldo, Joker Productions 01/02/04
Geary Rindels, Geary Rindels Enterprises, Inc. 12/05/03
Doreen Ringer Ross, BMI 01/18/08
Lisette Rioux, Island Def Jam Music Group 05/16/03
Dave Roberge, Everfine Records & Everfine Artist Management 12/03/04
Sandy Roberton, Worlds End Producer Management 02/20/09
Ty Roberts, Gracenote 01/31/12
Bill Rogers, BRE Presents 07/13/07
Ian Rogers, Topspin Media 06/01/10
Benji Rogers, PledgeMusic 12/19/13
Dave Rose, Deep South Entertainment 09/15/06
Eric Rosen, Ronald S. Bienstock & Associates 05/25/01
Stuart Ross, The Ross Group 02/23/01
David Ross, President IAAM; Director, Show Me Center 09/23/05
Bobby Rossi, Ruth Eckerd Hall 02/28/03
Michael Rothschild, Landslide Records 04/29/05
Robert Rowland, Red Entertainment 06/13/08
Bill Royston, Mt. Hood Jazz Festival 03/07/03
John Rudolph, Bug Music 05/24/10
Elizabeth Rush, E.R.A. / Elizabeth Rush Agency 08/20/04
Aran Rush, Expo and Foro Imperial 02/16/07
Maurice Russell, Harry Fox Agency 10/21/05
Barron Ruth, Skyline Music 02/14/03
Andrea Sabata, Skyline Music 01/07/05
Numa Saisselin, Count Basie Theatre, Inc. 02/04/05
Ron Sakamoto, Gold & Gold Productions 01/16/10
David Salidor, dis Company 07/20/07
Shaw Saltzberg, S. L. Feldman and Associates 06/21/10
Bruce Allen & Sam Feldman, A&F Music 12/19/08
Mark Samuels, Basin Street Records 06/11/04
Jacqueline Saturn, Harvest Records 01/21/15
Tamara Saviano, American Roots Publishing 07/22/05
Tamara Saviano, Author, journalist, and producer 08/18/16
Michael Scafuto, Mountain High Entertainment 12/07/01
Steve Schankman, Contemporary Productions 12/21/01
Steve Scharf, Carlin America 10/11/02
John Scher, Metropolitan Talent 11/21/08
Al Schmitt, Producer/Engineer 02/13/10
Bobby Schneider, Tour Coordinator, Third Eye Blind 01/31/03
Jake Schneider, Madison House 04/02/14
Steven Schnur, EA Music Group 07/03/13
Elaine Schock, Shock Ink 02/19/10
Stacy Schott, Mad Booking and Events 08/22/03
Daylle Schwartz, Revenge Productions 08/19/05
Dean Sciarra, ItsAboutMusic.com 11/26/04
Joel Selvin, Author and Journalist 08/07/14
Jay Sendyk, Sendyk, Leonard & Company, Inc. 05/03/02
Peter Shapiro, Ideal Entertainment 04/16/04
Seth Sheck, Access Pass & Design 01/03/03
Seth Sheck, ACCESS Event Solutions 06/22/16
Seth Shomes, The Agency Group 11/12/14
Jay Sieleman, The Blues Foundation 07/18/03
Anya Siglin, The Ark 03/05/10
Bill Silva, Bill Silva Entertainment 10/19/10
Tom Silverman, Tommy Boy Entertainment 03/06/12
Steve Simon, Clear Channel Communications 05/14/04
Ralph Simon, Live Earth 07/06/07
Ralph Simon, Mobilium 04/12/11
Michael Simon, The Harry Fox Agency 08/14/13
Ron Simpson, RCS Productions 01/11/08
John Simson, SoundExchange 07/15/05
Dion Singer, Warner Bros. 12/07/09
Gram Slaton, The Community Arts Center 02/25/05
Owen Sloane, Gladstone Michel Weisberg Willner & Sloane 10/11/10
Peter Smidt, Eurosonic Noorderslag & manager Buma Cultuur 07/17/13
Garrison Snell, Gyrosity Projects 02/23/17
Mike Snider, Paradigm Talent Agency Nashville 05/17/11
Andrew Snowhite, Musictoday 05/04/01
Bruce Solar, The Agency Group 05/14/14
Nikki Solgot, Circle Talent Agency 02/18/15
Michael Solomon, Brick Wall Management 05/25/07
Mark Sonder, Mark Sonder Productions 07/25/08
Steve Sonnier, UIC Pavilion at the University of Illinois, Chicago 09/03/04
Kathy Spanberger, peermusic 06/20/12
Carolyn Specht, CIE USA Entertainment Inc. and OCESA PRESENTS Inc. 03/26/04
David Spelman, New York Guitar Festival 10/01/04
Jason Spiewak, Rock Ridge Music 04/07/06
Dan Steinberg, Square Peg Concerts 11/29/12
Dan Steinberg, Square Peg Concerts 02/18/05
Jeremy Stephan, Ventures, LLC 04/23/04
Walter Stewart, Mars Talent Agency 02/21/03
Gail Stocker, Gail Stocker Presents 11/12/04
Jon Stoll, Fantasma Productions 10/13/00
Jesse Stoll, AEG 06/27/09
Henry Stone, Henry Stone Music 06/24/05
Jason Stone, Live Nation New York 03/31/06
Howard Stovall, Resource Entertainment Group 05/28/04
Cameron Strang, New West Records 10/18/02
Don Strasburg, AEG Live Rocky Mountains 02/27/09
Barbara Strauss, Sovereign Ventures 05/12/06
Richard Stumpf, Cherry Lane Publishing 08/07/06
Deb Suckling, SUGARRUSH Music 07/27/17
Patrick Sullivan, RightsFlow 10/25/11
Bernie Swain & Harry Rhodes, Jr., Washington Speakers Bureau 12/07/00
Dean Swett, Paramour Group 06/14/02
Jake Szufnarowski, Rocks Off 05/02/08
Marc Tanner, Chime Entertainment 12/22/06
Donald Tarlton, The Donald K Donald Group 04/12/02
Tess Taylor, Los Angeles Music Network 08/09/02
Race Taylor, WPLJ - New York 10/27/06
Race Taylor, WPLJ - New York 10/27/06
Chris Taylor, Taylor 03/15/09
Peter Tempkins, DeWitt Stern Group 03/16/01
Peter Tempkins, Momentous Insurance Brokerage 03/27/09
Lisa Tenner, Tenner & Associates (EAT'M) 08/06/01
Jeremy Tepper, Diesel Only Records 10/10/03
Allan Tepper, Bicycle Music Company 09/28/07
Martin Terefe, Kensaltown Studios 05/31/11
Milun Tesovic, MetroLeap Media 10/18/09
Mandar Thakur, Times Music 08/06/15
Jerry Thompson, Promoter Line Inc. 03/05/04
Jose Tillan, MTV Networks Latin America 12/02/05
Jon Tiven, Hormone Studios 08/05/05
Rob Tonkin, Marketing Factory 12/17/15
John "J.T." Toomey, 25/8 Management 11/15/11
Livia Tortella, Warner Bros. Records 01/10/12
Phil Tripp, IMMEDIA! 01/19/06
Claudio Trotta, Barley Arts Promotion 11/26/01
Chris Tsakalakis, StubHub 01/11/10
Ben Turner, Graphite Media 05/10/10
Steve Vai, Favored Nations Entertainment 04/26/02
John Valentino, Fantasma Productions 04/18/03
John Valentino, AEG Live SE 11/01/10
Don Van Cleave, Coalition of Independent Music Stores 04/09/04
Casey Verbeck, Partners in Music 06/06/03
David "Boche" Viecelli, The Billions Corporation 04/18/10
Marsha Vlasic, Artist Group International 05/31/17
Mat Vlasic, Bravado 06/28/17
Ray Waddell, Billboard Magazine 08/27/04
Rob Waggener, Foundations Recovery Network 03/07/11
Jim Walczak, Racine Civic Centre 06/03/05
Jeff Walker, The AristoMedia Group 08/16/10
Carla Wallace, Big Yellow Dog Music 11/04/05
Russell Wallach, Live Nation Network 03/20/12
Steve Walter, The Cutting Room 10/24/08
Neil Warnock, The Agency Group 05/02/09
Diane Warren, Realsongs 08/14/09
Butch Waugh, RCA Label Group Nashville 01/10/03
Lauren Wayne, The State Theatre 05/09/12
Kirt Webster, Webster PR 02/03/16
Ken Weinstein, Big Hassle Media 04/22/05
Bruce Weinstein, Bethel Woods Center for the Arts 02/15/08
Larry Weintraub, Fanscape 05/18/01
Pam Weiser, Momentous Insurance Brokerage 10/11/11
Kevin Welk, Welk Music Group 01/24/12
D-J Wendt, Dmand Management 05/09/08
Alison Wenham, Worldwide Independent Network 02/13/09
Bill Werde, Billboard 08/03/11
Joel Whitburn, Record Research 11/13/09
Judd White, Tour Manager/Accountant 02/13/04
Jeff White, In Ticketing 12/16/06
Adam White, Author 09/14/16
Adam Wilkes, AEG Live Asia 10/13/16
Fenton Williams, 04/04/08
Del Williams, Right Arm Entertainment 04/18/08
Bryan "Birdman" Williams, Cash Money Records 09/13/11
Paul Williams, ASCAP 10/19/11
J.P. Williams, Parallel Entertainment 10/03/12
Kurt Willms, Green Room Productions 09/20/03
Chris Wilson, Heartbeat Records 03/02/07
Tony Wilson, Factory Records/In The City 06/01/07
Tom Windish, The Windish Agency 07/26/10
John Wiseman, XL Touring Video 05/05/06
Thom Wolke, Twincloud.com 02/08/02
Michael Wood, City Lights Entertainment 08/08/08
Keith Wortman, Blackbird Presents 03/22/17
Nigel Wright, Independant Record Producer 11/07/03
Dusty Wright, CultureCatch.com 07/27/07
Jeremiah “Ice” Younossi, A-List Talent 09/20/09
Gail Zappa, The Zappa Family Trust 10/02/14
Kevin 'Chief' Zaruk, Chief Music Management 06/10/15
Ron Zeelens, RAZco Visas 04/20/01
Rick Zeiler, Sidney Frank Importing Company 06/04/04
Danny Zelisko, Live Nation 06/19/09
Hillary Zuckerberg, Brick Wall Management. 07/09/04
Steve Zuckerman, Global Entertainment and Media Summit 03/22/02
Paul Zullo, Muze 01/23/04
Nanette Zumwalt, Hired Power 02/03/06

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