Jeremy and his wife, Laura Cantrell

Industry Profile: Jeremy Tepper

— By Bob Grossweiner and Jane Cohen

Jeremy Tepper is your average, everyday New York City outer-borough music biz home office label boss, artist manager and promotion man, magazine editor and music journalist, club deejay and radio personality, producer and composer, reformed musician, talent agent, consultant, and whatever else comes along. Together with his wife Laura Cantrell, a famed recording artist and radio personality in her own right, he owns and operates the 13-year-old Diesel Only label from their 1920's-era apartment in Jackson Heights, Queens.

In addition to managing Cantrell's rising career and releasing albums by other acclaimed artists like Amy Allison, Neil Cleary, Tammy Faye Starlite, and Joe Flood, for the past two years he has held the position of editor for The Journal of Country Music, the official publication of the Country Music Hall of Fame in Nashville. Since 2001 he has also been an on-air personality for Sirius Satellite Radio as the host of the morning drive-time show on "The Border 36," and most Monday nights when he and Cantrell are not touring, he can be found spinning vintage country tunes at the Union Pool bar in the ultra-hip Williamsburg section of Brooklyn (as D.J. RigRocker, Jeremy has also "opened" local shows for Dolly Parton, Willie Nelson, and Southern Culture on the Skids). Jeremy has previously been editor of such magazines as Wrestling's Main Event, Modern Truckstop News and Vending Times. In 1992, he launched his own Street Beat trade rag for the jukebox and amusement industry, which was sold to Kane Communications (publishers of Tourist Attractions and Parks) in 1999. He was also the chief country music critic for Tower Records' Pulse! magazine from 1994-2001 and held A&R and marketing positions for CDuctive and later Emusic, during the dot.com boom of 1999-2000.

A native of Poughkeepsie, N.Y., where he played in punk and rockabilly bands during high school, Jeremy moved to the Big Apple in 1981 to study journalism at New York University. Two years later he formed the band World Famous Blue Jays, which he fronted on lead vocals and guitar. The Jays became regulars at New York honky-tonks like Tramps and the Lone Star Cafe, opening for many national acts, and recorded two singles for the tiny Hideout label in the late '80s. In 1990, Tepper and band members Jay Sherman-Godfrey and Albert Caiati formed the Diesel Only imprint to release their third single, "Good Morning Mr. Trucker" (which was recently used as the opening theme for the "Nashville Star" television series). Among the acts that recorded 45s for Diesel Only in the early '90s were Mojo Nixon, the Blue Chieftains, Angel Dean & The Zephyrs, Courtney & Western, Five Chinese Brothers, and Go To Blazes. The label also released singles and provided jukebox promotion for more established artists such as Ween, Nick Lowe, Bottle Rockets, and Billy Joe Shaver, as well as a series of "In Tandem" releases with the Singles Only Label (SOL), founded by Bob Mould (Husker Du, Sugar).

In 1992, Diesel Only released the first of its acclaimed compilations produced by Jeremy, entitled "Rig Rock Jukebox: A Collection of Diesel Only Records." This was followed by "Rig Rock Truckstop" in 1994 and "Rig Rock Deluxe" in 1996. While the first two compilations were comprised primarily of local New York bar bands, "Rig Rock Deluxe" (a joint release with Rounder's Upstart imprint) featured legends of country and truck driving music (Buck Owens, Red Simpson, Del Reeves) alongside leading country roots (Junior Brown, BR5-49, Marty Stuart) and alternative country (Son Volt, Kelly Willis, Bottle Rockets) artists, and Jeremy collaborated with Grammy-winner Jim Lauderdale to write the song "Diesel, Diesel, Diesel" (recorded by Lauderdale and Del Reeves). The album topped the then-new Gavin Americana chart and won the NAIRD award for "Americana Album of the Year" in 1997. That same year the World Famous Blue Jays were recruited by filmmaker Michael Moore to compose instrumental score music for his BBC documentary "The Big One," which was later showcased at the Sundance Film Festival and received a theatrical release through Miramax Films.

In 2000, Jeremy began an association with the Country Music Hall of Fame and Museum by producing the compilation "Truck Driver's Boogie: Big Rig Hits 1939-1969," the most exhaustive collection ever assembled of vintage trucking songs. The album received widespread press coverage, including a feature in The New York Times' Arts & Leisure section and an interview with Jeremy on NPR's "On the Media" program. This project lead to Jeremy being tabbed as the editor of The Journal of Country Music, the first time the Country Music Hall of Fame had ever retained an editor outside of Nashville.

In 2001, broadcast legend Meg Griffin hired Jeremy as an on-air personality for Sirius Satellite Radio's Alternative Country channel (now renamed "The Border"). His wife Laura, a longtime New York radio fixture (on WKCR and later WFMU, where she has hosted the award-winning Radio Thrift Shop since 1993), released her debut album, "Not the Tremblin' Kind" in 2000, followed by "When the Roses Bloom Again" in 2002. Both albums were released on Diesel Only in the U.S. (the Glasgow-based Shoeshine/Spit &Polish label covered the U.K. and Europe) - with Jeremy handling all promotion and publicity - and received four-star reviews in Rolling Stone, along with coverage in USA Today, Entertainment Weekly (A), W and O magazines, The Wall Street Journal, a profile on NPR's "All Things Considered" and an appearance on the "Late Show with Conan O'Brien." In 2002, Laura was personally invited by Elvis Costello to open 17 dates on his U.S. tour, and Jeremy served as tour manager (Laura and Jeremy have worked over 50 U.S. and U.K. dates since then, and will be opening shows for Joan Baez and Ralph Stanley this fall). During the summer of 2003, Laura's performing career reached new milestones, including her debut on the Grand Ole Opry and the Cambridge Folk Festival, and a feature article in The New York Times' Arts & Leisure section that described Laura and Jeremy as "New York's First Couple of Twang."

Do you miss being an active musician?
Not as much as I thought I would. I generally consider myself a "recovering" musician. I'm always afraid that if I get back on stage I will get the bug again. By working with Laura, I get to enjoy all the hassles and inconveniences of doing gigs without the momentary enjoyment of being on stage. However, the World Famous Blue Jays have played a handful of parties in recent years (including one Bat Mitzvah!), and I love to just strap on a guitar and play nothing but old rock & roll covers. We are currently considering a low-key Blue Jays 20th anniversary show sometime this fall.

What did you learn as a musician that you have brought into management?
Everything. How a musician thinks and all the work that goes into playing gigs, writing songs, and working in the studio. Hey I remember the days before email when you actually had to lick stamps in order to send out a mailing! I've been busted for wheat-pasting posters. So I understand the helplessness that many artists feel in terms of advancing their own careers and I'm generally suspicious of music business creeps and weasels. I can actually talk about music and not just product. It's something that gives me a comfort level whether dealing with artists on my own label or interviewing big names for Sirius or just hanging out backstage or in a bar anywhere.

Do you want to manage more artists?
I never set out to be a manager, although you could say I always played that role for the Blue Jays, which was not necessarily a good thing. Neither is "managing" your wife, and we certainly don't think of it that way. So the manager thing is more something I do by default. Even on the level we operate, it's still amazing how many details there are to attend to - especially when the emails start arriving from the U.K. early in the morning. But it is something that comes pretty naturally to me, particularly after years and years of hanging out and observing and getting to know people in all the different areas of the music industry. And I do enjoy working with artists, so I wouldn't want to rule out the possibility of managing other acts.

How did you pick a booking agent for Laura?
David "Boche" Viecelli approached us several times before we agreed to go with the Billions Corp., out of Chicago. He had been turned on to Laura by Jon Langford (Mekons, Waco Brothers) and spent a lot of time listening to the first album, which we really appreciated. At first we told him we weren't ready to tour and were fine with booking our own local shows, but we eventually decided to sign on with Billions last year and did a short run to Chicago and back prior to the Elvis Costello tour. Of course it was a huge help to have a real agent involved in contracting and advancing that tour, as we were in way over our heads. Since then he's booked a more extensive Midwest club tour and the Grand Ole Opry, as well as some other nice dates, so we're very happy with our relationship there.

In the U.K. we had been booked by a Scottish agent for the first couple of years, who was great with Scottish festivals like Celtic Connections in Glasgow, but had limited impact in the rest of the U.K. Everyone we talked to, from Steve Earle to Frank Callari, told us that Paul Fenn of Asgard was the premier U.K. agent for country talent. We had contacted him several times, but he had always politely passed. It wasn't until he saw Laura at the Borderline in London last December that he agreed to represent her. So far, it's been another great relationship, as he's lined up two headlining U.K. tours, appearances at Blue Highways (Holland), Rhythm & Roots (Kilkenny), Summer Sundae (Leicester), and the Cambridge Folk Festival, as well as the upcoming tour with Ralph Stanley & the Clinch Mountain Boys, which is playing a handful of concert halls in the U.K. and Ireland in November.

How did the Joan Baez tour come about?
That was really driven by Joan's publicist, Mary Moyer at Sacks & Co., a longtime supporter who pitched Laura to Joan's manager, Mark Spector. She even dragged Mark to see Laura at her free outdoor show in Madison Square Park last summer. Of course, we're thrilled to be touring with a legend such as Joan Baez, as well as playing great theaters in major Northeast markets during the fall foliage season.

Do you like being a tour manager?
Again, I only play this role by default. Since we're not getting any tour support, the expense of carrying a five-piece band on a multi-date tour doesn't afford us the luxury of hiring extra personnel, although we did bring one crewmember on the Elvis tour. After the trial-by-fire, on-the-job training of the Elvis tour, and subsequent touring both in the U.S. and U.K., I do feel I've learned a number of things that have helped me be better organized and more efficient, from keeping cash records to van rentals to booking hotels on Priceline. Since our U.K. label boss Francis Macdonald also plays drums with Laura on U.K. dates (his "day job" is drumming for Teenage Fanclub), he has been able to take care of business at a few shows that I've missed, and Heather McDonald in the Shoeshine office has also been incredibly helpful in organizing, and in a few cases booking, U.K. tours. We also use a great Scottish driver named Paul Clinton who has a lot of valuable road experience.

Why did you shift Diesel Only to contemporary artists after being mostly a label of compilations?
It was really a bit of an accident that arose after Laura's first album "Not the Tremblin' Kind" was released in the U.K. We sent copies to a bunch of likely U.S. indie labels, but no one really expressed much interest in putting it out. I called my friend Glenn Dicker with Redeye Distribution and asked if he'd be interested in carrying it, and he said yes. Since then I've managed to pick up other finished albums, mostly from old friends, and I do my best to market them any way I can. I find it interesting that in terms of production costs, it's actually cheaper to produce full-length CDs now than it was to make vinyl 45s 10 years ago, and the sales margins are a whole lot better. Of course, that doesn't mean it's easy to sell the stuff I put out, as that part is always a challenge, but Redeye has been really supportive and helpful with setting up retail programs. Those guys have great taste, which is becoming a rarity these days.

How do you feel about free downloading of music?
At the level I operate, and on the Diesel Only and Laura websites, it's totally encouraged. Any opportunity to get people to listen to new music has to be embraced. If they hear something they like they're that much more likely to tell a friend about it or come to a show, which may in turn lead to a CD sale (or not). That principle is not very different than getting music exposed on radio, except that the state of radio is so bad and it costs a hell of a lot more to try to put together a thorough radio campaign than it does to post free MP3s online. This philosophy is obviously more consistent with a small label and manager of a developing artist than it would be for the big labels and acts that have objected so strongly to downloading and watched their sales shrink. But I do genuinely feel that good music and lasting artists will somehow prevail, no matter what format is in vogue.

First concert attended
Roger McGuinn's Thunderbyrd (with Mick Ronson on guitar) and Rick Derringer at Bardavon Opera House in Poughkeepsie, June 1975.

First concert worked
I guess you could say I "worked" a lot of concerts at the Mid Hudson Civic Center in Poughkeepsie in the late '70s. More accurately, I helped wipe down the plastic seats before the show and clean up afterwards. It was always amazing what people left behind. I don't recall the first concert I "worked" there, as I also had numerous scams for sneaking in. I do remember the first big concert there, which was Blue Oyster Cult with the Ramones opening. Over the next few years I saw the following acts play Po-town, many repeatedly (in no particular order): Foghat, Cheap Trick, Rush, REO Speedwagon, AC/DC, Bruce Springsteen, Charlie Daniels Band, Lynyrd Skynyrd, Marshall Tucker Band, The Outlaws, Bob Marley, Billy Joel, J. Geils Band, The Pretenders, Utopia, Ian Hunter, Angel, Metallica, Motorhead, Meat Loaf, Tom Petty, and who can forget perennial opener Max Webster!!

First industry job
Stock clerk at Book & Record on the Main Mall in Poughkeepsie.

Career highlights
Composing and recording original music for "The Big One" and having anold Blue Jays single be used as the opening credit theme for "Nashville Star." Winning the "Indie Award" for "Rig Rock Deluxe." Also, touring with Elvis Cotsello and Laura's debut on the Grand Ole Opry this past July.

Career disappointment
The bursting of the dot.com bubble when I was dot.canned after six months with EMusic. But I did get to work with some cool people and keep my Palm Pilot, so the experience wasn't a total loss (unlike my stock holdings).

Greatest challenge
Trying to survive as a wildcat freelancer and self-financed independent label.

Best business decision
Buying out my two original partners in Diesel Only.

Best advice you received
Be patient. And to buy out my two partners.

Best advice to offer
Stick to it, have fun, and don't harass people. They're busy too.

Most memorable industry experience
Maybe meeting Colonel Tom Parker at my first AMOA convention in 1989, and giving the Everly Brothers a tour of the same convention a few years later. Too many others to list, and I'm looking forward to more great memories to come.

What friends would be surprised to learn about you
That I co-starred with a great dane in a mattress commercial. Every now and then I get a call or email from someone who saw it and freaked out.

Industry pet peeve
Phoniness and pretension.

Office paraphernalia
Various relics from my years in the amusement industry, including my Bart Simpson and Elvira pinball tzotchkes.

If I wasn't doing this, I would be...
...still trying to make it as an artist. Whew, glad I got over that phase!

Industry mentors
Morris "Tiny" Weintraub and Vic Lavay (publishers of Vending Times), jukebox one-stop man Harvey Campbell, show biz pioneer Zeke Manners, my radio fairy godmother Meg Griffin, and inspiration from great indie record men like Sam Phillips, Stan Lewis, and Don Pierce.

Jeremy can be reached at (718) 565-2497; e-mail: dieselonly@aol.com

For more info visit http://www.dieselonly.com and http://www.lauracantrell.com

.

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Rusty Hooker, Rock Steady Management Agency 02/16/01
Jake Hooker, Hook Entertainment 05/10/02
Martin Hopewell, Primary Talent International 04/19/02
Tom Hoppa, TKO Booking Agency 09/29/06
Bobbie Horowitz, Times Square Group 01/04/02
Barney Hoskyns, Rock's Backpages 11/01/11
Bruce Houghton, Skyline Music 10/27/00
Bruce Houghton, Skyline Music 01/22/14
Andi Howard, Peak Records and Andi Howard Entertainment 09/02/03
Barbara Hubbard, ACTS 09/12/03
Seth Hurwitz, I.M.P. 04/20/09
Mark Hyman, Ashley Talent International 11/09/01
Brett Hyman, Category 5 Entertainment 07/23/04
Bruce Iglauer, Alligator Records 08/17/01
Bruce Iglauer, Alligator Records 05/28/14
Doug Isaac, Super Bowl Concert Series Producer (EXI) 08/24/01
David Israelite, National Music Publishers' Association 11/29/08
Tom Jackson, Tom Jackson Productions 02/06/13
Jay Jacobs, Parc Landon 09/21/07
Larry Jacobson, World Audience 09/17/04
Audra Jaeger, The Management Trust 05/09/03
Ralph James, The Agency Group 01/31/11
Jeffrey Jampol, Jampol Artist Management 07/18/12
Jean Michel Jarre, International Confederation of Societies of Authors and Composers (CISAC) 06/19/13
Michael Jaworek, The Birchmere 05/08/09
Peter Jesperson, New West Records 11/03/06
John Jeter, The Handlebar 08/15/12
Mike Johnson, Groundrush Media 02/17/06
Mike Gormley & Jolene Pellant, Yes, Dear Entertainment 04/23/10
Susan Joseph, Justice Entertainment Group 02/21/11
Darren Julien, Julien's Auctions 10/25/10
Henry Juszkiewicz, Gibson Guitars 09/28/10
Leonard Kalikow, Music Business Reference, Inc. 06/26/08
Craig Kallman, Atlantic Records 03/20/09
Danny Kapilian, Independent Producer 07/12/02
Mike Kappus, The Rosebud Agency 10/26/09
Andy Kaufman, Birdland 05/17/02
Wendy Kay, Mars Talent Agency 03/09/01
Lucas Keller, The Collective 03/22/11
Marty Kern, Clemson University 07/07/01
Carlos Keyes, Red Entertainment 10/08/04
Golnar Khosrowshahi, Reservoir Media Management 10/24/12
Martin Kierszenbaum, Interscope/Cherrytree Records 09/06/09
Barney Kilpatrick, Rattlesby Records 10/28/05
John Kinsner, The Walnut Room 03/28/08
Doug Kirby, LiveTourArtists 10/24/03
Steve Kirsner, Compaq Center 06/29/01
JoAnne Klabin, Sweet Relief 03/21/03
Andrew Klein, Revolution Marketing 11/05/04
Larry Klein, Producer, bassist, songwriter 03/13/12
Jack Kleinsinger, Highlights in Jazz 04/25/08
Ann Kline, Casa Kline 09/04/14
Brian Knaff, Talent Buyers Network 09/29/01
Kymberlee Knight, IEBA 11/16/00
Mike Kociela, 360 Productions 05/30/08
Stefan Kohlmeyer, Bach Technology 02/08/10
Lily Kohn, Microsoft Corporation 02/14/11
Tim Kolleth, Alligator Records 01/25/08
Al Kooper, Musician/songwriter/producer/author 02/06/14
Mitchell Koulouris, Digital Musicworks International, Inc. 02/11/05
Mark Krantz, John Schreiber Group 06/15/01
Jeff Krasno, Velour Music Group 11/19/07
Jeffrey Kruger, The Kruger Organisation 01/25/02
Ted Kurland, Ted Kurland Associates 01/15/01
Jordan Kurland, Zeitgeist Artist Management 08/23/11
Carianne Laguna, Blackheart Records 03/07/08
Brady Lahr, Kufala Recordings 04/30/04
Ernie Lake, EL Records 01/19/07
Roks Lam, Wolfman Jack Entertainment 12/17/04
Anni Lam, Parc Landon 06/29/07
Gary Lane, CenterLane Attractions 10/14/05
Tom LaPenna, Lucky Man Productions 09/10/04
Camilo Lara, EMI Music Mexico/MIS 08/10/07
Gary Lashinsky, Lipizzaner Tours 05/13/05
Gregg Latterman, Aware Records 12/13/02
Tony Laurenson, Eat to the Beat 02/27/04
Bill Leabody, Leabody Systems 06/10/05
Peter Leak, 24-7 Worldwide Management 03/28/12
Steve Leeds, SR. VP/Promotion/Rock Formats at Virgin Records 07/26/02
Bob Lefsetz, The Lefsetz Letter 11/14/08
Carl Leighton-Pope, Leighton-Pope Organisation 07/05/09
Steve Lemon, Live 4 Live, Inc. 12/06/02
Simma Levine, Disson Furst and Partners 11/10/00
Andy Levine, Sixthman 06/08/07
Rich Levy, Clear Channel Entertainment Properties 06/25/04
Eddie Levy, Chelsea Music Publishing 07/24/14
Myles Lewis, Denise Rich Songs 12/20/10
Terry Lickona, Austin City Limits 03/14/11
Justine Liddelow, Stage and Screen Travel Services 08/31/11
Larry Lieberman, 4EverWild 03/28/03
Marc Lipkin, Alligator Records 03/05/05
Tommy LiPuma (Part 1), Verve Records 11/08/10
Tommy LiPuma (Part 2), Verve Records 11/15/10
Alexander Ljung, SoundCloud 10/04/10
Andy Lo Russo, The Singing Chef 12/16/05
Phil Lobel, Lobeline Communications 08/13/04
Paul Lohr, New Frontier Touring 01/21/05
Paul Lohr, New Frontier Touring 05/17/10
Julie Lokin, New Audiences 03/23/01
Dave Lory, Artemis Records 03/30/02
Max Loubiere, Tour Director 04/11/12
Mark Lourie, Skyline Music 03/08/02
Dave Lucas, Live-360 04/28/06
Joe Lucchese, EventJoe 02/23/07
Kevin Lyman, 4 fini 03/30/01
Kevin Lyman, Vans Warped Tour 05/23/12
Bubba Mac, 09/14/07
David Macias, Emergent Music Marketing 06/17/05
Kristen Madsen, Grammy Foundation and MusiCares 11/22/10
Larry Magid, Larry Magid Entertainment 05/04/10
Peter Malkin, PM Management 02/07/03
Toby Mamis, Alive Enterprises 02/12/01
Billy Mann, Green & Bloom | Topl1ne, Manncom 09/18/14
Tasea Margeolas, Multi Entertainment 06/23/06
Tony Margherita, dBpm Records 09/06/11
Bob Roux & Mark Campana, Live Nation 12/20/11
Lee Marshall, Magic Arts & Entertainment 09/13/02
Zach Martin, Radio Producer at New York's WAXQ-FM 08/30/02
Mario Martin, Gorgeous PR 04/27/07
Molly Martinez, Ticket Summit 2008 05/23/08
Paul Mascioli, Mascioli Entertainment 01/14/05
Michael Maska, Big Hassle 01/28/05
Ted Mason, Mi-5 Recordings 11/16/01
Steve Masur, Masur & Associates, LLC 11/21/03
Pam Matthews, The Ryman Auditorium 04/08/05
Terry McBride, Nettwerk Music Group 03/01/10
Michael McCarty, ole 06/20/11
Jim McDonald, McDonald Group 12/19/03
Virginia McEnerney, HeadCount 11/26/07
Doc McGhee, McGhee Entertainment 06/14/10
Camilla McGuinn, Tour Manager 08/24/07
Andy McLean, North By Northeast (NXNE) 04/01/05
Dennis McNally, Grateful Dead historian/publicist 09/06/02
Garry McQuinn, Back Row Productions 06/14/11
Ruthann McTyre, The Rita Benton Music Library; and president of the Music Library Association 08/31/10
Dick McVey, Musician's Referral Service 10/27/07
John Meglen, Concerts West/AEG Live 02/21/13
Dan Melnick, Festival Productions, Inc. 02/22/02
André Ménard, Festival International de Jazz de Montréal 06/12/09
Bob Merlis, Merlis For Hire/Memphis International Records 01/16/04
Doug Merrick, Cumberland Talent Agency and Merrick Music Group 07/21/06
Louis Messina, The Messina Group 10/22/04
Louis Messina, The Messina Group/AEG Live 07/17/09
Louis Jay Meyers, North American Folk Music and Dance Alliance 03/30/07
Louis Jay Meyers, Folk Alliance International 01/23/09
Todd Miller, House Of Blues - New Orleans 11/14/03
Jeff Miller, Fantasma Productions 03/16/07
Ben Miller, Rock Ridge Music 11/02/07
J. B. Miller, Empire Entertainment 08/22/08
Richard Mills, S.L. Feldman 11/02/09
Linda Moran, Songwriters Hall of Fame (SHOF) 04/05/09
Jesse Morreale, Nobody In Particular Presents (NIPP) 09/20/02
Chuck Morris, Live Rocky Mountains 09/28/09
Mo Morrison, Independent production 05/24/02
Nick Moss, Blue Bella Records 11/30/07
Jim Musselman, Appleseed Recordings 04/14/06
Marc Nathan, Flagship Records 07/01/05
David Neilon, Rising Star Promotions 11/30/01
Don Neuen, Star Coaches Inc. 10/10/12
Dennis Newhall, DIG Music 10/07/05
John Nittolo, John Nittolo Productions 04/13/07
Ian Noble, Metropolitan Talent 05/23/03
Josh Norek, JN Media, LLC 07/05/02
David Norman, Tour Manager 04/20/07
Mimi Northcott, Canadian Recording Services (CRS) 04/11/08
Bill Nowlin, Rounder Records 01/05/07
John Nugent, NY JAM Inc. 11/08/02
Andy Nulman, Just For Laughs 11/20/13
Sal Nunziato, NYCD 06/01/01
Bob O'Neal, Ryman Auditorium 06/28/02
Andrea Orbeck, Prehab Health and Fitness 03/15/10
Heather Orser, Toad's Place 01/29/01
Janet Oseroff, MultiMediaProperties 11/18/05
Marc Ostrow, Boosey & Hawkes 12/05/08
Riley O’Connor, Live Nation Canada 07/24/09
Jeremy Palmer, Buddy Lee Attractions 11/02/01
John Palmer, Megawave Records 08/31/07
Panos Panay, Sonicbids 12/23/05
Julien Paquin, Paquin Artists Agency 04/30/14
Crispin Parry, British Underground 02/24/08
Donald Passman, Gang, Tyre, Ramer & Brown 04/09/10
Bruce Patron, Overland Entertainment 07/28/06
Alexandra Patsavas, Chop Shop Music 09/27/11
Cheryl Pawelski, Omnivore Entertainment Group 09/26/13
Kerry Peace, Alligator Records 08/18/06
Eric Peltoniemi, Red House Records 12/14/09
Scott Perry, Sperry Media 03/11/05
Lawrence Peryer, Jr., 23 Omnimedia 11/07/08
John Peters, MassConcerts 06/07/11
Holger Petersen, Stony Plain Records 04/15/05
Jon Phillips, Silverback Professional Artist Mgmt/Controlled Substance Sound 08/29/08
Vince Pileggi, Music Inc./Music Inc. Sounds 12/01/06
Eric Pirritt, Endit! Presents / The Fox Theatre 10/17/03
Neil Portnow, The Recording Academy 02/08/11
Louis Posen, Hopeless Records 04/04/11
Stephen Posen, Estate of Glenn Gould 01/23/13
Nadia Prescher, Madison House 06/20/03
Jeff Price, TuneCore 02/28/11
Tom Principato, Powerhouse Records 02/01/08
Roger Probert, Core Records 12/08/06
John "Grinder" Procaccini, JP Squared (JP2) 01/17/03
Mark Pucci, Independent Music Publicist 09/09/05
David Pullman, The Pullman Group 11/03/00
Rod Quinton, Saigon Sound System 04/18/11
Dolphus Ramseur, Ramseur Records 10/19/07
Jack Randall, Ted Kurland Associates 04/05/02
Debra Rathwell, AEG Live 05/03/13
Jeff Ravitz, Visual Terrain 02/08/08
Rich Rees, M.P.I. Talent Agency 09/19/08
John Reese, Freeze Artist Management 08/01/08
Bill Reeves, WRIII, Inc. 10/20/06
Stephen Rehage, Rehage Entertainment 07/30/04
Lisa Reiss, Pearl Productions 08/17/07
Salaam Remi, Composer, producer, musician and label executive. 01/08/14
David Renzer, Universal Music Publishing Group 08/23/09
Alison Richard, Universal Orlando Resort 05/06/05
Kelli Richards, The All Access Group 02/07/12
Gary Richards, HARD Events 08/29/13
Sam Righi, Waterfront Entertainment Group 05/30/03
Jon Rinaldo, Joker Productions 01/02/04
Geary Rindels, Geary Rindels Enterprises, Inc. 12/05/03
Doreen Ringer Ross, BMI 01/18/08
Lisette Rioux, Island Def Jam Music Group 05/16/03
Dave Roberge, Everfine Records & Everfine Artist Management 12/03/04
Sandy Roberton, Worlds End Producer Management 02/20/09
Ty Roberts, Gracenote 01/31/12
Bill Rogers, BRE Presents 07/13/07
Ian Rogers, Topspin Media 06/01/10
Benji Rogers, PledgeMusic 12/19/13
Dave Rose, Deep South Entertainment 09/15/06
Eric Rosen, Ronald S. Bienstock & Associates 05/25/01
Stuart Ross, The Ross Group 02/23/01
David Ross, President IAAM; Director, Show Me Center 09/23/05
Bobby Rossi, Ruth Eckerd Hall 02/28/03
Michael Rothschild, Landslide Records 04/29/05
Robert Rowland, Red Entertainment 06/13/08
Bill Royston, Mt. Hood Jazz Festival 03/07/03
John Rudolph, Bug Music 05/24/10
Elizabeth Rush, E.R.A. / Elizabeth Rush Agency 08/20/04
Aran Rush, Expo and Foro Imperial 02/16/07
Maurice Russell, Harry Fox Agency 10/21/05
Barron Ruth, Skyline Music 02/14/03
Andrea Sabata, Skyline Music 01/07/05
Numa Saisselin, Count Basie Theatre, Inc. 02/04/05
Ron Sakamoto, Gold & Gold Productions 01/16/10
David Salidor, dis Company 07/20/07
Shaw Saltzberg, S. L. Feldman and Associates 06/21/10
Bruce Allen & Sam Feldman, A&F Music 12/19/08
Mark Samuels, Basin Street Records 06/11/04
Tamara Saviano, American Roots Publishing 07/22/05
Michael Scafuto, Mountain High Entertainment 12/07/01
Steve Schankman, Contemporary Productions 12/21/01
Steve Scharf, Carlin America 10/11/02
John Scher, Metropolitan Talent 11/21/08
Al Schmitt, Producer/Engineer 02/13/10
Bobby Schneider, Tour Coordinator, Third Eye Blind 01/31/03
Jake Schneider, Madison House 04/02/14
Steven Schnur, EA Music Group 07/03/13
Elaine Schock, Shock Ink 02/19/10
Stacy Schott, Mad Booking and Events 08/22/03
Daylle Schwartz, Revenge Productions 08/19/05
Dean Sciarra, ItsAboutMusic.com 11/26/04
Joel Selvin, Author and Journalist 08/07/14
Jay Sendyk, Sendyk, Leonard & Company, Inc. 05/03/02
Peter Shapiro, Ideal Entertainment 04/16/04
Seth Sheck, Access Pass & Design 01/03/03
Jay Sieleman, The Blues Foundation 07/18/03
Anya Siglin, The Ark 03/05/10
Bill Silva, Bill Silva Entertainment 10/19/10
Tom Silverman, Tommy Boy Entertainment 03/06/12
Steve Simon, Clear Channel Communications 05/14/04
Ralph Simon, Live Earth 07/06/07
Ralph Simon, Mobilium 04/12/11
Michael Simon, The Harry Fox Agency 08/14/13
Ron Simpson, RCS Productions 01/11/08
John Simson, SoundExchange 07/15/05
Dion Singer, Warner Bros. 12/07/09
Gram Slaton, The Community Arts Center 02/25/05
Owen Sloane, Gladstone Michel Weisberg Willner & Sloane 10/11/10
Peter Smidt, Eurosonic Noorderslag & manager Buma Cultuur 07/17/13
Mike Snider, Paradigm Talent Agency Nashville 05/17/11
Andrew Snowhite, Musictoday 05/04/01
Bruce Solar, The Agency Group 05/14/14
Michael Solomon, Brick Wall Management 05/25/07
Mark Sonder, Mark Sonder Productions 07/25/08
Steve Sonnier, UIC Pavilion at the University of Illinois, Chicago 09/03/04
Kathy Spanberger, peermusic 06/20/12
Carolyn Specht, CIE USA Entertainment Inc. and OCESA PRESENTS Inc. 03/26/04
David Spelman, New York Guitar Festival 10/01/04
Jason Spiewak, Rock Ridge Music 04/07/06
Dan Steinberg, Square Peg Concerts 11/29/12
Dan Steinberg, Square Peg Concerts 02/18/05
Jeremy Stephan, Ventures, LLC 04/23/04
Walter Stewart, Mars Talent Agency 02/21/03
Gail Stocker, Gail Stocker Presents 11/12/04
Jon Stoll, Fantasma Productions 10/13/00
Jesse Stoll, AEG 06/27/09
Henry Stone, Henry Stone Music 06/24/05
Jason Stone, Live Nation New York 03/31/06
Howard Stovall, Resource Entertainment Group 05/28/04
Cameron Strang, New West Records 10/18/02
Don Strasburg, AEG Live Rocky Mountains 02/27/09
Barbara Strauss, Sovereign Ventures 05/12/06
Richard Stumpf, Cherry Lane Publishing 08/07/06
Patrick Sullivan, RightsFlow 10/25/11
Bernie Swain & Harry Rhodes, Jr., Washington Speakers Bureau 12/07/00
Dean Swett, Paramour Group 06/14/02
Jake Szufnarowski, Rocks Off 05/02/08
Marc Tanner, Chime Entertainment 12/22/06
Donald Tarlton, The Donald K Donald Group 04/12/02
Tess Taylor, Los Angeles Music Network 08/09/02
Race Taylor, WPLJ - New York 10/27/06
Race Taylor, WPLJ - New York 10/27/06
Chris Taylor, Taylor 03/15/09
Peter Tempkins, DeWitt Stern Group 03/16/01
Peter Tempkins, Momentous Insurance Brokerage 03/27/09
Lisa Tenner, Tenner & Associates (EAT'M) 08/06/01
Jeremy Tepper, Diesel Only Records 10/10/03
Allan Tepper, Bicycle Music Company 09/28/07
Martin Terefe, Kensaltown Studios 05/31/11
Milun Tesovic, MetroLeap Media 10/18/09
Jerry Thompson, Promoter Line Inc. 03/05/04
Jose Tillan, MTV Networks Latin America 12/02/05
Jon Tiven, Hormone Studios 08/05/05
John "J.T." Toomey, 25/8 Management 11/15/11
Livia Tortella, Warner Bros. Records 01/10/12
Phil Tripp, IMMEDIA! 01/19/06
Claudio Trotta, Barley Arts Promotion 11/26/01
Chris Tsakalakis, StubHub 01/11/10
Ben Turner, Graphite Media 05/10/10
Steve Vai, Favored Nations Entertainment 04/26/02
John Valentino, Fantasma Productions 04/18/03
John Valentino, AEG Live SE 11/01/10
Don Van Cleave, Coalition of Independent Music Stores 04/09/04
Casey Verbeck, Partners in Music 06/06/03
David "Boche" Viecelli, The Billions Corporation 04/18/10
Ray Waddell, Billboard Magazine 08/27/04
Rob Waggener, Foundations Recovery Network 03/07/11
Jim Walczak, Racine Civic Centre 06/03/05
Jeff Walker, The AristoMedia Group 08/16/10
Carla Wallace, Big Yellow Dog Music 11/04/05
Russell Wallach, Live Nation Network 03/20/12
Steve Walter, The Cutting Room 10/24/08
Neil Warnock, The Agency Group 05/02/09
Diane Warren, Realsongs 08/14/09
Butch Waugh, RCA Label Group Nashville 01/10/03
Lauren Wayne, The State Theatre 05/09/12
Ken Weinstein, Big Hassle Media 04/22/05
Bruce Weinstein, Bethel Woods Center for the Arts 02/15/08
Larry Weintraub, Fanscape 05/18/01
Pam Weiser, Momentous Insurance Brokerage 10/11/11
Kevin Welk, Welk Music Group 01/24/12
D-J Wendt, Dmand Management 05/09/08
Alison Wenham, Worldwide Independent Network 02/13/09
Bill Werde, Billboard 08/03/11
Joel Whitburn, Record Research 11/13/09
Judd White, Tour Manager/Accountant 02/13/04
Jeff White, In Ticketing 12/16/06
Fenton Williams, 04/04/08
Del Williams, Right Arm Entertainment 04/18/08
Bryan "Birdman" Williams, Cash Money Records 09/13/11
Paul Williams, ASCAP 10/19/11
J.P. Williams, Parallel Entertainment 10/03/12
Kurt Willms, Green Room Productions 09/20/03
Chris Wilson, Heartbeat Records 03/02/07
Tony Wilson, Factory Records/In The City 06/01/07
Tom Windish, The Windish Agency 07/26/10
John Wiseman, XL Touring Video 05/05/06
Thom Wolke, Twincloud.com 02/08/02
Michael Wood, City Lights Entertainment 08/08/08
Nigel Wright, Independant Record Producer 11/07/03
Dusty Wright, CultureCatch.com 07/27/07
Jeremiah “Ice” Younossi, A-List Talent 09/20/09
Gail Zappa, The Zappa Family Trust 10/02/14
Ron Zeelens, RAZco Visas 04/20/01
Rick Zeiler, Sidney Frank Importing Company 06/04/04
Danny Zelisko, Live Nation 06/19/09
Hillary Zuckerberg, Brick Wall Management. 07/09/04
Steve Zuckerman, Global Entertainment and Media Summit 03/22/02
Paul Zullo, Muze 01/23/04
Nanette Zumwalt, Hired Power 02/03/06

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