Industry Profile: Anthony Davis

— By Jane Cohen and Bob Grossweiner

An industry player for nearly 25 years, A.D. was the director of field operations for Contemporary Services Corporation 1977-1984, coordinating event sales, scheduling, client relations, and field supervision for the Rose Bowl, L.A. Coliseum / Sports Arena, Anaheim Stadium, Long Beach Arena, Jackson Victory Tour Security Coordinator, and NFL Super Bowls 1980-1985.

From 1984 -1985 he then became the director of operations for Black Bull Entertainment, the record company and recording studio owned and operated by artist Stevie Wonder. He managed all security operations at all properties and personal residences, arranging studio security and personal appearances.

From 1985-1986, A.D. was tour security coordinator for the Morris Day Color of Success Tour in North America, coordinating all personal and tour security for the 30-city tour and promotional appearances. As director of personal security for Allied Artist Records 1986-1987 A.D. managed the security operations of all corporate properties, artist, executive residences, and coordinated all special event, tour, and traveling security.

A.D.'s next tour was the 1987-1988 Billy Idol "Whip-Lash Smile" Tour. As director of personal security, he coordinated all personal and venue security during the eight-month world tour and directed all law enforcement, hotel and venue security liaison.

Then came the big one! A.D was the tour security director for one of the biggest and most hyped tours ever: the 1988-1989 Michael Jackson "Bad" World Tour, where he was the primary security coordinator for the 16-month sold-out extravaganza. A.D. created and managed the security plan that included concert security, crowd control, executive protection and transportation for family members and international celebrity guests.

From 1988-1991, A.D. was vice president of Staff Pro Security where his responsibilities included all sales and marketing, corporate expansion, client liaison and field operations. Great Western Forum, Mirage Hotel (Las Vegas), Shrine Auditorium (Academy Awards, Grammy Awards, American Music Awards, and the Soul Train Music Awards) were some of his accounts. At the same time, A.D. was general manager of 7-Eleven Olympic Velodrome, and as the event-staffing vendor, his additional duties covered all aspects of facility management including managing maintenance, security, and event staffing personnel. He also provided venue marketing and sales opportunities (concerts, consumer festivals, fireworks / chili cook-off, film and TV projects).

From 1991-1992, A.D. was president and partner of the entertainment division of E-Group Inc., a full-service event marketing firm that created and promoted a variety of special events and promotion for multi-cultural and multi-ethnic consumer events that were sponsor-driven. He managed all aspects of the facility liaison, security, parking, production and box office services.

In 1992, A.D. became executive vice president of VIP Event Service, Inc., managing the southern California operations for the Arizona-based special events firm, which provided the full spectrum of event staffing services nationally with offices in 16 states. In 1992 Anthony Davis / Associates absorbed all the southern California VIP Event Service operations.

From 1992-1997, he was president/CEO of the company, one of southern California's largest special event and security services companies, which were designed exclusively for the entertainment industry.Clients that A.D. has consulted for include Woodstock 1994; Lollapalooza 1993-1996; AT&T Global Olympic Village at the 1996 Centennial Summer Olympics in Atlanta; the H.O.R.D.E Festival; and the House of Blues "Smokin Grooves" Tour. Venue contracts included Hollywood Palladium; Olympic Velodrome; National Orange Show Events Center; The Palace Hollywood; Palm Springs Convention Center; and The Glass House. From 1997-1999, Davis was president/CEO o f A. D. Entertainment, Inc., and provided international special event consulting, executive protection and tour security services. Clients included Lollapalooza 1997; Guinness Fleadh; Jane's Addiction U.S. Tour; House of Blues Smokin Grooves Tour; Cypress Hill; Rage Against the Machine; Busta Rhymes World Tour; Fugees Homecoming Concert in Haiti; International Achievement Awards; Jamizon U.S. Tour; K-Mart Race Against Drugs; Athletes & Entertainers for Kids / Shaqtacular; San Fernando Valley Fair; Jean Claude Van Damme; Puff Daddy & The Family World Tour 1997-1998; Luis Miguel World Tour 1997-1998; and Lilith Fair 1998.

Davis sold his company in 1998 to D&L Entertainment Services, Inc., where he is currently vice president. The company provides special event consulting, executive protection and tour security services. Clients include Guinness Fleadh Festival 1999; Lilith Fair 1999; Orange County Zodiac Soccer Team; VH1, American Music Awards; Grammy Awards; Blockbuster Music Awards; Source Awards; Star Radio 98.7; Dr. Martens AirWair; Faith Evans World tour 1998-1999; Motley Crue U.S. tour; Third Eye Blind U.S. tour; Woodstock 1999; University of Texas at El Paso; University of Nevada, Las Vegas; New Mexico State University; MTV; City of Santa Ana, Calif.; and the 2000 Democratic Convention Media Launch event in Los Angeles.

A.D. enjoys time with his family, wife Lourdes and young children Marc and Ashley, two budding rodeo stars.

What have been the biggest changes in crowd management control in the last five years?
Well, there have been several major changes in my opinion. The first is the younger age demographic of the average concert attendee, along with increased alcohol and drug use. These two factors have had a dramatic effect on crowd behaviors, particularly at the larger festival-style events.

How has training changed for event security personnel?
The biggest change in training has been more emphasis on non-physical ejections, guest services, and incident reporting and controlled responses to problems. Due to the higher visibility of incidents to the media, we want to ensure that we have taken every possible precaution.

Has your company ever turned down a project because of potential exposure to liability?
Absolutely. I have been very reluctant to provide tour security personnel for a number of the newer, more controversial acts due to our inability to have input and control over the artists entourage, travel, and personal arrangements, which would jeopardize our ability to provide the level of protection necessary.

From a venue standpoint, when you provide event staff and security services to a contracted facility, you must prepare and assume the risk for staffing that venue's attractions whether you agree with the views, antics, or audience demographic of the performers. You can't refuse to do shows selectively like tour security personnel.

How do you feel about general admission shows in arenas?
I have always been a supporter of certain types of concerts in a g.a. format. From a patron standpoint, it allows fans to feel the connection to the artist. Artists feed on the energy of the crowd. As a security coordinator, I can prevent certain injuries and eliminate potential problems by not having chairs on the floor. Allowing patrons to access the floor for g.a. shows provides ticket holders the option of joining the action on the floor or sitting in the reserved seating areas away from the potential chaos on the floor.

Do you use blockades or barriers in such events and why?
I like the T-style barricade and free-standing barricades in front of the stage to separate the floor and reduce the size of the main moshing areas. I do not like the use of secondary barricades because it creates an atmosphere that essentially traps innocent patrons inside volatile areas without an easily accessible escape area. It also limits security staff response for fights and medical issues.

What effect did the Pearl Jam tragedy last summer at Roskilde have on your company and personnel?
I specialize in major outdoor festivals and rigorously advance all aspects of the stage and barricade set-up prior to opening the event doors. Although no one can predict what a crowd will do, there are precautions that will reduce the potential for death and injury. We all understand the risks and learn from these tragedies but it has no effect on how we do business.

What is your reaction to Limp Bizkit pulling out of the Big Day Out festival in Australia festival because of their safety concerns for the fans after some got hurt and one fan died?
I think that its great that bands and artists are starting to realize the consequences of their actions and what a dramatic effect on crowd behavior they influence. Its ironic that Limp Bizkit, a band that has pushed the envelope on artist / crowd interaction in the past, is speaking out on the subject.

How often do your employees go through re-training?
You can never do enough training, and I encourage my staff to participate in a series of training sessions beyond our initial employee training. We do training almost on an event-by-event basis due to the variety and diversity of our client base.

Are more artists and executives requiring personal security and what kind of security is needed?
More industry executives and artists are requiring personal security as a direct result of the number of recent assaults against several high profile individuals by employees, artists, and deranged fans. Also, many artists require security to protect the public from their actions and temperament. We have had more requests for our off-duty local and federal law enforcement personnel due to their advanced training and ability to carry concealed weapons.

Have you been following the Puffy Combs trial? If so, what are your feelings about the type of personal security portrayed on the night of the incident?
I have been monitoring his case. I think it is reflective of what happens when a high profile artist or celebrities fail to recognize the impact they have at public assembly functions and are not prepared from a security and safety stand-point to react. Anytime a bodyguard is armed he/she must be legally licensed and trained to use deadly force. Also, professional bodyguards must have the ability to convey concerns and veto certain movements in the best interest of the client. In my opinion, they did not have sufficient personal security in place to prevent this type of incident.

What should security people wear on the job?
It really depends on the type of security they are performing but image is everything. Special event security people must always be readily identified to the public to reflect their position and connection to the venue or attraction. This can be an event staff or polo shirt, jacket, blazer etc. Personal security personnel who work for and travel with an artist, bands or groups are different due to their roles, but must be dressed to reflect a professional appearance to the public, venue employees, law enforcement personnel etc. My tour security people wear a customized jacket, hooded sweat shirt, or baseball cap with my company logo for a low-key yet recognizable presence. They also wear suit and ties (depending on the image of the client).

What different kinds of insurance do you carry for events and what do you expect the event itself to carry?
We carry a major liability insurance policy worth several million dollars from a national carrier that covers all events, facilities and projects that we secure. We expect to be indemnified and held harmless for the negligence and actions of the event or attraction beyond our control.

As the new security coordinator for Aerosmith and their upcoming tour, what type of security format for personal and tour security have you created for them?
I am not comfortable discussing the specific format because it may compromise our ability to provide the level of protection that is necessary to secure the greatest rock n roll band in history. What I can reveal is my creation of a more presidential type of coverage, which will ensure that all members of the band, and related entourage, receive more personalized coverage.

What was your first industry job?
I started as a $ 2.75 an hour event staff guard for a major Los Angeles company, working special events and concerts. But my first industry job was as a doorman / bouncer at the historic Starwood club in West Hollywood in 1978, where Van Halen, Aerosmith and John Mellencamp were regular performers.

Career highlight
I have had a number of great moments and highlights in my 24-year career. The most notable highlight was winning the Performance Magazine Security Company of the Year Award in my first year in business 1992. I am proud to have been able to achieve this honor again in 1993, 1994, 1996, 1997 and 1998.

Career disappointment
I have had few disappointments in this business but the most damaging and disappointing incident occurred when my employee was accused of being the Atlanta Centennial Olympics bombing suspect in 1996. He was ultimately cleared of any wrongdoing but he and my company endeared major scrutiny and negative publicity.

Greatest challenge
Creating the security format and staffing the Lollapalooza festivals for six years gave me my greatest challenge, due to the types of venues the festival performed at, the audience demographic, the high caliber of talent, the summer heat and the dangers associated with the emergence of the moshing and crowd surfing activity.

Best business decision
It was definitely working out an endorsement and sponsorship relationship with Dr. Martens Air Wair LLC for uniforms and footwear along with staffing Dr. Marten-sponsored special events and tours, 1993-2000.

Worst business decision
It was my failure to control the rapid growth and diversity of Anthony Davis / Associates by not hiring the proper business management and accounting people. This lack of control led us into IRS problems with payroll taxes.

What is your industry pet peeve?
It has got to be the hypocrisy of promoters, artist management and venue managers that claim to provide the best service, have the best resources, book major talent, command top dollars for appearances, yet cut every corner in regard to public safety and security services, by not utilizing and paying for the high quality personnel and equipment available to ensure successful personal and event security.

A.D. may be contacted at 909-605-6616; e-mail: adentsev@aol.com.

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Bob Harris, 02/06/09
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Mike Johnson, Groundrush Media 02/17/06
Mike Gormley & Jolene Pellant, Yes, Dear Entertainment 04/23/10
Susan Joseph, Justice Entertainment Group 02/21/11
Darren Julien, Julien's Auctions 10/25/10
Henry Juszkiewicz, Gibson Guitars 09/28/10
Leonard Kalikow, Music Business Reference, Inc. 06/26/08
Craig Kallman, Atlantic Records 03/20/09
Steve Kane, Warner Music Canada 02/09/17
Danny Kapilian, Independent Producer 07/12/02
Mike Kappus, The Rosebud Agency 10/26/09
Andy Kaufman, Birdland 05/17/02
Wendy Kay, Mars Talent Agency 03/09/01
Lucas Keller, The Collective 03/22/11
Marty Kern, Clemson University 07/07/01
Carlos Keyes, Red Entertainment 10/08/04
Golnar Khosrowshahi, Reservoir Media Management 10/24/12
Martin Kierszenbaum, Interscope/Cherrytree Records 09/06/09
Barney Kilpatrick, Rattlesby Records 10/28/05
John Kinsner, The Walnut Room 03/28/08
Doug Kirby, LiveTourArtists 10/24/03
Steve Kirsner, Compaq Center 06/29/01
JoAnne Klabin, Sweet Relief 03/21/03
Andrew Klein, Revolution Marketing 11/05/04
Larry Klein, Producer, bassist, songwriter 03/13/12
Jack Kleinsinger, Highlights in Jazz 04/25/08
Ann Kline, Casa Kline 09/04/14
Brian Knaff, Talent Buyers Network 09/29/01
Kymberlee Knight, IEBA 11/16/00
Mike Kociela, 360 Productions 05/30/08
Stefan Kohlmeyer, Bach Technology 02/08/10
Lily Kohn, Microsoft Corporation 02/14/11
Tim Kolleth, Alligator Records 01/25/08
Al Kooper, Musician/songwriter/producer/author 02/06/14
Mitchell Koulouris, Digital Musicworks International, Inc. 02/11/05
Mark Krantz, John Schreiber Group 06/15/01
Jeff Krasno, Velour Music Group 11/19/07
Jeffrey Kruger, The Kruger Organisation 01/25/02
Harvey Kubernik, Author/historian/music journalist 08/20/15
Ted Kurland, Ted Kurland Associates 01/15/01
Jordan Kurland, Zeitgeist Artist Management 08/23/11
Carianne Laguna, Blackheart Records 03/07/08
Brady Lahr, Kufala Recordings 04/30/04
Ernie Lake, EL Records 01/19/07
Roks Lam, Wolfman Jack Entertainment 12/17/04
Anni Lam, Parc Landon 06/29/07
Gary Lane, CenterLane Attractions 10/14/05
Tom LaPenna, Lucky Man Productions 09/10/04
Camilo Lara, EMI Music Mexico/MIS 08/10/07
Gary Lashinsky, Lipizzaner Tours 05/13/05
Gregg Latterman, Aware Records 12/13/02
Tony Laurenson, Eat to the Beat 02/27/04
Emily Lazar, The Lodge 10/15/15
Bill Leabody, Leabody Systems 06/10/05
Peter Leak, 24-7 Worldwide Management 03/28/12
Steve Leeds, SR. VP/Promotion/Rock Formats at Virgin Records 07/26/02
Bob Lefsetz, The Lefsetz Letter 11/14/08
Carl Leighton-Pope, Leighton-Pope Organisation 07/05/09
Steve Lemon, Live 4 Live, Inc. 12/06/02
Randy Lennox, Universal Music Canada 06/24/15
Simma Levine, Disson Furst and Partners 11/10/00
Andy Levine, Sixthman 06/08/07
Rich Levy, Clear Channel Entertainment Properties 06/25/04
Eddie Levy, Chelsea Music Publishing 07/24/14
Myles Lewis, Denise Rich Songs 12/20/10
Adam Lewis, Planetary Group 01/20/16
Terry Lickona, Austin City Limits 03/14/11
Justine Liddelow, Stage and Screen Travel Services 08/31/11
Jim Lidestri, Border City Media 09/03/15
Larry Lieberman, 4EverWild 03/28/03
Eric Lilavois, Crown City Studios, and London Bridge Studio 12/10/14
Marc Lipkin, Alligator Records 03/05/05
Tommy LiPuma (Part 1), Verve Records 11/08/10
Tommy LiPuma (Part 2), Verve Records 11/15/10
Alexander Ljung, SoundCloud 10/04/10
Andy Lo Russo, The Singing Chef 12/16/05
Phil Lobel, Lobeline Communications 08/13/04
Paul Lohr, New Frontier Touring 01/21/05
Paul Lohr, New Frontier Touring 05/17/10
Julie Lokin, New Audiences 03/23/01
Dave Lory, Artemis Records 03/30/02
Max Loubiere, Tour Director 04/11/12
Mark Lourie, Skyline Music 03/08/02
Dave Lucas, Live-360 04/28/06
Joe Lucchese, EventJoe 02/23/07
Kevin Lyman, 4 fini 03/30/01
Kevin Lyman, Vans Warped Tour 05/23/12
Bubba Mac, 09/14/07
David Macias, Emergent Music Marketing 06/17/05
Kristen Madsen, Grammy Foundation and MusiCares 11/22/10
Larry Magid, Larry Magid Entertainment 05/04/10
Peter Malkin, PM Management 02/07/03
Toby Mamis, Alive Enterprises 02/12/01
Billy Mann, Green & Bloom | Topl1ne, Manncom 09/18/14
Tasea Margeolas, Multi Entertainment 06/23/06
Tony Margherita, dBpm Records 09/06/11
Bob Roux & Mark Campana, Live Nation 12/20/11
Lee Marshall, Magic Arts & Entertainment 09/13/02
Zach Martin, Radio Producer at New York's WAXQ-FM 08/30/02
Mario Martin, Gorgeous PR 04/27/07
Molly Martinez, Ticket Summit 2008 05/23/08
Paul Mascioli, Mascioli Entertainment 01/14/05
Michael Maska, Big Hassle 01/28/05
Ted Mason, Mi-5 Recordings 11/16/01
Steve Masur, Masur & Associates, LLC 11/21/03
Pam Matthews, The Ryman Auditorium 04/08/05
Terry McBride, Nettwerk Music Group 03/01/10
Michael McCarty, ole 06/20/11
Jim McDonald, McDonald Group 12/19/03
Virginia McEnerney, HeadCount 11/26/07
Doc McGhee, McGhee Entertainment 06/14/10
Camilla McGuinn, Tour Manager 08/24/07
Andy McLean, North By Northeast (NXNE) 04/01/05
Dennis McNally, Grateful Dead historian/publicist 09/06/02
Garry McQuinn, Back Row Productions 06/14/11
Ruthann McTyre, The Rita Benton Music Library; and president of the Music Library Association 08/31/10
Dick McVey, Musician's Referral Service 10/27/07
Katherine McVicker, Music Works International 01/08/15
John Meglen, Concerts West/AEG Live 02/21/13
Mark Meharry, Music Glue 05/28/15
Jorge Mejia, Sony/ATV Music Publishing 09/17/15
Dan Melnick, Festival Productions, Inc. 02/22/02
André Ménard, Festival International de Jazz de Montréal 06/12/09
Bob Merlis, Merlis For Hire/Memphis International Records 01/16/04
Doug Merrick, Cumberland Talent Agency and Merrick Music Group 07/21/06
Louis Messina, The Messina Group 10/22/04
Louis Messina, The Messina Group/AEG Live 07/17/09
Louis Jay Meyers, North American Folk Music and Dance Alliance 03/30/07
Louis Jay Meyers, Folk Alliance International 01/23/09
Todd Miller, House Of Blues - New Orleans 11/14/03
Jeff Miller, Fantasma Productions 03/16/07
Ben Miller, Rock Ridge Music 11/02/07
J. B. Miller, Empire Entertainment 08/22/08
Richard Mills, S.L. Feldman 11/02/09
Marty Monson, Barbershop Harmony Society 07/07/16
Linda Moran, Songwriters Hall of Fame (SHOF) 04/05/09
Jesse Morreale, Nobody In Particular Presents (NIPP) 09/20/02
Chuck Morris, Live Rocky Mountains 09/28/09
Mo Morrison, Independent production 05/24/02
Kevin Morrow, Steel Wool Entertainment 01/25/17
Nick Moss, Blue Bella Records 11/30/07
Jim Musselman, Appleseed Recordings 04/14/06
Natalia Nastaskin, United Talent Agency 04/13/16
Marc Nathan, Flagship Records 07/01/05
David Neilon, Rising Star Promotions 11/30/01
Don Neuen, Star Coaches Inc. 10/10/12
Dennis Newhall, DIG Music 10/07/05
John Nittolo, John Nittolo Productions 04/13/07
Ian Noble, Metropolitan Talent 05/23/03
Josh Norek, JN Media, LLC 07/05/02
David Norman, Tour Manager 04/20/07
Mimi Northcott, Canadian Recording Services (CRS) 04/11/08
Bill Nowlin, Rounder Records 01/05/07
John Nugent, NY JAM Inc. 11/08/02
Andy Nulman, Just For Laughs 11/20/13
Sal Nunziato, NYCD 06/01/01
Bob O'Neal, Ryman Auditorium 06/28/02
Andrea Orbeck, Prehab Health and Fitness 03/15/10
Heather Orser, Toad's Place 01/29/01
Janet Oseroff, MultiMediaProperties 11/18/05
Marc Ostrow, Boosey & Hawkes 12/05/08
Riley O’Connor, Live Nation Canada 07/24/09
Jeremy Palmer, Buddy Lee Attractions 11/02/01
John Palmer, Megawave Records 08/31/07
Panos Panay, Sonicbids 12/23/05
Julien Paquin, Paquin Artists Agency 04/30/14
Graham Parker, WQXR-FM 11/26/14
Crispin Parry, British Underground 02/24/08
Donald Passman, Gang, Tyre, Ramer & Brown 04/09/10
Donald S. Passman, Gang, Tyre, Ramer & Brown 01/06/16
Bruce Patron, Overland Entertainment 07/28/06
Alexandra Patsavas, Chop Shop Music 09/27/11
Cheryl Pawelski, Omnivore Entertainment Group 09/26/13
Kerry Peace, Alligator Records 08/18/06
Eric Peltoniemi, Red House Records 12/14/09
Scott Perry, Sperry Media 03/11/05
Lawrence Peryer, Jr., 23 Omnimedia 11/07/08
John Peters, MassConcerts 06/07/11
Holger Petersen, Stony Plain Records 04/15/05
Jon Phillips, Silverback Professional Artist Mgmt/Controlled Substance Sound 08/29/08
Dave Pichilingi, Sound City 03/30/16
Vince Pileggi, Music Inc./Music Inc. Sounds 12/01/06
Eric Pirritt, Endit! Presents / The Fox Theatre 10/17/03
Neil Portnow, The Recording Academy 02/08/11
Louis Posen, Hopeless Records 04/04/11
Stephen Posen, Estate of Glenn Gould 01/23/13
Nadia Prescher, Madison House 06/20/03
Jeff Price, TuneCore 02/28/11
Tom Principato, Powerhouse Records 02/01/08
Roger Probert, Core Records 12/08/06
John "Grinder" Procaccini, JP Squared (JP2) 01/17/03
Mark Pucci, Independent Music Publicist 09/09/05
David Pullman, The Pullman Group 11/03/00
Rod Quinton, Saigon Sound System 04/18/11
Dolphus Ramseur, Ramseur Records 10/19/07
Jack Randall, Ted Kurland Associates 04/05/02
Jack Randall, The Kurland Agency 03/08/17
Debra Rathwell, AEG Live 05/03/13
Jeff Ravitz, Visual Terrain 02/08/08
Rich Rees, M.P.I. Talent Agency 09/19/08
John Reese, Freeze Artist Management 08/01/08
Bill Reeves, WRIII, Inc. 10/20/06
Stephen Rehage, Rehage Entertainment 07/30/04
Lisa Reiss, Pearl Productions 08/17/07
Salaam Remi, Composer, producer, musician and label executive. 01/08/14
David Renzer, Universal Music Publishing Group 08/23/09
Alison Richard, Universal Orlando Resort 05/06/05
Kelli Richards, The All Access Group 02/07/12
Gary Richards, HARD Events 08/29/13
Sam Righi, Waterfront Entertainment Group 05/30/03
Jon Rinaldo, Joker Productions 01/02/04
Geary Rindels, Geary Rindels Enterprises, Inc. 12/05/03
Doreen Ringer Ross, BMI 01/18/08
Lisette Rioux, Island Def Jam Music Group 05/16/03
Dave Roberge, Everfine Records & Everfine Artist Management 12/03/04
Sandy Roberton, Worlds End Producer Management 02/20/09
Ty Roberts, Gracenote 01/31/12
Bill Rogers, BRE Presents 07/13/07
Ian Rogers, Topspin Media 06/01/10
Benji Rogers, PledgeMusic 12/19/13
Dave Rose, Deep South Entertainment 09/15/06
Eric Rosen, Ronald S. Bienstock & Associates 05/25/01
Stuart Ross, The Ross Group 02/23/01
David Ross, President IAAM; Director, Show Me Center 09/23/05
Bobby Rossi, Ruth Eckerd Hall 02/28/03
Michael Rothschild, Landslide Records 04/29/05
Robert Rowland, Red Entertainment 06/13/08
Bill Royston, Mt. Hood Jazz Festival 03/07/03
John Rudolph, Bug Music 05/24/10
Elizabeth Rush, E.R.A. / Elizabeth Rush Agency 08/20/04
Aran Rush, Expo and Foro Imperial 02/16/07
Maurice Russell, Harry Fox Agency 10/21/05
Barron Ruth, Skyline Music 02/14/03
Andrea Sabata, Skyline Music 01/07/05
Numa Saisselin, Count Basie Theatre, Inc. 02/04/05
Ron Sakamoto, Gold & Gold Productions 01/16/10
David Salidor, dis Company 07/20/07
Shaw Saltzberg, S. L. Feldman and Associates 06/21/10
Bruce Allen & Sam Feldman, A&F Music 12/19/08
Mark Samuels, Basin Street Records 06/11/04
Jacqueline Saturn, Harvest Records 01/21/15
Tamara Saviano, American Roots Publishing 07/22/05
Tamara Saviano, Author, journalist, and producer 08/18/16
Michael Scafuto, Mountain High Entertainment 12/07/01
Steve Schankman, Contemporary Productions 12/21/01
Steve Scharf, Carlin America 10/11/02
John Scher, Metropolitan Talent 11/21/08
Al Schmitt, Producer/Engineer 02/13/10
Bobby Schneider, Tour Coordinator, Third Eye Blind 01/31/03
Jake Schneider, Madison House 04/02/14
Steven Schnur, EA Music Group 07/03/13
Elaine Schock, Shock Ink 02/19/10
Stacy Schott, Mad Booking and Events 08/22/03
Daylle Schwartz, Revenge Productions 08/19/05
Dean Sciarra, ItsAboutMusic.com 11/26/04
Joel Selvin, Author and Journalist 08/07/14
Jay Sendyk, Sendyk, Leonard & Company, Inc. 05/03/02
Peter Shapiro, Ideal Entertainment 04/16/04
Seth Sheck, Access Pass & Design 01/03/03
Seth Sheck, ACCESS Event Solutions 06/22/16
Seth Shomes, The Agency Group 11/12/14
Jay Sieleman, The Blues Foundation 07/18/03
Anya Siglin, The Ark 03/05/10
Bill Silva, Bill Silva Entertainment 10/19/10
Tom Silverman, Tommy Boy Entertainment 03/06/12
Steve Simon, Clear Channel Communications 05/14/04
Ralph Simon, Live Earth 07/06/07
Ralph Simon, Mobilium 04/12/11
Michael Simon, The Harry Fox Agency 08/14/13
Ron Simpson, RCS Productions 01/11/08
John Simson, SoundExchange 07/15/05
Dion Singer, Warner Bros. 12/07/09
Gram Slaton, The Community Arts Center 02/25/05
Owen Sloane, Gladstone Michel Weisberg Willner & Sloane 10/11/10
Peter Smidt, Eurosonic Noorderslag & manager Buma Cultuur 07/17/13
Garrison Snell, Gyrosity Projects 02/23/17
Mike Snider, Paradigm Talent Agency Nashville 05/17/11
Andrew Snowhite, Musictoday 05/04/01
Bruce Solar, The Agency Group 05/14/14
Nikki Solgot, Circle Talent Agency 02/18/15
Michael Solomon, Brick Wall Management 05/25/07
Mark Sonder, Mark Sonder Productions 07/25/08
Steve Sonnier, UIC Pavilion at the University of Illinois, Chicago 09/03/04
Kathy Spanberger, peermusic 06/20/12
Carolyn Specht, CIE USA Entertainment Inc. and OCESA PRESENTS Inc. 03/26/04
David Spelman, New York Guitar Festival 10/01/04
Jason Spiewak, Rock Ridge Music 04/07/06
Dan Steinberg, Square Peg Concerts 11/29/12
Dan Steinberg, Square Peg Concerts 02/18/05
Jeremy Stephan, Ventures, LLC 04/23/04
Walter Stewart, Mars Talent Agency 02/21/03
Gail Stocker, Gail Stocker Presents 11/12/04
Jon Stoll, Fantasma Productions 10/13/00
Jesse Stoll, AEG 06/27/09
Henry Stone, Henry Stone Music 06/24/05
Jason Stone, Live Nation New York 03/31/06
Howard Stovall, Resource Entertainment Group 05/28/04
Cameron Strang, New West Records 10/18/02
Don Strasburg, AEG Live Rocky Mountains 02/27/09
Barbara Strauss, Sovereign Ventures 05/12/06
Richard Stumpf, Cherry Lane Publishing 08/07/06
Patrick Sullivan, RightsFlow 10/25/11
Bernie Swain & Harry Rhodes, Jr., Washington Speakers Bureau 12/07/00
Dean Swett, Paramour Group 06/14/02
Jake Szufnarowski, Rocks Off 05/02/08
Marc Tanner, Chime Entertainment 12/22/06
Donald Tarlton, The Donald K Donald Group 04/12/02
Tess Taylor, Los Angeles Music Network 08/09/02
Race Taylor, WPLJ - New York 10/27/06
Race Taylor, WPLJ - New York 10/27/06
Chris Taylor, Taylor 03/15/09
Peter Tempkins, DeWitt Stern Group 03/16/01
Peter Tempkins, Momentous Insurance Brokerage 03/27/09
Lisa Tenner, Tenner & Associates (EAT'M) 08/06/01
Jeremy Tepper, Diesel Only Records 10/10/03
Allan Tepper, Bicycle Music Company 09/28/07
Martin Terefe, Kensaltown Studios 05/31/11
Milun Tesovic, MetroLeap Media 10/18/09
Mandar Thakur, Times Music 08/06/15
Jerry Thompson, Promoter Line Inc. 03/05/04
Jose Tillan, MTV Networks Latin America 12/02/05
Jon Tiven, Hormone Studios 08/05/05
Rob Tonkin, Marketing Factory 12/17/15
John "J.T." Toomey, 25/8 Management 11/15/11
Livia Tortella, Warner Bros. Records 01/10/12
Phil Tripp, IMMEDIA! 01/19/06
Claudio Trotta, Barley Arts Promotion 11/26/01
Chris Tsakalakis, StubHub 01/11/10
Ben Turner, Graphite Media 05/10/10
Steve Vai, Favored Nations Entertainment 04/26/02
John Valentino, Fantasma Productions 04/18/03
John Valentino, AEG Live SE 11/01/10
Don Van Cleave, Coalition of Independent Music Stores 04/09/04
Casey Verbeck, Partners in Music 06/06/03
David "Boche" Viecelli, The Billions Corporation 04/18/10
Ray Waddell, Billboard Magazine 08/27/04
Rob Waggener, Foundations Recovery Network 03/07/11
Jim Walczak, Racine Civic Centre 06/03/05
Jeff Walker, The AristoMedia Group 08/16/10
Carla Wallace, Big Yellow Dog Music 11/04/05
Russell Wallach, Live Nation Network 03/20/12
Steve Walter, The Cutting Room 10/24/08
Neil Warnock, The Agency Group 05/02/09
Diane Warren, Realsongs 08/14/09
Butch Waugh, RCA Label Group Nashville 01/10/03
Lauren Wayne, The State Theatre 05/09/12
Kirt Webster, Webster PR 02/03/16
Ken Weinstein, Big Hassle Media 04/22/05
Bruce Weinstein, Bethel Woods Center for the Arts 02/15/08
Larry Weintraub, Fanscape 05/18/01
Pam Weiser, Momentous Insurance Brokerage 10/11/11
Kevin Welk, Welk Music Group 01/24/12
D-J Wendt, Dmand Management 05/09/08
Alison Wenham, Worldwide Independent Network 02/13/09
Bill Werde, Billboard 08/03/11
Joel Whitburn, Record Research 11/13/09
Judd White, Tour Manager/Accountant 02/13/04
Jeff White, In Ticketing 12/16/06
Adam White, Author 09/14/16
Adam Wilkes, AEG Live Asia 10/13/16
Fenton Williams, 04/04/08
Del Williams, Right Arm Entertainment 04/18/08
Bryan "Birdman" Williams, Cash Money Records 09/13/11
Paul Williams, ASCAP 10/19/11
J.P. Williams, Parallel Entertainment 10/03/12
Kurt Willms, Green Room Productions 09/20/03
Chris Wilson, Heartbeat Records 03/02/07
Tony Wilson, Factory Records/In The City 06/01/07
Tom Windish, The Windish Agency 07/26/10
John Wiseman, XL Touring Video 05/05/06
Thom Wolke, Twincloud.com 02/08/02
Michael Wood, City Lights Entertainment 08/08/08
Keith Wortman, Blackbird Presents 03/22/17
Nigel Wright, Independant Record Producer 11/07/03
Dusty Wright, CultureCatch.com 07/27/07
Jeremiah “Ice” Younossi, A-List Talent 09/20/09
Gail Zappa, The Zappa Family Trust 10/02/14
Kevin 'Chief' Zaruk, Chief Music Management 06/10/15
Ron Zeelens, RAZco Visas 04/20/01
Rick Zeiler, Sidney Frank Importing Company 06/04/04
Danny Zelisko, Live Nation 06/19/09
Hillary Zuckerberg, Brick Wall Management. 07/09/04
Steve Zuckerman, Global Entertainment and Media Summit 03/22/02
Paul Zullo, Muze 01/23/04
Nanette Zumwalt, Hired Power 02/03/06

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