Mark Pucci (Photo: Amy Elliott)

Industry Profile: Mark Pucci

— Jane Cohen & Bob Grossweiner

Mark Pucci is an independent music publicist based in Atlanta, Ga., and represents a broad spectrum of artists and record labels. During the past 30 years, he also did two stints at Capricorn Records -- both ending when the label went under.

Mark's current clients include Al Kooper (Favored Nations), Maria Muldaur (Stony Plain), Tacoma, Wash.-based indie label Cake Records (Shimmer, Weather, Mon Frere and others), acoustic guitarist Pierre Bensusan (Favored Nations), Sacramento-based DIG Music (Sons of Champlin, Lydia Pense and Cold Blood, Bucho), NY-based jazz-pop band Dave's True Story (BePop Records), The Presidents of the United States of America (PUSA Music), harmony-laden Southern rock band from Baton Rouge Benjy Davis Project (Real Records/Bogalusa Records), Chicago-based blues guitarist Nick Moss & the Flip Tops (Blue Bella Records), and Digital Musicworks International, Inc. (archival catalogue-driven digital download music company based in Sacramento).

Mark was born and raised in New Jersey and had a fascination for music at an early age. "My older sisters bought my brother and me a record player for Christmas when I was nine years-old," he recollects, "and shortly thereafter I bought my first record Great Balls of Fire b/w You Win Again by Jerry Lee Lewis, which I still have. I bought a lot of singles in the day and eventually graduated to LPs once I could afford them and got a better record player. In high school I wanted to become a sports writer, but that changed once I graduated and needed to get a regular job."

After high school, Mark got a full-time job at the Prudential Insurance Company's home office in Newark, N.J., where his father worked, and also began to attend college four nights a week at Rutgers University in Newark. "It was during that time that I really began to listen to music more, both on record and in-person, as every weekend my buddy and I would take the bus to NYC on Saturdays, go to record stores all day and then go down to the Village or elsewhere to hear live music before catching the last train home to New Jersey," he says. "The first time I saw Jimi Hendrix, at The Scene in NYC on July 3, 1967 I made a miscalculation because the next day was July 4 and the train schedules changed to a holiday schedule so I spent the first night after seeing Hendrix sleeping on a bench in Penn Station until the trains starting running again the next morning."

In 1967, Mark enrolled full-time as a student at what was then known as Memphis State University (now University of Memphis), and began a southern journey that still has not ended. "I went to Memphis because I wanted to be near that music: blues, soul, the Stax sound, etc., not for any academic reasons," he adds. "With a couple of changes and stops in-between, I graduated in 1971 and knew that I wasn't going back to New Jersey to work for Prudential, so I stayed in Memphis and began the process of writing for some local underground newspapers and making contacts within the music industry there and elsewhere.

Mark's music career began in 1972 in Memphis, Tenn., as music editor for a monthly entertainment magazine, River City Review. In addition to writing features, album and live reviews, he supervised a freelance staff of six writers from around the South. Some of the artists he interviewed during this time included David Bowie -- one of the first interviews granted during his American "Ziggie Stardust Tour"-- Lou Reed, ZZ Top, The Allman Brothers Band, The New York Dolls, Mott The Hoople, Ted Nugent, Robin Trower and Big Star. He also began to freelance stories to several national magazines, including Rolling Stone, Phonograph Record Magazine and Zoo World, and produced radio commercials for Bob Kelly's Mid-South Concerts, the main concert promoter in Memphis at that time.

In July 1974, he joined Capricorn Records in Macon, Ga., first as a tour publicist and later as national publicity director. Some of the artists he worked with included The Allman Brothers Band, The Marshall Tucker Band, Sea Level, Wet Willie, Delbert McClinton, Gregg Allman, Dickey Betts, Elvin Bishop, Bonnie Bramlett, Dixie Dregs and Martin Mull.

After Capricorn Records ceased operations in late 1979, Mark moved to Atlanta and established his first independent publicity venture, Mark Pucci Associates. His client list during the 12 years of that company's operation included HighTone Records, Blacktop Records, Elvin Bishop, Tinsley Ellis, Charlie Musselwhite, Delbert McClinton, Kenny Neal, Tinsley Ellis, Earl King, Robert Ward, Snooks Eaglin, Ronnie Earl. Roy Buchanan, Little Charlie & the Nitecats, The Paladins, Michelle Shocked, Guadalcanal Diary, Webb Wilder, Steve Wariner, Orleans, Atlanta Rhythm Section, Billy Joe Royal, Bill Anderson, Jimmie Dale Gilmore, Boozoo Chavis, Charlie Feathers, Johnny Johnson, Steve Morse, Jessi Colter, Tony Orlando and Bertie Higgins. In addition, his company handled publicity for a number of special projects, including The Class of '55 album, which reunited Jerry Lee Lewis, Johnny Cash, Roy Orbison and Carl Perkins; Willie Nelson's 1983 Atlanta Picnic; the 1991 South By Southwest Music Conference in Austin, Texas; actor/comedian Jim Varney; and the world premiere of Woody Allen's film, The Purple Rose of Cairo.

From 1991 to late 1995, Mark returned to Capricorn Records, then based in Nashville, as vice president of publicity. As such, he directed campaigns for 311, Cake, Hank Williams, Jr., Widespread Panic, Lynyrd Skynyrd, Kenny Chesney, Billy Burnette and Ian Moore. Mark later went on to become vice president and general manager of the label.

At the start of 1996, he returned to Atlanta and established Mark Pucci Media. Some of the clients he's worked with since then include Dave Alvin, Buddy and Julie Miller, Tom Russell, Big Sandy & His Fly-Rite Boys, Dale Watson, Hot Club of Cowtown, Chris Smither, Ramblin' Jack Elliott, Geoff Muldaur, The Skeletons, Rev. Billy C. Wirtz, Johnny Rodriguez, The Flatlanders, Delbert McClinton, Billy Joe Shaver, Chuck Prophet, Tim Easton, Stan Ridgway, Randall Bramblett, The Domino Kings, The Morells, Duane Jarvis, Kenny Chesney, Tom Rush, The Derek Trucks Band, Peter Case, Tish Hinojosa, Dave Bartholomew, Sean Costello, Jerry Reed, Tim Wilson, John Mayall, Maria Muldaur, Greg Brown, Eliza Gilkyson, Lucy Kaplansky, Chip Taylor & Carrie Rodriguez, Danny Barnes, Duke Robillard, Jay Geils, Eric Johnson, Kim Wilson, the subdudes, Gary U.S. Bonds, Al Kooper, NRBQ, Johnny A., Webb Wilder, Delta Moon, Jesse Dayton, EG Kight, Eric Sardinas, Jude Johnstone, Dwight Twilley, Dave's True Story, DIG Music, Cake Records, The Presidents of the United States of America, Benjy Davis Project, Nick Moss, and producer Chips Moman.

Mark is listed in several prestigious resource books, including Who's Who In The World, Who's Who In America and Who's Who In Entertainment.

What makes a good music publicist?
First and foremost, it's someone who is a music fan and is passionate about the music they represent. I'm approached to work on many projects, but the only artists I work with are for the music that I really like. I've always felt that if I'm not excited about an artist or their music, how can I motivate an editor, writer, producer or talent booker to get excited about them? Getting into the music business for me has always been an extension of who I was before: someone who bought a lot of recorded music, went to many, many shows and always wanted to turn on my friends and associates to something I heard that I thought they should hear.

A good publicist should have excellent communication and writing skills, too. I started as a freelance writer and editor, who was on the receiving end of a lot of publicity pitches which gave me a good insight as to how to pitch a story or review with an angle that would appeal to writers, editors, producers and talent bookers. The other part of that equation is knowing as much about your client's music and other interests as possible, so you can present a knowledgeable pitch to the media.

What makes an effective press release?
It starts with the old basics I was taught many years ago: who, what, why, when and where and goes on to present interesting ideas about the artists or music that will make the media want to hear the music or interview them. I don't believe in long, drawn out releases; my motto has always been: less is more. That goes for artist bios, too.

Do you miss working at a record label?
Not really. I feel fortunate that the only record label I ever worked for was Capricorn Records in its original version in Macon, Ga., in the '70s and the Nashville-based version in the early '90s. Capricorn signed artists that I had no problem working with or pushing because I enjoyed and believed in their music. That doesn't happen in one's music career too often, if at all. It's probably the reason why I haven't joined or sought out to work at another label. I've had labels in the past--New West Records and HighTone Records come to mind immediately -- that I really enjoyed working with because I had that same feeling working with them; and current labels that I feel the same compassion and excitement for, such as DIG Music and Cake Records. We've also done a number of projects for such labels as Favored Nations, Stony Plain Records, Landslide Records and M.C. Records because I've felt a genuine closeness to both the artists and the people that operate these labels.

Does tour press sell concert tickets?
The bigger question has always been: does publicity sell CDs? The answer to both questions is a qualified yes. Traditionally, mainstream music artists are promoted heavily through radio stations and video channels to get the high numbers of impressions needed to reach that audience and get them to buy. Indie labels and artists have to take a more guerrilla marketing and publicity approach. Since most everything we work is outside the mainstream as far as radio airplay goes, the target audience for the music and artists is usually only hearing that music from Triple A, Americana, blues and jazz radio stations or specialty shows, which, although a loyal fan base, haven't been shown yet to bring in the mass numbers the other formats do.

To our artists and labels, publicity can make a big difference, both in the added visibility of the music for potential sales, and in getting people out to shows. To do that, we employ print media, online outlets, satellite radio, syndicated radio and local/national television to draw attention to our clients. I'm glad to see both Triple A, and especially Americana radio formats growing, although there still is a way to go. For instance, my hometown Atlanta still doesn't have a Triple A or Americana radio station in place, and we need them, badly.

Any memorable press campaigns -- any good stories you can tell now
When I was handling publicity for the Class of 55 reunion in 1985 with Jerry Lee Lewis, Johnny Cash, Roy Orbison and Carl Perkins, we had camera crews and writers from all over come into Memphis to cover this event. We were in the original Sun Studio during Jerry Lee's session to record the classic song 16 Candles and to accommodate the TV crews, the glass partition separating the studio and the control room had been removed. I was on the other side of this now-short wall with a number of writers observing the recording. After he finished, Jerry Lee's eyes locked on to the female writer covering the story for a national magazine, and he began to climb over the wall to where we were. It was a typical Southern summer with no AC in the studio going, so Jerry Lee was wearing these cut-off shorts. As he was climbing over the wall, a whole bunch of pills fell out of his pocket all over the floor. Amid laughs from the crew and others, Jerry Lee calmly quipped: "my sinus pills" and scooped them up. I turned to my friend and writer next to me and whispered: 'that will be in the first paragraph of her story." Sure enough it was the lead in her national magazine piece.

How has music publicity changed over the past 5-10 years?
One word: computers. The widespread capabilities of computers and the digitizing of audio and video files, jpegs and other tools have enabled publicists to distribute communications to a wider array of media targets and at a faster pace then ever before. It's great from the standpoint that I can now reach so many more people and faster than ever, so I can get that much more work done. At the same time, email communication, while more effective in most cases, has diminished the personal contact that I've always enjoyed as a publicist.

There are still many media contacts that I call friends, who also happen to be writers, editors, producers, etc., and I still get the best kick from either talking with them on the phone or seeing them in-person, whether I'm talking to them about one of my artists or just talking with them about music in general. I feel lucky to still be doing this for over 30 years and love what I do, but I miss the general feeling of camaraderie I feel existed in the earlier days, when record labels, radio stations and artists were more organic and directly connected to each other. The closest thing to that, in my mind, are the people at the indie music labels, not the suits, the lawyers and bean counters who inhabit what's left of the major music companies. I'm sure that's why just about everyone we work with is at an indie label.

Is print a dying media?
Certainly, all you have to do is look at all the daily papers folding or consolidating to see that print is on the wane. Digital/electronic media makes for instant excitement and gratification, and it gives you an immediate response, but I'd like to think the print medium would still be around for many years to come. Granted, I'm an "old school" publicist, but to me, there's still something special about seeing a big feature with photos on one of your clients in a major daily newspaper or national magazine and holding that in your hands.

As more and more people become connected via computers to the Internet, that trend will continue, but there are still many people out there that depend on print for their news because of the cost, and I hope it will continue that way. Also, the "instant gratification" of electronic media seems to usually dictate shorten, more condensed stories, almost like a USA Today for computers while print enables you to get more in-depth coverage.

In the long run, is bad publicity better than no publicity?
As someone once said: "You can't please all the people all the time," so the longer you're working an artist or project, that old "bad PR" is bound to raise it's ugly head. The trick is to get the "good PR" going for a long run before any of the bad shows up. Also, if the only publicity you get is bad publicity, then you're in deep trouble!

First concert attended
A "Blues Bag" show, with the Muddy Waters Band, Blues Project, Big Joe Williams and others, at the Café Au-Go-Go in New York City, fall of 1965.

First concert worked
Interviewing Quicksilver Messenger Service in Memphis in 1969 for a local music magazine called Strawberry Fields.

First industry job
Several at the same time that I actually got paid to do: music editor of The River City Review monthly paper in Memphis; freelancing to Rolling Stone and other national magazines; and producing radio commercials for Mid-South Concerts, the main music promoter in Memphis at that time.

Career highlights
Getting a chance to work with so many of my musical heroes: Jerry Lee Lewis, Carl Perkins, Johnny Cash, Roy Orbison, The Allman Brothers Band, The Marshall Tucker Band, John Mayall, Al Kooper, Jay Geils, Earl King, Chips Moman, Ramblin' Jack Elliott, The Flatlanders, etc. Also, helping to launch young artists or groups as their careers took off, such as Kenny Chesney, 311, Cake and Widespread Panic.

Career disappointments
When Capricorn Records folded -- twice!

Greatest challenge
Getting artists, managers and labels to understand that a publicist doesn't have to live in New York City, Los Angeles or Nashville to do a great job for their artists.

Best business decision
Moving to Macon, Ga., to work for Capricorn Records in 1974 and then moving to Atlanta in 1979 to start my own company.

Best advice you received
Always be nice to the people just starting out in this business because you were in their shoes at one time.

Best advice to offer
Treat people the way you'd want to be treated.

Most memorable industry experience
Standing on the dais in the lobby of the Peabody Hotel in Memphis in 1985 announcing the Class of '55 album, moderating a press conference with Jerry Lee Lewis, Carl Perkins, Johnny Cash, Roy Orbison, Sam Phillips and Chips Moman, and then being at the original Sun Studios with them and 13 camera crews from around the world.

Favorite team/athlete
In the past it would be "Say Hey" Willie Mays because as a kid I saw him play in the Polo Grounds with the NY Giants, and he is still the best baseball player ever for my money. Now it would have to be the Atlanta Braves - -13 consecutive division titles and counting!

What friends would be surprised to learn about you
When I was in grammar school, I wanted to go to West Point.

Industry pet peeves
People who don't return phone calls or emails and people who don't follow-up on things.

Office paraphernalia
Baseball memorabilia, vintage film/music posters and books and music promo items.

If I wasn't doing this, I would be...
...fishing!

Industry mentors
Mike Hyland, who showed me how to be a good publicist; Phil Walden, who gave me a chance to show what I could do in this industry; and Bill Lowery, the best music person I ever knew or will ever know.

Mark can be reached at: (770) 804-9555; e-mail: mpmedia@bellsouth.net

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Mike Gormley, L.A. Personal Development 11/10/06
Jonathan Gosselin, Gosselin Marketing & Promotions 07/02/04
Richard Gottehrer, The Orchard 04/10/09
Sean Goulding, The Agency Group London 09/12/12
Jerimaya Grabher, RPM Direct 09/26/03
Mary Granata, The Granata Agency 09/06/10
Kelly Graves, Providence Performing Arts Center/Professional Facilities Management 01/20/02
Stan Green, Stanley A. Green Lighting and Productions 12/12/03
Mark Green, Celebrity Talent Agency Inc. / Bergen Performing Arts Center 08/12/05
Jeffrey Green, Americana Music Association 03/10/06
Paul Green, The School of Rock 07/06/08
Benjy Grinberg, Rostrum Records 12/06/11
Brent Grulke, SXSW 03/06/09
Michael Gudinski, The Mushroom Group 10/29/15
Phil Guiliano, CIE USA Entertainment Inc. & OCESA PRESENTS Inc. 03/25/05
Steve Gumble, SBG Productions 06/16/06
Greg Hagglund, Vivelo! 05/07/04
Rodney Hall, FAME Music Group 11/06/09
Rob Hallett, Robomagic 02/05/15
Craig Hankenson, Producers, Inc 02/23/06
Kerry Hansen, Wynonna Incorporated 10/03/03
Eric Hanson, Ted Kurland Associates 12/20/02
Eric Hanson, Tree Lawn Artists 03/23/07
Rusty Harmon, MTM Music Management 12/06/07
Ali Harnell, Clear Channel Entertainment Nashville 08/15/03
Bob Harris, 02/06/09
Evan Harrison, Huka Entertainment 12/08/16
David Hart, The Agency Group 02/20/04
Laura Hassler, Musicians without Borders 12/02/15
Abe Hathot, Musician, composer, and music producer. 12/21/16
Steve Hecht, Piedmont Talent 08/29/12
Travis Hellyer, Mezzanine 09/02/05
Janie Hendrix, Experience Hendrix 02/01/10
Nona Hendryx, Rhythmbank Entertainment 06/02/06
Dan Herrington, Dualtone Records 07/25/03
Sara Hickman, Sleeveless/Stingray 06/30/06
Dan Hirsch, On Board Entertainment 04/04/03
Nick Hobbs, Charmenko 12/14/01
Carel Hoffman, Hilltop Live/Oppikoppi Productions 11/07/12
Ian Hogarth, Songkick 08/09/11
Gene Hollister, Rose Presents 04/08/01
Rusty Hooker, Rock Steady Management Agency 02/16/01
Jake Hooker, Hook Entertainment 05/10/02
Martin Hopewell, Primary Talent International 04/19/02
Tom Hoppa, TKO Booking Agency 09/29/06
Bobbie Horowitz, Times Square Group 01/04/02
Barney Hoskyns, Rock's Backpages 11/01/11
Bruce Houghton, Skyline Music 10/27/00
Bruce Houghton, Skyline Music 01/22/14
Andi Howard, Peak Records and Andi Howard Entertainment 09/02/03
Barbara Hubbard, ACTS 09/12/03
Laurent Hubert, BMG US 11/12/15
Seth Hurwitz, I.M.P. 04/20/09
Ariel Hyatt, Author, and founder of Cyber PR 11/23/16
Mark Hyman, Ashley Talent International 11/09/01
Brett Hyman, Category 5 Entertainment 07/23/04
Bruce Iglauer, Alligator Records 08/17/01
Bruce Iglauer, Alligator Records 05/28/14
Doug Isaac, Super Bowl Concert Series Producer (EXI) 08/24/01
David Israelite, National Music Publishers' Association 11/29/08
Tom Jackson, Tom Jackson Productions 02/06/13
Jay Jacobs, Parc Landon 09/21/07
Larry Jacobson, World Audience 09/17/04
Audra Jaeger, The Management Trust 05/09/03
Ralph James, The Agency Group 01/31/11
Jeffrey Jampol, Jampol Artist Management 07/18/12
Jean Michel Jarre, International Confederation of Societies of Authors and Composers (CISAC) 06/19/13
Michael Jaworek, The Birchmere 05/08/09
Peter Jesperson, New West Records 11/03/06
John Jeter, The Handlebar 08/15/12
Mike Johnson, Groundrush Media 02/17/06
Mike Gormley & Jolene Pellant, Yes, Dear Entertainment 04/23/10
Susan Joseph, Justice Entertainment Group 02/21/11
Darren Julien, Julien's Auctions 10/25/10
Henry Juszkiewicz, Gibson Guitars 09/28/10
Justin Kalifowitz, Downtown Publishing 04/20/17
Leonard Kalikow, Music Business Reference, Inc. 06/26/08
Craig Kallman, Atlantic Records 03/20/09
Steve Kane, Warner Music Canada 02/09/17
Danny Kapilian, Independent Producer 07/12/02
Mike Kappus, The Rosebud Agency 10/26/09
Andy Kaufman, Birdland 05/17/02
Wendy Kay, Mars Talent Agency 03/09/01
Lucas Keller, The Collective 03/22/11
Marty Kern, Clemson University 07/07/01
Carlos Keyes, Red Entertainment 10/08/04
Golnar Khosrowshahi, Reservoir Media Management 10/24/12
Martin Kierszenbaum, Interscope/Cherrytree Records 09/06/09
Barney Kilpatrick, Rattlesby Records 10/28/05
John Kinsner, The Walnut Room 03/28/08
Doug Kirby, LiveTourArtists 10/24/03
Steve Kirsner, Compaq Center 06/29/01
JoAnne Klabin, Sweet Relief 03/21/03
Andrew Klein, Revolution Marketing 11/05/04
Larry Klein, Producer, bassist, songwriter 03/13/12
Jack Kleinsinger, Highlights in Jazz 04/25/08
Ann Kline, Casa Kline 09/04/14
Brian Knaff, Talent Buyers Network 09/29/01
Kymberlee Knight, IEBA 11/16/00
Mike Kociela, 360 Productions 05/30/08
Stefan Kohlmeyer, Bach Technology 02/08/10
Lily Kohn, Microsoft Corporation 02/14/11
Tim Kolleth, Alligator Records 01/25/08
Al Kooper, Musician/songwriter/producer/author 02/06/14
Mitchell Koulouris, Digital Musicworks International, Inc. 02/11/05
Mark Krantz, John Schreiber Group 06/15/01
Jeff Krasno, Velour Music Group 11/19/07
Jeffrey Kruger, The Kruger Organisation 01/25/02
Harvey Kubernik, Author/historian/music journalist 08/20/15
Ted Kurland, Ted Kurland Associates 01/15/01
Jordan Kurland, Zeitgeist Artist Management 08/23/11
Carianne Laguna, Blackheart Records 03/07/08
Brady Lahr, Kufala Recordings 04/30/04
Ernie Lake, EL Records 01/19/07
Roks Lam, Wolfman Jack Entertainment 12/17/04
Anni Lam, Parc Landon 06/29/07
Gary Lane, CenterLane Attractions 10/14/05
Tom LaPenna, Lucky Man Productions 09/10/04
Camilo Lara, EMI Music Mexico/MIS 08/10/07
Gary Lashinsky, Lipizzaner Tours 05/13/05
Gregg Latterman, Aware Records 12/13/02
Tony Laurenson, Eat to the Beat 02/27/04
Emily Lazar, The Lodge 10/15/15
Bill Leabody, Leabody Systems 06/10/05
Peter Leak, 24-7 Worldwide Management 03/28/12
Steve Leeds, SR. VP/Promotion/Rock Formats at Virgin Records 07/26/02
Bob Lefsetz, The Lefsetz Letter 11/14/08
Carl Leighton-Pope, Leighton-Pope Organisation 07/05/09
Steve Lemon, Live 4 Live, Inc. 12/06/02
Randy Lennox, Universal Music Canada 06/24/15
Simma Levine, Disson Furst and Partners 11/10/00
Andy Levine, Sixthman 06/08/07
Rich Levy, Clear Channel Entertainment Properties 06/25/04
Eddie Levy, Chelsea Music Publishing 07/24/14
Myles Lewis, Denise Rich Songs 12/20/10
Adam Lewis, Planetary Group 01/20/16
Terry Lickona, Austin City Limits 03/14/11
Justine Liddelow, Stage and Screen Travel Services 08/31/11
Jim Lidestri, Border City Media 09/03/15
Larry Lieberman, 4EverWild 03/28/03
Eric Lilavois, Crown City Studios, and London Bridge Studio 12/10/14
Miriam Linna, Norton Records 05/18/17
Marc Lipkin, Alligator Records 03/05/05
Tommy LiPuma (Part 1), Verve Records 11/08/10
Tommy LiPuma (Part 2), Verve Records 11/15/10
Alexander Ljung, SoundCloud 10/04/10
Andy Lo Russo, The Singing Chef 12/16/05
Phil Lobel, Lobeline Communications 08/13/04
Paul Lohr, New Frontier Touring 01/21/05
Paul Lohr, New Frontier Touring 05/17/10
Julie Lokin, New Audiences 03/23/01
Dave Lory, Artemis Records 03/30/02
Max Loubiere, Tour Director 04/11/12
Mark Lourie, Skyline Music 03/08/02
Dave Lucas, Live-360 04/28/06
Joe Lucchese, EventJoe 02/23/07
Kevin Lyman, 4 fini 03/30/01
Kevin Lyman, Vans Warped Tour 05/23/12
Bubba Mac, 09/14/07
David Macias, Emergent Music Marketing 06/17/05
Kristen Madsen, Grammy Foundation and MusiCares 11/22/10
Larry Magid, Larry Magid Entertainment 05/04/10
Peter Malkin, PM Management 02/07/03
Toby Mamis, Alive Enterprises 02/12/01
Billy Mann, Green & Bloom | Topl1ne, Manncom 09/18/14
Tasea Margeolas, Multi Entertainment 06/23/06
Tony Margherita, dBpm Records 09/06/11
Bob Roux & Mark Campana, Live Nation 12/20/11
Lee Marshall, Magic Arts & Entertainment 09/13/02
Zach Martin, Radio Producer at New York's WAXQ-FM 08/30/02
Mario Martin, Gorgeous PR 04/27/07
Molly Martinez, Ticket Summit 2008 05/23/08
Paul Mascioli, Mascioli Entertainment 01/14/05
Michael Maska, Big Hassle 01/28/05
Ted Mason, Mi-5 Recordings 11/16/01
Steve Masur, Masur & Associates, LLC 11/21/03
Pam Matthews, The Ryman Auditorium 04/08/05
Terry McBride, Nettwerk Music Group 03/01/10
Michael McCarty, ole 06/20/11
Jim McDonald, McDonald Group 12/19/03
Virginia McEnerney, HeadCount 11/26/07
Doc McGhee, McGhee Entertainment 06/14/10
Camilla McGuinn, Tour Manager 08/24/07
Andy McLean, North By Northeast (NXNE) 04/01/05
Dennis McNally, Grateful Dead historian/publicist 09/06/02
Garry McQuinn, Back Row Productions 06/14/11
Ruthann McTyre, The Rita Benton Music Library; and president of the Music Library Association 08/31/10
Dick McVey, Musician's Referral Service 10/27/07
Katherine McVicker, Music Works International 01/08/15
John Meglen, Concerts West/AEG Live 02/21/13
Mark Meharry, Music Glue 05/28/15
Jorge Mejia, Sony/ATV Music Publishing 09/17/15
Dan Melnick, Festival Productions, Inc. 02/22/02
André Ménard, Festival International de Jazz de Montréal 06/12/09
Bob Merlis, Merlis For Hire/Memphis International Records 01/16/04
Doug Merrick, Cumberland Talent Agency and Merrick Music Group 07/21/06
Louis Messina, The Messina Group 10/22/04
Louis Messina, The Messina Group/AEG Live 07/17/09
Louis Jay Meyers, North American Folk Music and Dance Alliance 03/30/07
Louis Jay Meyers, Folk Alliance International 01/23/09
Todd Miller, House Of Blues - New Orleans 11/14/03
Jeff Miller, Fantasma Productions 03/16/07
Ben Miller, Rock Ridge Music 11/02/07
J. B. Miller, Empire Entertainment 08/22/08
Richard Mills, S.L. Feldman 11/02/09
Marty Monson, Barbershop Harmony Society 07/07/16
Linda Moran, Songwriters Hall of Fame (SHOF) 04/05/09
Jesse Morreale, Nobody In Particular Presents (NIPP) 09/20/02
Chuck Morris, Live Rocky Mountains 09/28/09
Mo Morrison, Independent production 05/24/02
Kevin Morrow, Steel Wool Entertainment 01/25/17
Nick Moss, Blue Bella Records 11/30/07
Jim Musselman, Appleseed Recordings 04/14/06
Natalia Nastaskin, United Talent Agency 04/13/16
Marc Nathan, Flagship Records 07/01/05
David Neilon, Rising Star Promotions 11/30/01
Don Neuen, Star Coaches Inc. 10/10/12
Dennis Newhall, DIG Music 10/07/05
John Nittolo, John Nittolo Productions 04/13/07
Ian Noble, Metropolitan Talent 05/23/03
Fabricio Nobre, A Construtora Música e Cultura 05/04/17
Josh Norek, JN Media, LLC 07/05/02
David Norman, Tour Manager 04/20/07
Mimi Northcott, Canadian Recording Services (CRS) 04/11/08
Bill Nowlin, Rounder Records 01/05/07
John Nugent, NY JAM Inc. 11/08/02
Andy Nulman, Just For Laughs 11/20/13
Sal Nunziato, NYCD 06/01/01
Bob O'Neal, Ryman Auditorium 06/28/02
Andrea Orbeck, Prehab Health and Fitness 03/15/10
Heather Orser, Toad's Place 01/29/01
Janet Oseroff, MultiMediaProperties 11/18/05
Marc Ostrow, Boosey & Hawkes 12/05/08
Riley O’Connor, Live Nation Canada 07/24/09
Jeremy Palmer, Buddy Lee Attractions 11/02/01
John Palmer, Megawave Records 08/31/07
Panos Panay, Sonicbids 12/23/05
Julien Paquin, Paquin Artists Agency 04/30/14
Graham Parker, WQXR-FM 11/26/14
Crispin Parry, British Underground 02/24/08
Donald Passman, Gang, Tyre, Ramer & Brown 04/09/10
Donald S. Passman, Gang, Tyre, Ramer & Brown 01/06/16
Bruce Patron, Overland Entertainment 07/28/06
Alexandra Patsavas, Chop Shop Music 09/27/11
Cheryl Pawelski, Omnivore Entertainment Group 09/26/13
Kerry Peace, Alligator Records 08/18/06
Eric Peltoniemi, Red House Records 12/14/09
Scott Perry, Sperry Media 03/11/05
Lawrence Peryer, Jr., 23 Omnimedia 11/07/08
John Peters, MassConcerts 06/07/11
Holger Petersen, Stony Plain Records 04/15/05
Jon Phillips, Silverback Professional Artist Mgmt/Controlled Substance Sound 08/29/08
Dave Pichilingi, Sound City 03/30/16
Vince Pileggi, Music Inc./Music Inc. Sounds 12/01/06
Eric Pirritt, Endit! Presents / The Fox Theatre 10/17/03
Neil Portnow, The Recording Academy 02/08/11
Louis Posen, Hopeless Records 04/04/11
Stephen Posen, Estate of Glenn Gould 01/23/13
Nadia Prescher, Madison House 06/20/03
Jeff Price, TuneCore 02/28/11
Tom Principato, Powerhouse Records 02/01/08
Roger Probert, Core Records 12/08/06
John "Grinder" Procaccini, JP Squared (JP2) 01/17/03
Mark Pucci, Independent Music Publicist 09/09/05
David Pullman, The Pullman Group 11/03/00
Rod Quinton, Saigon Sound System 04/18/11
Dolphus Ramseur, Ramseur Records 10/19/07
Jack Randall, Ted Kurland Associates 04/05/02
Jack Randall, The Kurland Agency 03/08/17
Debra Rathwell, AEG Live 05/03/13
Jeff Ravitz, Visual Terrain 02/08/08
Rich Rees, M.P.I. Talent Agency 09/19/08
John Reese, Freeze Artist Management 08/01/08
Bill Reeves, WRIII, Inc. 10/20/06
Stephen Rehage, Rehage Entertainment 07/30/04
Lisa Reiss, Pearl Productions 08/17/07
Salaam Remi, Composer, producer, musician and label executive. 01/08/14
David Renzer, Universal Music Publishing Group 08/23/09
Alison Richard, Universal Orlando Resort 05/06/05
Kelli Richards, The All Access Group 02/07/12
Gary Richards, HARD Events 08/29/13
Sam Righi, Waterfront Entertainment Group 05/30/03
Jon Rinaldo, Joker Productions 01/02/04
Geary Rindels, Geary Rindels Enterprises, Inc. 12/05/03
Doreen Ringer Ross, BMI 01/18/08
Lisette Rioux, Island Def Jam Music Group 05/16/03
Dave Roberge, Everfine Records & Everfine Artist Management 12/03/04
Sandy Roberton, Worlds End Producer Management 02/20/09
Ty Roberts, Gracenote 01/31/12
Bill Rogers, BRE Presents 07/13/07
Ian Rogers, Topspin Media 06/01/10
Benji Rogers, PledgeMusic 12/19/13
Dave Rose, Deep South Entertainment 09/15/06
Eric Rosen, Ronald S. Bienstock & Associates 05/25/01
Stuart Ross, The Ross Group 02/23/01
David Ross, President IAAM; Director, Show Me Center 09/23/05
Bobby Rossi, Ruth Eckerd Hall 02/28/03
Michael Rothschild, Landslide Records 04/29/05
Robert Rowland, Red Entertainment 06/13/08
Bill Royston, Mt. Hood Jazz Festival 03/07/03
John Rudolph, Bug Music 05/24/10
Elizabeth Rush, E.R.A. / Elizabeth Rush Agency 08/20/04
Aran Rush, Expo and Foro Imperial 02/16/07
Maurice Russell, Harry Fox Agency 10/21/05
Barron Ruth, Skyline Music 02/14/03
Andrea Sabata, Skyline Music 01/07/05
Numa Saisselin, Count Basie Theatre, Inc. 02/04/05
Ron Sakamoto, Gold & Gold Productions 01/16/10
David Salidor, dis Company 07/20/07
Shaw Saltzberg, S. L. Feldman and Associates 06/21/10
Bruce Allen & Sam Feldman, A&F Music 12/19/08
Mark Samuels, Basin Street Records 06/11/04
Jacqueline Saturn, Harvest Records 01/21/15
Tamara Saviano, American Roots Publishing 07/22/05
Tamara Saviano, Author, journalist, and producer 08/18/16
Michael Scafuto, Mountain High Entertainment 12/07/01
Steve Schankman, Contemporary Productions 12/21/01
Steve Scharf, Carlin America 10/11/02
John Scher, Metropolitan Talent 11/21/08
Al Schmitt, Producer/Engineer 02/13/10
Bobby Schneider, Tour Coordinator, Third Eye Blind 01/31/03
Jake Schneider, Madison House 04/02/14
Steven Schnur, EA Music Group 07/03/13
Elaine Schock, Shock Ink 02/19/10
Stacy Schott, Mad Booking and Events 08/22/03
Daylle Schwartz, Revenge Productions 08/19/05
Dean Sciarra, ItsAboutMusic.com 11/26/04
Joel Selvin, Author and Journalist 08/07/14
Jay Sendyk, Sendyk, Leonard & Company, Inc. 05/03/02
Peter Shapiro, Ideal Entertainment 04/16/04
Seth Sheck, Access Pass & Design 01/03/03
Seth Sheck, ACCESS Event Solutions 06/22/16
Seth Shomes, The Agency Group 11/12/14
Jay Sieleman, The Blues Foundation 07/18/03
Anya Siglin, The Ark 03/05/10
Bill Silva, Bill Silva Entertainment 10/19/10
Tom Silverman, Tommy Boy Entertainment 03/06/12
Steve Simon, Clear Channel Communications 05/14/04
Ralph Simon, Live Earth 07/06/07
Ralph Simon, Mobilium 04/12/11
Michael Simon, The Harry Fox Agency 08/14/13
Ron Simpson, RCS Productions 01/11/08
John Simson, SoundExchange 07/15/05
Dion Singer, Warner Bros. 12/07/09
Gram Slaton, The Community Arts Center 02/25/05
Owen Sloane, Gladstone Michel Weisberg Willner & Sloane 10/11/10
Peter Smidt, Eurosonic Noorderslag & manager Buma Cultuur 07/17/13
Garrison Snell, Gyrosity Projects 02/23/17
Mike Snider, Paradigm Talent Agency Nashville 05/17/11
Andrew Snowhite, Musictoday 05/04/01
Bruce Solar, The Agency Group 05/14/14
Nikki Solgot, Circle Talent Agency 02/18/15
Michael Solomon, Brick Wall Management 05/25/07
Mark Sonder, Mark Sonder Productions 07/25/08
Steve Sonnier, UIC Pavilion at the University of Illinois, Chicago 09/03/04
Kathy Spanberger, peermusic 06/20/12
Carolyn Specht, CIE USA Entertainment Inc. and OCESA PRESENTS Inc. 03/26/04
David Spelman, New York Guitar Festival 10/01/04
Jason Spiewak, Rock Ridge Music 04/07/06
Dan Steinberg, Square Peg Concerts 11/29/12
Dan Steinberg, Square Peg Concerts 02/18/05
Jeremy Stephan, Ventures, LLC 04/23/04
Walter Stewart, Mars Talent Agency 02/21/03
Gail Stocker, Gail Stocker Presents 11/12/04
Jon Stoll, Fantasma Productions 10/13/00
Jesse Stoll, AEG 06/27/09
Henry Stone, Henry Stone Music 06/24/05
Jason Stone, Live Nation New York 03/31/06
Howard Stovall, Resource Entertainment Group 05/28/04
Cameron Strang, New West Records 10/18/02
Don Strasburg, AEG Live Rocky Mountains 02/27/09
Barbara Strauss, Sovereign Ventures 05/12/06
Richard Stumpf, Cherry Lane Publishing 08/07/06
Patrick Sullivan, RightsFlow 10/25/11
Bernie Swain & Harry Rhodes, Jr., Washington Speakers Bureau 12/07/00
Dean Swett, Paramour Group 06/14/02
Jake Szufnarowski, Rocks Off 05/02/08
Marc Tanner, Chime Entertainment 12/22/06
Donald Tarlton, The Donald K Donald Group 04/12/02
Tess Taylor, Los Angeles Music Network 08/09/02
Race Taylor, WPLJ - New York 10/27/06
Race Taylor, WPLJ - New York 10/27/06
Chris Taylor, Taylor 03/15/09
Peter Tempkins, DeWitt Stern Group 03/16/01
Peter Tempkins, Momentous Insurance Brokerage 03/27/09
Lisa Tenner, Tenner & Associates (EAT'M) 08/06/01
Jeremy Tepper, Diesel Only Records 10/10/03
Allan Tepper, Bicycle Music Company 09/28/07
Martin Terefe, Kensaltown Studios 05/31/11
Milun Tesovic, MetroLeap Media 10/18/09
Mandar Thakur, Times Music 08/06/15
Jerry Thompson, Promoter Line Inc. 03/05/04
Jose Tillan, MTV Networks Latin America 12/02/05
Jon Tiven, Hormone Studios 08/05/05
Rob Tonkin, Marketing Factory 12/17/15
John "J.T." Toomey, 25/8 Management 11/15/11
Livia Tortella, Warner Bros. Records 01/10/12
Phil Tripp, IMMEDIA! 01/19/06
Claudio Trotta, Barley Arts Promotion 11/26/01
Chris Tsakalakis, StubHub 01/11/10
Ben Turner, Graphite Media 05/10/10
Steve Vai, Favored Nations Entertainment 04/26/02
John Valentino, Fantasma Productions 04/18/03
John Valentino, AEG Live SE 11/01/10
Don Van Cleave, Coalition of Independent Music Stores 04/09/04
Casey Verbeck, Partners in Music 06/06/03
David "Boche" Viecelli, The Billions Corporation 04/18/10
Ray Waddell, Billboard Magazine 08/27/04
Rob Waggener, Foundations Recovery Network 03/07/11
Jim Walczak, Racine Civic Centre 06/03/05
Jeff Walker, The AristoMedia Group 08/16/10
Carla Wallace, Big Yellow Dog Music 11/04/05
Russell Wallach, Live Nation Network 03/20/12
Steve Walter, The Cutting Room 10/24/08
Neil Warnock, The Agency Group 05/02/09
Diane Warren, Realsongs 08/14/09
Butch Waugh, RCA Label Group Nashville 01/10/03
Lauren Wayne, The State Theatre 05/09/12
Kirt Webster, Webster PR 02/03/16
Ken Weinstein, Big Hassle Media 04/22/05
Bruce Weinstein, Bethel Woods Center for the Arts 02/15/08
Larry Weintraub, Fanscape 05/18/01
Pam Weiser, Momentous Insurance Brokerage 10/11/11
Kevin Welk, Welk Music Group 01/24/12
D-J Wendt, Dmand Management 05/09/08
Alison Wenham, Worldwide Independent Network 02/13/09
Bill Werde, Billboard 08/03/11
Joel Whitburn, Record Research 11/13/09
Judd White, Tour Manager/Accountant 02/13/04
Jeff White, In Ticketing 12/16/06
Adam White, Author 09/14/16
Adam Wilkes, AEG Live Asia 10/13/16
Fenton Williams, 04/04/08
Del Williams, Right Arm Entertainment 04/18/08
Bryan "Birdman" Williams, Cash Money Records 09/13/11
Paul Williams, ASCAP 10/19/11
J.P. Williams, Parallel Entertainment 10/03/12
Kurt Willms, Green Room Productions 09/20/03
Chris Wilson, Heartbeat Records 03/02/07
Tony Wilson, Factory Records/In The City 06/01/07
Tom Windish, The Windish Agency 07/26/10
John Wiseman, XL Touring Video 05/05/06
Thom Wolke, Twincloud.com 02/08/02
Michael Wood, City Lights Entertainment 08/08/08
Keith Wortman, Blackbird Presents 03/22/17
Nigel Wright, Independant Record Producer 11/07/03
Dusty Wright, CultureCatch.com 07/27/07
Jeremiah “Ice” Younossi, A-List Talent 09/20/09
Gail Zappa, The Zappa Family Trust 10/02/14
Kevin 'Chief' Zaruk, Chief Music Management 06/10/15
Ron Zeelens, RAZco Visas 04/20/01
Rick Zeiler, Sidney Frank Importing Company 06/04/04
Danny Zelisko, Live Nation 06/19/09
Hillary Zuckerberg, Brick Wall Management. 07/09/04
Steve Zuckerman, Global Entertainment and Media Summit 03/22/02
Paul Zullo, Muze 01/23/04
Nanette Zumwalt, Hired Power 02/03/06

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