Industry Profile: Camille Barbone

— by Bob Grossweiner and Jane Cohen

Camille Barbone, vice president and general manager of Winedark Records, brings 27 years of intense entertainment experience to her job ranging from key positions at major record labels to Madonna's personal manager.

At Winedark Records, a part of the Universal distribution family, Camille coordinates all aspects of the label's creative, operational and retail development. "I deal directly with the artists and managers regularly and am involved in new artist contract signings, negotiations and deal making," she explains, emphasizing, "I do not do A&R; it's an area that I stay away from."

However, Camille brought Sevendust to Winedark. "Sevendust was my signing in that I had a relationship with the band's management that existed prior to Winedark's formation as a label," she says. "I will utilize other relationships with managers and artists to bring other established artists to Winedark."

Artists also on Winedark are the UK band Rain, DC based band Lloyd Dobbler Effect and a few surprises Camille is not at liberty to reveal at this time.

Early in her career Camille held key positions at major record labels production director for Columbia/Epic Records (1972-74); director of New Release Production for Phonogram/Mercury (1975-76); director of A&R for Buddah Records (1976-77); vice-president and general manager of Artist Relations for Aezra (EMI) (1999-2004).

As production director for Columbia/Epic, Camille rose to head up the department and was responsible for coordinating the effort of all 28 departments that were involved in recording, manufacturing, marketing and distributing music. In 1977 she left label life to manage independently forming August Artists Ltd., an innovative alternative for the new music scene in New York City. It was during this time that Camille discovered, developed, managed, presented and signed Madonna to the mainstream music business from 1980-83.

Known in the industry as a true artist developer she has worked with major labels to launch the careers of many artists. Other clients have included Nona Hendryx, Jim Dawson, Baillie & The Boys and others. "I co-managed Nona in conjunction with Vickie Wickham," Camille says. "She's a great lady and a dear friend. This was in 1991-92. I signed her to a publishing deal with PolyGram and also arranged for a co-written soundtrack project with Dave Stewart. Jim Dawson and Baillie & the Boys were in the '70s. Mistle Thrush was the early 90's when I was a partner of Long View Farm Studios."

Camille has also owned and operated two key recording studios: Gotham Sound Studios in New York City in 1977-81 and Long View Farm Studios, a world-class residential recording facility, located on a 120 acre farm in rural Massachusetts, from 1992-94. At Gotham, Camille worked with Melba Moore, Edgar and Johnny Winters, The System, David Johansen p/k/a Buster Poindexter, and others. Long View clients included The Indigo Girls, Geezer Butler, The Rolling Stones, Aerosmith, Michael Bolton, and Living Colour.

Camille has also created and produced major musical concerts and series such as the 13 week American Express Songmasters Inside-Out series, the Gospel segment of Woodstock '94 and two concerts at the 2002 Olympics in Salt Lake City for the Coca Cola Company.

In addition, Camille, who recently completed studies for a Masters Degree in Psychology at The University of Southern New Hampshire, also has held teaching positions at Raritan Valley College and Warren Community College and launched the entertainment marketing and internship program at Baruch College.

Camille has lectured throughout the country at seminars, workshops, and conventions and has been interviewed by major newspapers, magazines and television specials such as 20/20, Cue Magazine, Robin Leach, Entertainment Tonight, BBC, Channel 4 UK and Fox; has been featured in numerous books on the entertainment industry and Madonna and was a key character in a Fox made-for-TV movie on Madonna. She is also a freelance writer having written for New England Performer, The Circle, RI Ear and a bunch of fanzines, mostly on artist management and development. She is currently working on a book.

Why did you return to a record label after all these years?
No matter how good a manager you are, the record label holds the key to an artist's success. Whether political, economical or consumer driven, the decisions a record label makes relative to supporting an artist are truly the differentiating factor. As a label head who knows management, I find myself in the unique position to truly impact an artist's career, to make a difference and to have more control over development, marketing and the other artist development efforts that are integral to an artist's viability and ultimate success.

How did you get into management?
My original entry into the business was working for record companies. The role of management always attracted me. I talk artist very well and was very often put in a position to have to explain the label's position to the artist and his or her manager. I enjoyed the relationships that I had with artists. I felt, and still do, protective of creative people. There's a fine line between genius and insanity. There's nothing as unique as the way an artist looks at the everyday world. To this day it intrigues me and makes me want to slay dragons for them and make things work in their career.

What makes a good manager?
It's a mixture of things: a rock solid knowledge of the business, a good set of contacts and networking skills, people skills, discipline relative to follow up and cold calling, good marketing instincts. Now that's the business side. Here is a bit of the human side: you have to understand the emotional and psychological make up of the creative mind. You have to understand the difference between talent and drive (one is useless without the other), you have to be patient and extremely honest.

Trust is the most important thing that a manager and artist must have for each other. You have to be realistic and grounding; too often managers enable the ego trips and outrageous demands that artists feel justified in making. They use isolation as a way to control their clients. A good manager doesn't make an artist helpless. They should be able to hop in the car, pick up their dry cleaning and stop for a coffee on their own no matter how popular they are. Of course, the press is a problem, but a good manager can handle that aspect as well. It's about controlled access and anticipating problems.

What did you learn at record labels that you brought into management?
Organization and follow through for sure but also the basic knowledge of how a record label works and what goes into the decision-making process.

What did you learn in management that you have brought to Winedark Records?
Artists are unique. They are living and breathing commodities and have to be handled as such. The music is such an intimate and personal part of the artist. It's such a paradox to deal with: the CD sits on a shelf and is sold like any piece of merchandise but what is embodied on that CD is the life, experience, expression, hopes and messages of a real person.

How did you get involved in owning two recording studios?
Temporary insanity. I'm now out of remission and completely cured.

How did you wind up managing Madonna?
Madonna was squatting illegally in the building where my studio Gotham Sound was located. She was well aware that I was one of the few people who actually had major label contacts and worked with the mainstream music industry. So she campaigned to get me to a gig by flirting with my business partner Adam Alter and giving him a tape of her band. I was going 24/7 with the studio and a managing band on Atlantic and a couple of other unsigned acts, and I needed another artist to manage like I needed root canal work. I didn't realize that this really interesting young woman that I kept running into and exchanging one liners with was the same artist that my partner was hounding me to listen to.

Eventually my partner got me to one of Madonna's rehearsals. She knew who I was long before I knew who she was. After a few missed shows I did see Madonna perform at Max's Kansas City in N.Y. She was playing a knock off Stratocaster and singing with Breakfast Club. I signed her that night on the spot.

Why did the management of Madonna end?
Ah, the ending. Let me say that you know you have something big in the music industry when people try to steal it away from you. After doing a lot of work on Madonna, building a band of top notch, now well-known, musicians, doing a four-song master at Media Sound--one of the premier studios of the time--spending a great deal of money on salaries, Madonna's overhead, networking and generally managing Madonna smack into the middle of mainstream music, the word got out. People began to contact her directly and promise her things that I couldn't deliver. My company was brand new, terribly under-funded ,and I wasn't a member of the good old boy network of managers and labels that work hand and hand.

While I was trying to close a deal with Paul Atkinson at Columbia, a team of underground industry folks were coordinating Madonna's breach of my management contract. It took about three years to settle the deal, get paid for my work and put the entire thing behind me. It was one of the most difficult times of my life but I learned a great deal and feel that everything happens for a reason. In retrospect I could have worked it out differently by going to one of the major managers I knew who belonged to the good old boy network and cut him in.

I would've been able to hold on to her that way but pride always comes before a fall. Actually, I'm happy with how my life and my career have unfolded from that point on give or take a few dark moments.

Do you and Madonna still keep in touch?
We've gone our separate ways, too intense a time for us both. I admire her and look forward to making our peace in the future. We're both a whole lot older and wiser now.

What is he difference in managing a superstar vs. an up-and-coming artist?
When you manage a superstar, you're basically a glorified and well paid order taker. The demand has been created, the audience is vast and the value of the artist has been established. It doesn't require the artist development skills needed to manage a new act. For new artists you have to create the demand, grow the core audience and in stages get everyone to confirm your estimation of your client's value to the industry and the public.

Managing a new artist means that you have to provide contacts and develop associations with all the other individuals that make up a successful artist development team: entertainment attorney, publisher, record label, booking agent, publicist, road and technical crew, band and anything or anyone else that is needed to launch a career.

It's quite a dance and only a handful of managers have the skills to take artists from the up-and-coming stage to superstardom. You must believe in the artist in spite of all the obstacles that block your way. It's costly too and requires a war chest of funds to break the artist. In the past, development dollars came from the record labels, but now it's rare to see a label come to the plate. By the way, even established artists cost a great deal of money to advance until such time as they're self-sufficient.

Do you miss managing artists?
Hell no! It's the "hair shirt" of the music industry. It's by far one of the most difficult jobs to have, but it teaches you a whole lot more than any other position in the industry could. I have a love-hate relationship with my days as a manager: a lot of struggle, a lot of hard work, a lot of learned, incredible contacts made. It's a paradox; if you manage correctly, you can manage yourself right out of a job.

Any interesting Madonna stories?
Madonna stories. Let's see..like when I first introduced her to William Morris agents at a Japanese sushi bar and she felt that the best way to get the attention focused on her was to let out a huge belch, or when I was in a really important meeting with the owner of Media Sound to discuss her recording and she barged in to my office to use my mirror to shave her underarms, or when we were at a photo shoot and she placed rosary beads around her neck with the cross tucked into the waistband of her pants and said, "Look Camille, even God wants to get into my pants." No I don't have any good Madonna stories. LOL

First concert attended
I'm dating myself but what the heck, The Beatles at Shea Stadium in 1965. I wasn't a screamer though. Everyone wanted to marry George or Paul; I wanted to be George Martin's daughter. No lie because she would've had the behind-the-scenes look at the band - in the studio, hanging out and talking about their music and life. It was the first sign that I wanted to work closely with artists and ultimately led me to want to be a manager.

First concert worked
This was a classic; Earth, Wind and Fire opening for Sly and The Family Stone, 1971 at Madison Square Garden. I'd just joined Columbia/Epic Records as the manager of New Release Coordination. I was learning and eventually would become responsible for all departmental activities needed to release a recording. I was the liaison between A & R, Marketing and Operations.

First industry job
Manager of New Release Coordination, Columbia/Epic Records.

Career highlights
Managing Madonna, producing the gospel segment of Woodstock '94, launching WineDark Records with the signing and release of the new Sevendust CD.

Career disappointments
Managing Madonna and realizing that Pro Tools was going to really impact recording studio ownership. I owned Gotham Sound in NYC and was a partner of Long View Farm Recording Studios, a residential studio in rural Massachusetts. It was 125 acres--barn, horses and a lovely, magical place to make music.

Greatest challenges
Deciding to go back to working at record labels after being an independent manager and business owner for almost 25 years and going back to college to get a degree in Psychology. I just graduated from The University of Southern New Hampshire.

Best business decision
Leaving a job at a major label to manage, own studios and experience the music industry from the ground up. It taught me so much. It enabled me to learn about every aspect of the industry. There isn't anything I haven't done -- all legal of course -- in the music industry. Record production, concert coordination, artist development, management, etc.

Best advice you received
Being in the music business is like being a short order cook. You have to keep moving, put everything back in its place when you're finished using it and having a lot on your plate means that you're good at what you do.

Most memorable industry experience
Stepping out on the North Stage at Woodstock '94 for a tech check and looking out at a sea of about 350,000 people. It was about 10 a.m., raining hard and you could see people and tents and blankets clear to the horizon. To me, attending the first Woodstock would have been a religious experience. I was a tad young to go, and my plans to attend were thwarted by very alert and sneaky parents. I was in awe of the experience as I watched movies and documentaries about that day in upstate New York.

Favorite team/athlete
New York Yankees. My dad was a NYC policeman, which meant that sometimes he was off in the day time. He would take me to Yankee Stadium. We would sit in right field so that he had a chance to catch home runs for me. I saw him catch a Mickey Mantle home run on the fly. I had it autographed and still have it today.

What friends would be surprised to learn about you
I'm very shy about singing in front of others. I'm not a shy person. I can make conversation with anyone. I've been interviewed and appeared on TV. I'm pretty musical so I'm shocked that no one notices that I lip sync "Happy Birthday" at every party.

Industry pet peeve
Not returning calls from newcomers to the business. I've an obligation to help them get started or to point them in the right direction.

Office paraphernalia
You name it, I have it. On the tech side: Blackberry, one button computer back up, label maker, gravity defying pens and a computer that could do traffic control at any airport. I love technology. I've lots of memories from my career in my office: photos, recordings, etc.

If I wasn't doing this, I would be..
... a veterinarian. I love dogs, actually all animals, but dogs are my favorites. I have four -- one Yellow Lab and three Irish Wolfhounds. I compete in trials, conformation shows and love traveling with my pack. Dogs are just perfect living breathing entities. I admire their morals and ethics. They love unconditionally. They never hurt deliberately -- providing they have not been tampered with by humans -- and they smile more than they frown.

Industry mentors
Most of my knowledge came from diving in and learning it the hard way. But I've been lucky to work with, for and around, a few amazing and legendary industry types: John Hammond, Jim Foglesong, Bruce Lundvall and Vicki Wickham.

Camille can be reached at: 908-537-6616; e-mail: Camille@winedarkrecords.com

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Rob Hallett, Robomagic 02/05/15
Craig Hankenson, Producers, Inc 02/23/06
Kerry Hansen, Wynonna Incorporated 10/03/03
Eric Hanson, Ted Kurland Associates 12/20/02
Eric Hanson, Tree Lawn Artists 03/23/07
Rusty Harmon, MTM Music Management 12/06/07
Ali Harnell, Clear Channel Entertainment Nashville 08/15/03
Bob Harris, 02/06/09
Evan Harrison, Huka Entertainment 12/08/16
David Hart, The Agency Group 02/20/04
Laura Hassler, Musicians without Borders 12/02/15
Abe Hathot, Musician, composer, and music producer. 12/21/16
Steve Hecht, Piedmont Talent 08/29/12
Travis Hellyer, Mezzanine 09/02/05
Janie Hendrix, Experience Hendrix 02/01/10
Nona Hendryx, Rhythmbank Entertainment 06/02/06
Dan Herrington, Dualtone Records 07/25/03
Sara Hickman, Sleeveless/Stingray 06/30/06
Dan Hirsch, On Board Entertainment 04/04/03
Nick Hobbs, Charmenko 12/14/01
Carel Hoffman, Hilltop Live/Oppikoppi Productions 11/07/12
Ian Hogarth, Songkick 08/09/11
Gene Hollister, Rose Presents 04/08/01
Rusty Hooker, Rock Steady Management Agency 02/16/01
Jake Hooker, Hook Entertainment 05/10/02
Martin Hopewell, Primary Talent International 04/19/02
Tom Hoppa, TKO Booking Agency 09/29/06
Bobbie Horowitz, Times Square Group 01/04/02
Barney Hoskyns, Rock's Backpages 11/01/11
Bruce Houghton, Skyline Music 10/27/00
Bruce Houghton, Skyline Music 01/22/14
Andi Howard, Peak Records and Andi Howard Entertainment 09/02/03
Barbara Hubbard, ACTS 09/12/03
Laurent Hubert, BMG US 11/12/15
Seth Hurwitz, I.M.P. 04/20/09
Ariel Hyatt, Author, and founder of Cyber PR 11/23/16
Mark Hyman, Ashley Talent International 11/09/01
Brett Hyman, Category 5 Entertainment 07/23/04
Bruce Iglauer, Alligator Records 08/17/01
Bruce Iglauer, Alligator Records 05/28/14
Doug Isaac, Super Bowl Concert Series Producer (EXI) 08/24/01
David Israelite, National Music Publishers' Association 11/29/08
Tom Jackson, Tom Jackson Productions 02/06/13
Jay Jacobs, Parc Landon 09/21/07
Larry Jacobson, World Audience 09/17/04
Audra Jaeger, The Management Trust 05/09/03
Ralph James, The Agency Group 01/31/11
Jeffrey Jampol, Jampol Artist Management 07/18/12
Jean Michel Jarre, International Confederation of Societies of Authors and Composers (CISAC) 06/19/13
Michael Jaworek, The Birchmere 05/08/09
Peter Jesperson, New West Records 11/03/06
John Jeter, The Handlebar 08/15/12
Mike Johnson, Groundrush Media 02/17/06
Mike Gormley & Jolene Pellant, Yes, Dear Entertainment 04/23/10
Susan Joseph, Justice Entertainment Group 02/21/11
Darren Julien, Julien's Auctions 10/25/10
Henry Juszkiewicz, Gibson Guitars 09/28/10
Leonard Kalikow, Music Business Reference, Inc. 06/26/08
Craig Kallman, Atlantic Records 03/20/09
Steve Kane, Warner Music Canada 02/09/17
Danny Kapilian, Independent Producer 07/12/02
Mike Kappus, The Rosebud Agency 10/26/09
Andy Kaufman, Birdland 05/17/02
Wendy Kay, Mars Talent Agency 03/09/01
Lucas Keller, The Collective 03/22/11
Marty Kern, Clemson University 07/07/01
Carlos Keyes, Red Entertainment 10/08/04
Golnar Khosrowshahi, Reservoir Media Management 10/24/12
Martin Kierszenbaum, Interscope/Cherrytree Records 09/06/09
Barney Kilpatrick, Rattlesby Records 10/28/05
John Kinsner, The Walnut Room 03/28/08
Doug Kirby, LiveTourArtists 10/24/03
Steve Kirsner, Compaq Center 06/29/01
JoAnne Klabin, Sweet Relief 03/21/03
Andrew Klein, Revolution Marketing 11/05/04
Larry Klein, Producer, bassist, songwriter 03/13/12
Jack Kleinsinger, Highlights in Jazz 04/25/08
Ann Kline, Casa Kline 09/04/14
Brian Knaff, Talent Buyers Network 09/29/01
Kymberlee Knight, IEBA 11/16/00
Mike Kociela, 360 Productions 05/30/08
Stefan Kohlmeyer, Bach Technology 02/08/10
Lily Kohn, Microsoft Corporation 02/14/11
Tim Kolleth, Alligator Records 01/25/08
Al Kooper, Musician/songwriter/producer/author 02/06/14
Mitchell Koulouris, Digital Musicworks International, Inc. 02/11/05
Mark Krantz, John Schreiber Group 06/15/01
Jeff Krasno, Velour Music Group 11/19/07
Jeffrey Kruger, The Kruger Organisation 01/25/02
Harvey Kubernik, Author/historian/music journalist 08/20/15
Ted Kurland, Ted Kurland Associates 01/15/01
Jordan Kurland, Zeitgeist Artist Management 08/23/11
Carianne Laguna, Blackheart Records 03/07/08
Brady Lahr, Kufala Recordings 04/30/04
Ernie Lake, EL Records 01/19/07
Roks Lam, Wolfman Jack Entertainment 12/17/04
Anni Lam, Parc Landon 06/29/07
Gary Lane, CenterLane Attractions 10/14/05
Tom LaPenna, Lucky Man Productions 09/10/04
Camilo Lara, EMI Music Mexico/MIS 08/10/07
Gary Lashinsky, Lipizzaner Tours 05/13/05
Gregg Latterman, Aware Records 12/13/02
Tony Laurenson, Eat to the Beat 02/27/04
Emily Lazar, The Lodge 10/15/15
Bill Leabody, Leabody Systems 06/10/05
Peter Leak, 24-7 Worldwide Management 03/28/12
Steve Leeds, SR. VP/Promotion/Rock Formats at Virgin Records 07/26/02
Bob Lefsetz, The Lefsetz Letter 11/14/08
Carl Leighton-Pope, Leighton-Pope Organisation 07/05/09
Steve Lemon, Live 4 Live, Inc. 12/06/02
Randy Lennox, Universal Music Canada 06/24/15
Simma Levine, Disson Furst and Partners 11/10/00
Andy Levine, Sixthman 06/08/07
Rich Levy, Clear Channel Entertainment Properties 06/25/04
Eddie Levy, Chelsea Music Publishing 07/24/14
Myles Lewis, Denise Rich Songs 12/20/10
Adam Lewis, Planetary Group 01/20/16
Terry Lickona, Austin City Limits 03/14/11
Justine Liddelow, Stage and Screen Travel Services 08/31/11
Jim Lidestri, Border City Media 09/03/15
Larry Lieberman, 4EverWild 03/28/03
Eric Lilavois, Crown City Studios, and London Bridge Studio 12/10/14
Marc Lipkin, Alligator Records 03/05/05
Tommy LiPuma (Part 1), Verve Records 11/08/10
Tommy LiPuma (Part 2), Verve Records 11/15/10
Alexander Ljung, SoundCloud 10/04/10
Andy Lo Russo, The Singing Chef 12/16/05
Phil Lobel, Lobeline Communications 08/13/04
Paul Lohr, New Frontier Touring 01/21/05
Paul Lohr, New Frontier Touring 05/17/10
Julie Lokin, New Audiences 03/23/01
Dave Lory, Artemis Records 03/30/02
Max Loubiere, Tour Director 04/11/12
Mark Lourie, Skyline Music 03/08/02
Dave Lucas, Live-360 04/28/06
Joe Lucchese, EventJoe 02/23/07
Kevin Lyman, 4 fini 03/30/01
Kevin Lyman, Vans Warped Tour 05/23/12
Bubba Mac, 09/14/07
David Macias, Emergent Music Marketing 06/17/05
Kristen Madsen, Grammy Foundation and MusiCares 11/22/10
Larry Magid, Larry Magid Entertainment 05/04/10
Peter Malkin, PM Management 02/07/03
Toby Mamis, Alive Enterprises 02/12/01
Billy Mann, Green & Bloom | Topl1ne, Manncom 09/18/14
Tasea Margeolas, Multi Entertainment 06/23/06
Tony Margherita, dBpm Records 09/06/11
Bob Roux & Mark Campana, Live Nation 12/20/11
Lee Marshall, Magic Arts & Entertainment 09/13/02
Zach Martin, Radio Producer at New York's WAXQ-FM 08/30/02
Mario Martin, Gorgeous PR 04/27/07
Molly Martinez, Ticket Summit 2008 05/23/08
Paul Mascioli, Mascioli Entertainment 01/14/05
Michael Maska, Big Hassle 01/28/05
Ted Mason, Mi-5 Recordings 11/16/01
Steve Masur, Masur & Associates, LLC 11/21/03
Pam Matthews, The Ryman Auditorium 04/08/05
Terry McBride, Nettwerk Music Group 03/01/10
Michael McCarty, ole 06/20/11
Jim McDonald, McDonald Group 12/19/03
Virginia McEnerney, HeadCount 11/26/07
Doc McGhee, McGhee Entertainment 06/14/10
Camilla McGuinn, Tour Manager 08/24/07
Andy McLean, North By Northeast (NXNE) 04/01/05
Dennis McNally, Grateful Dead historian/publicist 09/06/02
Garry McQuinn, Back Row Productions 06/14/11
Ruthann McTyre, The Rita Benton Music Library; and president of the Music Library Association 08/31/10
Dick McVey, Musician's Referral Service 10/27/07
Katherine McVicker, Music Works International 01/08/15
John Meglen, Concerts West/AEG Live 02/21/13
Mark Meharry, Music Glue 05/28/15
Jorge Mejia, Sony/ATV Music Publishing 09/17/15
Dan Melnick, Festival Productions, Inc. 02/22/02
André Ménard, Festival International de Jazz de Montréal 06/12/09
Bob Merlis, Merlis For Hire/Memphis International Records 01/16/04
Doug Merrick, Cumberland Talent Agency and Merrick Music Group 07/21/06
Louis Messina, The Messina Group 10/22/04
Louis Messina, The Messina Group/AEG Live 07/17/09
Louis Jay Meyers, North American Folk Music and Dance Alliance 03/30/07
Louis Jay Meyers, Folk Alliance International 01/23/09
Todd Miller, House Of Blues - New Orleans 11/14/03
Jeff Miller, Fantasma Productions 03/16/07
Ben Miller, Rock Ridge Music 11/02/07
J. B. Miller, Empire Entertainment 08/22/08
Richard Mills, S.L. Feldman 11/02/09
Marty Monson, Barbershop Harmony Society 07/07/16
Linda Moran, Songwriters Hall of Fame (SHOF) 04/05/09
Jesse Morreale, Nobody In Particular Presents (NIPP) 09/20/02
Chuck Morris, Live Rocky Mountains 09/28/09
Mo Morrison, Independent production 05/24/02
Kevin Morrow, Steel Wool Entertainment 01/25/17
Nick Moss, Blue Bella Records 11/30/07
Jim Musselman, Appleseed Recordings 04/14/06
Natalia Nastaskin, United Talent Agency 04/13/16
Marc Nathan, Flagship Records 07/01/05
David Neilon, Rising Star Promotions 11/30/01
Don Neuen, Star Coaches Inc. 10/10/12
Dennis Newhall, DIG Music 10/07/05
John Nittolo, John Nittolo Productions 04/13/07
Ian Noble, Metropolitan Talent 05/23/03
Josh Norek, JN Media, LLC 07/05/02
David Norman, Tour Manager 04/20/07
Mimi Northcott, Canadian Recording Services (CRS) 04/11/08
Bill Nowlin, Rounder Records 01/05/07
John Nugent, NY JAM Inc. 11/08/02
Andy Nulman, Just For Laughs 11/20/13
Sal Nunziato, NYCD 06/01/01
Bob O'Neal, Ryman Auditorium 06/28/02
Andrea Orbeck, Prehab Health and Fitness 03/15/10
Heather Orser, Toad's Place 01/29/01
Janet Oseroff, MultiMediaProperties 11/18/05
Marc Ostrow, Boosey & Hawkes 12/05/08
Riley O’Connor, Live Nation Canada 07/24/09
Jeremy Palmer, Buddy Lee Attractions 11/02/01
John Palmer, Megawave Records 08/31/07
Panos Panay, Sonicbids 12/23/05
Julien Paquin, Paquin Artists Agency 04/30/14
Graham Parker, WQXR-FM 11/26/14
Crispin Parry, British Underground 02/24/08
Donald Passman, Gang, Tyre, Ramer & Brown 04/09/10
Donald S. Passman, Gang, Tyre, Ramer & Brown 01/06/16
Bruce Patron, Overland Entertainment 07/28/06
Alexandra Patsavas, Chop Shop Music 09/27/11
Cheryl Pawelski, Omnivore Entertainment Group 09/26/13
Kerry Peace, Alligator Records 08/18/06
Eric Peltoniemi, Red House Records 12/14/09
Scott Perry, Sperry Media 03/11/05
Lawrence Peryer, Jr., 23 Omnimedia 11/07/08
John Peters, MassConcerts 06/07/11
Holger Petersen, Stony Plain Records 04/15/05
Jon Phillips, Silverback Professional Artist Mgmt/Controlled Substance Sound 08/29/08
Dave Pichilingi, Sound City 03/30/16
Vince Pileggi, Music Inc./Music Inc. Sounds 12/01/06
Eric Pirritt, Endit! Presents / The Fox Theatre 10/17/03
Neil Portnow, The Recording Academy 02/08/11
Louis Posen, Hopeless Records 04/04/11
Stephen Posen, Estate of Glenn Gould 01/23/13
Nadia Prescher, Madison House 06/20/03
Jeff Price, TuneCore 02/28/11
Tom Principato, Powerhouse Records 02/01/08
Roger Probert, Core Records 12/08/06
John "Grinder" Procaccini, JP Squared (JP2) 01/17/03
Mark Pucci, Independent Music Publicist 09/09/05
David Pullman, The Pullman Group 11/03/00
Rod Quinton, Saigon Sound System 04/18/11
Dolphus Ramseur, Ramseur Records 10/19/07
Jack Randall, Ted Kurland Associates 04/05/02
Jack Randall, The Kurland Agency 03/08/17
Debra Rathwell, AEG Live 05/03/13
Jeff Ravitz, Visual Terrain 02/08/08
Rich Rees, M.P.I. Talent Agency 09/19/08
John Reese, Freeze Artist Management 08/01/08
Bill Reeves, WRIII, Inc. 10/20/06
Stephen Rehage, Rehage Entertainment 07/30/04
Lisa Reiss, Pearl Productions 08/17/07
Salaam Remi, Composer, producer, musician and label executive. 01/08/14
David Renzer, Universal Music Publishing Group 08/23/09
Alison Richard, Universal Orlando Resort 05/06/05
Kelli Richards, The All Access Group 02/07/12
Gary Richards, HARD Events 08/29/13
Sam Righi, Waterfront Entertainment Group 05/30/03
Jon Rinaldo, Joker Productions 01/02/04
Geary Rindels, Geary Rindels Enterprises, Inc. 12/05/03
Doreen Ringer Ross, BMI 01/18/08
Lisette Rioux, Island Def Jam Music Group 05/16/03
Dave Roberge, Everfine Records & Everfine Artist Management 12/03/04
Sandy Roberton, Worlds End Producer Management 02/20/09
Ty Roberts, Gracenote 01/31/12
Bill Rogers, BRE Presents 07/13/07
Ian Rogers, Topspin Media 06/01/10
Benji Rogers, PledgeMusic 12/19/13
Dave Rose, Deep South Entertainment 09/15/06
Eric Rosen, Ronald S. Bienstock & Associates 05/25/01
Stuart Ross, The Ross Group 02/23/01
David Ross, President IAAM; Director, Show Me Center 09/23/05
Bobby Rossi, Ruth Eckerd Hall 02/28/03
Michael Rothschild, Landslide Records 04/29/05
Robert Rowland, Red Entertainment 06/13/08
Bill Royston, Mt. Hood Jazz Festival 03/07/03
John Rudolph, Bug Music 05/24/10
Elizabeth Rush, E.R.A. / Elizabeth Rush Agency 08/20/04
Aran Rush, Expo and Foro Imperial 02/16/07
Maurice Russell, Harry Fox Agency 10/21/05
Barron Ruth, Skyline Music 02/14/03
Andrea Sabata, Skyline Music 01/07/05
Numa Saisselin, Count Basie Theatre, Inc. 02/04/05
Ron Sakamoto, Gold & Gold Productions 01/16/10
David Salidor, dis Company 07/20/07
Shaw Saltzberg, S. L. Feldman and Associates 06/21/10
Bruce Allen & Sam Feldman, A&F Music 12/19/08
Mark Samuels, Basin Street Records 06/11/04
Jacqueline Saturn, Harvest Records 01/21/15
Tamara Saviano, American Roots Publishing 07/22/05
Tamara Saviano, Author, journalist, and producer 08/18/16
Michael Scafuto, Mountain High Entertainment 12/07/01
Steve Schankman, Contemporary Productions 12/21/01
Steve Scharf, Carlin America 10/11/02
John Scher, Metropolitan Talent 11/21/08
Al Schmitt, Producer/Engineer 02/13/10
Bobby Schneider, Tour Coordinator, Third Eye Blind 01/31/03
Jake Schneider, Madison House 04/02/14
Steven Schnur, EA Music Group 07/03/13
Elaine Schock, Shock Ink 02/19/10
Stacy Schott, Mad Booking and Events 08/22/03
Daylle Schwartz, Revenge Productions 08/19/05
Dean Sciarra, ItsAboutMusic.com 11/26/04
Joel Selvin, Author and Journalist 08/07/14
Jay Sendyk, Sendyk, Leonard & Company, Inc. 05/03/02
Peter Shapiro, Ideal Entertainment 04/16/04
Seth Sheck, Access Pass & Design 01/03/03
Seth Sheck, ACCESS Event Solutions 06/22/16
Seth Shomes, The Agency Group 11/12/14
Jay Sieleman, The Blues Foundation 07/18/03
Anya Siglin, The Ark 03/05/10
Bill Silva, Bill Silva Entertainment 10/19/10
Tom Silverman, Tommy Boy Entertainment 03/06/12
Steve Simon, Clear Channel Communications 05/14/04
Ralph Simon, Live Earth 07/06/07
Ralph Simon, Mobilium 04/12/11
Michael Simon, The Harry Fox Agency 08/14/13
Ron Simpson, RCS Productions 01/11/08
John Simson, SoundExchange 07/15/05
Dion Singer, Warner Bros. 12/07/09
Gram Slaton, The Community Arts Center 02/25/05
Owen Sloane, Gladstone Michel Weisberg Willner & Sloane 10/11/10
Peter Smidt, Eurosonic Noorderslag & manager Buma Cultuur 07/17/13
Garrison Snell, Gyrosity Projects 02/23/17
Mike Snider, Paradigm Talent Agency Nashville 05/17/11
Andrew Snowhite, Musictoday 05/04/01
Bruce Solar, The Agency Group 05/14/14
Nikki Solgot, Circle Talent Agency 02/18/15
Michael Solomon, Brick Wall Management 05/25/07
Mark Sonder, Mark Sonder Productions 07/25/08
Steve Sonnier, UIC Pavilion at the University of Illinois, Chicago 09/03/04
Kathy Spanberger, peermusic 06/20/12
Carolyn Specht, CIE USA Entertainment Inc. and OCESA PRESENTS Inc. 03/26/04
David Spelman, New York Guitar Festival 10/01/04
Jason Spiewak, Rock Ridge Music 04/07/06
Dan Steinberg, Square Peg Concerts 11/29/12
Dan Steinberg, Square Peg Concerts 02/18/05
Jeremy Stephan, Ventures, LLC 04/23/04
Walter Stewart, Mars Talent Agency 02/21/03
Gail Stocker, Gail Stocker Presents 11/12/04
Jon Stoll, Fantasma Productions 10/13/00
Jesse Stoll, AEG 06/27/09
Henry Stone, Henry Stone Music 06/24/05
Jason Stone, Live Nation New York 03/31/06
Howard Stovall, Resource Entertainment Group 05/28/04
Cameron Strang, New West Records 10/18/02
Don Strasburg, AEG Live Rocky Mountains 02/27/09
Barbara Strauss, Sovereign Ventures 05/12/06
Richard Stumpf, Cherry Lane Publishing 08/07/06
Patrick Sullivan, RightsFlow 10/25/11
Bernie Swain & Harry Rhodes, Jr., Washington Speakers Bureau 12/07/00
Dean Swett, Paramour Group 06/14/02
Jake Szufnarowski, Rocks Off 05/02/08
Marc Tanner, Chime Entertainment 12/22/06
Donald Tarlton, The Donald K Donald Group 04/12/02
Tess Taylor, Los Angeles Music Network 08/09/02
Race Taylor, WPLJ - New York 10/27/06
Race Taylor, WPLJ - New York 10/27/06
Chris Taylor, Taylor 03/15/09
Peter Tempkins, DeWitt Stern Group 03/16/01
Peter Tempkins, Momentous Insurance Brokerage 03/27/09
Lisa Tenner, Tenner & Associates (EAT'M) 08/06/01
Jeremy Tepper, Diesel Only Records 10/10/03
Allan Tepper, Bicycle Music Company 09/28/07
Martin Terefe, Kensaltown Studios 05/31/11
Milun Tesovic, MetroLeap Media 10/18/09
Mandar Thakur, Times Music 08/06/15
Jerry Thompson, Promoter Line Inc. 03/05/04
Jose Tillan, MTV Networks Latin America 12/02/05
Jon Tiven, Hormone Studios 08/05/05
Rob Tonkin, Marketing Factory 12/17/15
John "J.T." Toomey, 25/8 Management 11/15/11
Livia Tortella, Warner Bros. Records 01/10/12
Phil Tripp, IMMEDIA! 01/19/06
Claudio Trotta, Barley Arts Promotion 11/26/01
Chris Tsakalakis, StubHub 01/11/10
Ben Turner, Graphite Media 05/10/10
Steve Vai, Favored Nations Entertainment 04/26/02
John Valentino, Fantasma Productions 04/18/03
John Valentino, AEG Live SE 11/01/10
Don Van Cleave, Coalition of Independent Music Stores 04/09/04
Casey Verbeck, Partners in Music 06/06/03
David "Boche" Viecelli, The Billions Corporation 04/18/10
Ray Waddell, Billboard Magazine 08/27/04
Rob Waggener, Foundations Recovery Network 03/07/11
Jim Walczak, Racine Civic Centre 06/03/05
Jeff Walker, The AristoMedia Group 08/16/10
Carla Wallace, Big Yellow Dog Music 11/04/05
Russell Wallach, Live Nation Network 03/20/12
Steve Walter, The Cutting Room 10/24/08
Neil Warnock, The Agency Group 05/02/09
Diane Warren, Realsongs 08/14/09
Butch Waugh, RCA Label Group Nashville 01/10/03
Lauren Wayne, The State Theatre 05/09/12
Kirt Webster, Webster PR 02/03/16
Ken Weinstein, Big Hassle Media 04/22/05
Bruce Weinstein, Bethel Woods Center for the Arts 02/15/08
Larry Weintraub, Fanscape 05/18/01
Pam Weiser, Momentous Insurance Brokerage 10/11/11
Kevin Welk, Welk Music Group 01/24/12
D-J Wendt, Dmand Management 05/09/08
Alison Wenham, Worldwide Independent Network 02/13/09
Bill Werde, Billboard 08/03/11
Joel Whitburn, Record Research 11/13/09
Judd White, Tour Manager/Accountant 02/13/04
Jeff White, In Ticketing 12/16/06
Adam White, Author 09/14/16
Adam Wilkes, AEG Live Asia 10/13/16
Fenton Williams, 04/04/08
Del Williams, Right Arm Entertainment 04/18/08
Bryan "Birdman" Williams, Cash Money Records 09/13/11
Paul Williams, ASCAP 10/19/11
J.P. Williams, Parallel Entertainment 10/03/12
Kurt Willms, Green Room Productions 09/20/03
Chris Wilson, Heartbeat Records 03/02/07
Tony Wilson, Factory Records/In The City 06/01/07
Tom Windish, The Windish Agency 07/26/10
John Wiseman, XL Touring Video 05/05/06
Thom Wolke, Twincloud.com 02/08/02
Michael Wood, City Lights Entertainment 08/08/08
Keith Wortman, Blackbird Presents 03/22/17
Nigel Wright, Independant Record Producer 11/07/03
Dusty Wright, CultureCatch.com 07/27/07
Jeremiah “Ice” Younossi, A-List Talent 09/20/09
Gail Zappa, The Zappa Family Trust 10/02/14
Kevin 'Chief' Zaruk, Chief Music Management 06/10/15
Ron Zeelens, RAZco Visas 04/20/01
Rick Zeiler, Sidney Frank Importing Company 06/04/04
Danny Zelisko, Live Nation 06/19/09
Hillary Zuckerberg, Brick Wall Management. 07/09/04
Steve Zuckerman, Global Entertainment and Media Summit 03/22/02
Paul Zullo, Muze 01/23/04
Nanette Zumwalt, Hired Power 02/03/06

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