Ben Vereen, Liza and Jason

Industry Profile: Jason Stone

— By Jane Cohen and Bob Grossweiner

During his 30-year career, Jason Stone has served in almost every aspect of the live entertainment industry. Today, he is vice president/general manager, Long Island Region for Live Nation New York, booking North Fork Theater at Westbury (formerly Westbury Music Fair) and managing the Jones Beach Theater in Wantagh.

At North Fork Theater at Westbury, Jason is responsible for programming and business operations and reports to Live Nation New York President Jim Glancy. The theater presents more than 150 events annually, attracts 300,000 patrons per year, and is consistently listed the top 10 theaters (3,000 and under) in the nation. In early 2003, Jason assumed the additional role of general manager of the Jones Beach Amphitheatre; Glancy is directly responsible for the programming of that venue, which hosts 400,000 patrons per year and is also consistently listed as one of the top amphitheaters in the United States.

A New York native, Jason attended the University of Miami from 1971-73. He began in the entertainment industry as a stage manager at the Coconut Grove Playhouse in Miami in 1973.

"We did the early productions of Grease and Jesus Christ Superstar for many month runs," he recalls. "After that I was offered a job as assistant manager at the Deauville Star Theater on Miami Beach. That was my first exposure to concert events as they played the usual MOR attractions. It was there that I got my experience with Tony Bennett, Lena Horne, Tom Jones, Totie Fields, Don Rickles and Sergio Franchi. They were all regular attractions at that 2,000-seat venue. They were so popular they filled seven-to-10 performances each time they came to play."

In 1974 Jason joined Music Fair Group, Inc., and worked at the Deauville Star Theater in Miami Beach. He transferred to New York in 1979 to work at Music Fair Group's Westbury Music Fair, its theater-in-the round, on Long Island. Music Fair also owned and operated another theater-in-the round venue, Valley Forge in Devon, Pa. Jason became executive vice president in 1981, responsible for the booking and general management of these venues.

He left Music Fair Group in early 1993 to join Pace Concerts. "I felt a need for more experience on the amphitheater side," he explains, "and Louis Messina offered me the opportunity to work on the E Center development in Camden, N.J. From 1994-95, Jason was the director of programming for the facility.

In 1996 he joined DelsenerSlater in New York, who had a partnership with PACE Concerts called Pavilion Partners, which ran Garden State Arts Center in Holmdel, N.J. Jason became executive director of the venue, which was renamed PNC Bank Arts Center in 1996 through a naming rights sponsorship. His primary responsibility was the privatization of the facility from New Jersey Highway Authority control to private operations under the auspices of DelsenerSlater and Pace Entertainment.

"At that time I made an offer to buy Music Fair Group from then owner, Sheldon Gross," Jason notes. "The purchase was made possible with help from Mr. Delsener and Mitch Slater. After I arranged for the purchase, it became part of the Delsener organization. Shortly thereafter, we all became part of SFX Broadcasting, the predecessor to SFX Entertainment."

Valley Forge, however, did not make it into the deal. "The owner needed to raise cash before we were ready to close the deal," Jason explains. "Westbury worked out fine, but Valley Forge was closed and the owner tore down the building."

What are your days like on the few days each summer when you have shows at each venue?
I usually begin my day in the early afternoon at Jones Beach. Since the management of the facility is foremost and the operation of an amphitheater is extremely labor intensive, the daytime hours at Jones Beach are crucial to the crisp and clean evening's operation. After we work all day to set up and begin the evening's performance at Jones Beach, I drive 15 miles over to Westbury to settle the box office and visit with the artists. I stay there until we get to the headline artist. Once everything is in order, I drive back to the Jones Beach operation to complete the evening. I finish the day at Jones Beach with supervision of settlement and orderly dismissal of the audience at around midnight. Yes, it is a 12-14-hour day. The double building schedule only comes up around 10 times per summer.

In general, how do agents and artists like the in-the-round format at Westbury?
Westbury continues to be the leader in the theater-in-the-round format, but generally speaking, talent has a problem with the in-the-round style of performing. The artists can't use their set or their production equipment. Most artists have their events staged for a traditional staging so it becomes a difficult choice whether to make the critical adjustments to their usual performance structure.

All talent that plays at Westbury gets used to the format. I've always said that in order to work in-the-round, you must be talented. When you're working without production and sets, you better have talent to keep the audience interested. Artists who weren't talented in the first place had trouble with the round set up. Artists with talent have a great experience in the round theater.

We provided a reasonable alternative by adapting the facility to provide for a half-round set up with special curtains and seating plans in 2000. We offer this as an alternative to those artists who can't play in-the-round due to production issues. Artists who can only play in the half-house make the decision based on different metrics involved with a 1,600-seat configuration versus the full 2,800-seat round program. We set the show up according to the specific requirements of the artist.

What about the audience?
The audience attends the theater because of the artist onstage not because of the configuration. The audience just wants to see their favorite music and the configuration never enters into their thinking. I've never had a complaint from a patron who said they hated the show because it was in the half-round configuration. The proscenium shows are highly accepted by the audience because no one is sitting behind the band as they are in the round configuration.

You have said that you feel more like a concessionaire than a concert promoter at times
Sometimes we program the venue because the particular artist draws an audience that consumes more food and beverage than other shows. Naturally, all the ancillary revenue streams are important to the overall budget of the venue. I'd always be happier with a show that has a good food and beverage number and a strong merchandise number, as well. I'm always and foremost a concert promoter. Our main focus is to deliver the best talent in the best format we can deliver. If the food, merchandise and beverage do well, then it becomes a better night for all of us, but it's all about the music and the fan, period.

First concert attended
Cream at Madison Square Garden, 1968. The show was in-the-round.

First concert worked
Dick Clark's Rockin' New Years Eve, 1974, in Miami. I was the production manager.

First industry job
Coconut Grove Playhouse in Florida as the production manager.

Career highlights
World Christmas Tour with Perry Como, 1992; general manager at Garden State Arts Center in New Jersey (1996); and currently general manager at Jones Beach Amphitheatre on Long Island.

Career disappointment
Not working in rock 'n roll until 15 years into my career. Prior to my involvement in rock 'n' roll, I was in the MOR business. I toured with Sergio Franchi, an Italian singer, as his road manager and then his personal manager when his manager, Marion Billings, became ill. He played a lot of Vegas and PACs all over America. He passed away of brain cancer in 1990. I also toured with Perry Como, and we played PACs all over as well. The Christmas tours were always very extensive and covered a lot of venues. In between, I worked with many of these middle-of- the-road artists who have long since left the industry. Their audiences have stopped attending shows or have passed on. Many of the artists have also passed on or retired from performing. I would have liked to get into the rock business earlier in my career.

Greatest challenge
Reconfiguring Westbury to become a top class theater. The project is still in progress. We continue to investigate ways to market the venue. It includes conversations to reconfigure the seating to accommodate more current artists.

Best business decision
To work for Ron Delsener, because he was the promoter I always looked up to. When I was growing up in New York, you always saw the Delsener name attached to the concerts in Central Park, at the Pier and at Forest Hills Tennis Stadium. I always said I would like to work for that man who had the power to bring all these great names to the concert stage

Best advice you received
From Frank Sinatra: "Make sure you excel in at least three areas of the industry to be successful." Sinatra's advice was a very important point in my career. His advice to excel in three areas of the business is a continual work in progress. For me, they are: business management, stage management, and performance. I still continue to be a student of our industry always trying to excel a little better and a little stronger. I have succeeded in taking Mr. Sinatra's advice and continue to live up to his expectations.

Best advice to offer
You better really love the music if you want to achieve success in the industry.

Most memorable industry experience
Attending the original Woodstock in August 1969. I was always interested in music, and at that time I was in a rock band named Holy Smoke. We were performing a lot of the music that was presented at Woodstock. It was a natural for me to eventually attend the event. It changed my life - musically and spiritually.

Favorite team/athlete
New York Yankees - great team manager, great attitude; Derek Jeter.

Favorite restaurants
Mr. Chow (New York); Spago (Los Angeles); and Delano (Miami Beach).

Favorite hotels
Quissisana (Capri, Italy); and Ritz (Paris).

What friends would be surprised to learn about you
I play electric bass in a retro rock cover band. This is my little secret and no, no one else in the industry is in this unit. I did play with Nat Burgess for several years in a band called, The Airhogs. When he moved to Los Angeles, that band ceased performing together.

Industry pet peeve
When someone never practices what they preach.

Office paraphernalia
Buddha.

If I wasn't doing this, I would be...
...scuba diving.

Best place to scuba dive
Grand Cayman.

Industry mentors
Bill Graham, Ron Delsener, Jack Boyle.

Jason can be reached at: (917) 421-5060; (516) 247-5201; e-mail: jasonstone@livenation.com

.

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Alexander Ljung, SoundCloud 10/04/10
Andy Lo Russo, The Singing Chef 12/16/05
Phil Lobel, Lobeline Communications 08/13/04
Paul Lohr, New Frontier Touring 01/21/05
Paul Lohr, New Frontier Touring 05/17/10
Julie Lokin, New Audiences 03/23/01
Dave Lory, Artemis Records 03/30/02
Max Loubiere, Tour Director 04/11/12
Mark Lourie, Skyline Music 03/08/02
Dave Lucas, Live-360 04/28/06
Joe Lucchese, EventJoe 02/23/07
Kevin Lyman, 4 fini 03/30/01
Kevin Lyman, Vans Warped Tour 05/23/12
Bubba Mac, 09/14/07
David Macias, Emergent Music Marketing 06/17/05
Kristen Madsen, Grammy Foundation and MusiCares 11/22/10
Larry Magid, Larry Magid Entertainment 05/04/10
Peter Malkin, PM Management 02/07/03
Toby Mamis, Alive Enterprises 02/12/01
Billy Mann, Green & Bloom | Topl1ne, Manncom 09/18/14
Tasea Margeolas, Multi Entertainment 06/23/06
Tony Margherita, dBpm Records 09/06/11
Bob Roux & Mark Campana, Live Nation 12/20/11
Lee Marshall, Magic Arts & Entertainment 09/13/02
Zach Martin, Radio Producer at New York's WAXQ-FM 08/30/02
Mario Martin, Gorgeous PR 04/27/07
Molly Martinez, Ticket Summit 2008 05/23/08
Paul Mascioli, Mascioli Entertainment 01/14/05
Michael Maska, Big Hassle 01/28/05
Ted Mason, Mi-5 Recordings 11/16/01
Steve Masur, Masur & Associates, LLC 11/21/03
Pam Matthews, The Ryman Auditorium 04/08/05
Terry McBride, Nettwerk Music Group 03/01/10
Michael McCarty, ole 06/20/11
Jim McDonald, McDonald Group 12/19/03
Virginia McEnerney, HeadCount 11/26/07
Doc McGhee, McGhee Entertainment 06/14/10
Camilla McGuinn, Tour Manager 08/24/07
Andy McLean, North By Northeast (NXNE) 04/01/05
Dennis McNally, Grateful Dead historian/publicist 09/06/02
Garry McQuinn, Back Row Productions 06/14/11
Ruthann McTyre, The Rita Benton Music Library; and president of the Music Library Association 08/31/10
Dick McVey, Musician's Referral Service 10/27/07
John Meglen, Concerts West/AEG Live 02/21/13
Dan Melnick, Festival Productions, Inc. 02/22/02
André Ménard, Festival International de Jazz de Montréal 06/12/09
Bob Merlis, Merlis For Hire/Memphis International Records 01/16/04
Doug Merrick, Cumberland Talent Agency and Merrick Music Group 07/21/06
Louis Messina, The Messina Group 10/22/04
Louis Messina, The Messina Group/AEG Live 07/17/09
Louis Jay Meyers, North American Folk Music and Dance Alliance 03/30/07
Louis Jay Meyers, Folk Alliance International 01/23/09
Todd Miller, House Of Blues - New Orleans 11/14/03
Jeff Miller, Fantasma Productions 03/16/07
Ben Miller, Rock Ridge Music 11/02/07
J. B. Miller, Empire Entertainment 08/22/08
Richard Mills, S.L. Feldman 11/02/09
Linda Moran, Songwriters Hall of Fame (SHOF) 04/05/09
Jesse Morreale, Nobody In Particular Presents (NIPP) 09/20/02
Chuck Morris, Live Rocky Mountains 09/28/09
Mo Morrison, Independent production 05/24/02
Nick Moss, Blue Bella Records 11/30/07
Jim Musselman, Appleseed Recordings 04/14/06
Marc Nathan, Flagship Records 07/01/05
David Neilon, Rising Star Promotions 11/30/01
Don Neuen, Star Coaches Inc. 10/10/12
Dennis Newhall, DIG Music 10/07/05
John Nittolo, John Nittolo Productions 04/13/07
Ian Noble, Metropolitan Talent 05/23/03
Josh Norek, JN Media, LLC 07/05/02
David Norman, Tour Manager 04/20/07
Mimi Northcott, Canadian Recording Services (CRS) 04/11/08
Bill Nowlin, Rounder Records 01/05/07
John Nugent, NY JAM Inc. 11/08/02
Andy Nulman, Just For Laughs 11/20/13
Sal Nunziato, NYCD 06/01/01
Bob O'Neal, Ryman Auditorium 06/28/02
Andrea Orbeck, Prehab Health and Fitness 03/15/10
Heather Orser, Toad's Place 01/29/01
Janet Oseroff, MultiMediaProperties 11/18/05
Marc Ostrow, Boosey & Hawkes 12/05/08
Riley O’Connor, Live Nation Canada 07/24/09
Jeremy Palmer, Buddy Lee Attractions 11/02/01
John Palmer, Megawave Records 08/31/07
Panos Panay, Sonicbids 12/23/05
Julien Paquin, Paquin Artists Agency 04/30/14
Crispin Parry, British Underground 02/24/08
Donald Passman, Gang, Tyre, Ramer & Brown 04/09/10
Bruce Patron, Overland Entertainment 07/28/06
Alexandra Patsavas, Chop Shop Music 09/27/11
Cheryl Pawelski, Omnivore Entertainment Group 09/26/13
Kerry Peace, Alligator Records 08/18/06
Eric Peltoniemi, Red House Records 12/14/09
Scott Perry, Sperry Media 03/11/05
Lawrence Peryer, Jr., 23 Omnimedia 11/07/08
John Peters, MassConcerts 06/07/11
Holger Petersen, Stony Plain Records 04/15/05
Jon Phillips, Silverback Professional Artist Mgmt/Controlled Substance Sound 08/29/08
Vince Pileggi, Music Inc./Music Inc. Sounds 12/01/06
Eric Pirritt, Endit! Presents / The Fox Theatre 10/17/03
Neil Portnow, The Recording Academy 02/08/11
Louis Posen, Hopeless Records 04/04/11
Stephen Posen, Estate of Glenn Gould 01/23/13
Nadia Prescher, Madison House 06/20/03
Jeff Price, TuneCore 02/28/11
Tom Principato, Powerhouse Records 02/01/08
Roger Probert, Core Records 12/08/06
John "Grinder" Procaccini, JP Squared (JP2) 01/17/03
Mark Pucci, Independent Music Publicist 09/09/05
David Pullman, The Pullman Group 11/03/00
Rod Quinton, Saigon Sound System 04/18/11
Dolphus Ramseur, Ramseur Records 10/19/07
Jack Randall, Ted Kurland Associates 04/05/02
Debra Rathwell, AEG Live 05/03/13
Jeff Ravitz, Visual Terrain 02/08/08
Rich Rees, M.P.I. Talent Agency 09/19/08
John Reese, Freeze Artist Management 08/01/08
Bill Reeves, WRIII, Inc. 10/20/06
Stephen Rehage, Rehage Entertainment 07/30/04
Lisa Reiss, Pearl Productions 08/17/07
Salaam Remi, Composer, producer, musician and label executive. 01/08/14
David Renzer, Universal Music Publishing Group 08/23/09
Alison Richard, Universal Orlando Resort 05/06/05
Kelli Richards, The All Access Group 02/07/12
Gary Richards, HARD Events 08/29/13
Sam Righi, Waterfront Entertainment Group 05/30/03
Jon Rinaldo, Joker Productions 01/02/04
Geary Rindels, Geary Rindels Enterprises, Inc. 12/05/03
Doreen Ringer Ross, BMI 01/18/08
Lisette Rioux, Island Def Jam Music Group 05/16/03
Dave Roberge, Everfine Records & Everfine Artist Management 12/03/04
Sandy Roberton, Worlds End Producer Management 02/20/09
Ty Roberts, Gracenote 01/31/12
Bill Rogers, BRE Presents 07/13/07
Ian Rogers, Topspin Media 06/01/10
Benji Rogers, PledgeMusic 12/19/13
Dave Rose, Deep South Entertainment 09/15/06
Eric Rosen, Ronald S. Bienstock & Associates 05/25/01
Stuart Ross, The Ross Group 02/23/01
David Ross, President IAAM; Director, Show Me Center 09/23/05
Bobby Rossi, Ruth Eckerd Hall 02/28/03
Michael Rothschild, Landslide Records 04/29/05
Robert Rowland, Red Entertainment 06/13/08
Bill Royston, Mt. Hood Jazz Festival 03/07/03
John Rudolph, Bug Music 05/24/10
Elizabeth Rush, E.R.A. / Elizabeth Rush Agency 08/20/04
Aran Rush, Expo and Foro Imperial 02/16/07
Maurice Russell, Harry Fox Agency 10/21/05
Barron Ruth, Skyline Music 02/14/03
Andrea Sabata, Skyline Music 01/07/05
Numa Saisselin, Count Basie Theatre, Inc. 02/04/05
Ron Sakamoto, Gold & Gold Productions 01/16/10
David Salidor, dis Company 07/20/07
Shaw Saltzberg, S. L. Feldman and Associates 06/21/10
Bruce Allen & Sam Feldman, A&F Music 12/19/08
Mark Samuels, Basin Street Records 06/11/04
Tamara Saviano, American Roots Publishing 07/22/05
Michael Scafuto, Mountain High Entertainment 12/07/01
Steve Schankman, Contemporary Productions 12/21/01
Steve Scharf, Carlin America 10/11/02
John Scher, Metropolitan Talent 11/21/08
Al Schmitt, Producer/Engineer 02/13/10
Bobby Schneider, Tour Coordinator, Third Eye Blind 01/31/03
Jake Schneider, Madison House 04/02/14
Steven Schnur, EA Music Group 07/03/13
Elaine Schock, Shock Ink 02/19/10
Stacy Schott, Mad Booking and Events 08/22/03
Daylle Schwartz, Revenge Productions 08/19/05
Dean Sciarra, ItsAboutMusic.com 11/26/04
Joel Selvin, Author and Journalist 08/07/14
Jay Sendyk, Sendyk, Leonard & Company, Inc. 05/03/02
Peter Shapiro, Ideal Entertainment 04/16/04
Seth Sheck, Access Pass & Design 01/03/03
Jay Sieleman, The Blues Foundation 07/18/03
Anya Siglin, The Ark 03/05/10
Bill Silva, Bill Silva Entertainment 10/19/10
Tom Silverman, Tommy Boy Entertainment 03/06/12
Steve Simon, Clear Channel Communications 05/14/04
Ralph Simon, Live Earth 07/06/07
Ralph Simon, Mobilium 04/12/11
Michael Simon, The Harry Fox Agency 08/14/13
Ron Simpson, RCS Productions 01/11/08
John Simson, SoundExchange 07/15/05
Dion Singer, Warner Bros. 12/07/09
Gram Slaton, The Community Arts Center 02/25/05
Owen Sloane, Gladstone Michel Weisberg Willner & Sloane 10/11/10
Peter Smidt, Eurosonic Noorderslag & manager Buma Cultuur 07/17/13
Mike Snider, Paradigm Talent Agency Nashville 05/17/11
Andrew Snowhite, Musictoday 05/04/01
Bruce Solar, The Agency Group 05/14/14
Michael Solomon, Brick Wall Management 05/25/07
Mark Sonder, Mark Sonder Productions 07/25/08
Steve Sonnier, UIC Pavilion at the University of Illinois, Chicago 09/03/04
Kathy Spanberger, peermusic 06/20/12
Carolyn Specht, CIE USA Entertainment Inc. and OCESA PRESENTS Inc. 03/26/04
David Spelman, New York Guitar Festival 10/01/04
Jason Spiewak, Rock Ridge Music 04/07/06
Dan Steinberg, Square Peg Concerts 11/29/12
Dan Steinberg, Square Peg Concerts 02/18/05
Jeremy Stephan, Ventures, LLC 04/23/04
Walter Stewart, Mars Talent Agency 02/21/03
Gail Stocker, Gail Stocker Presents 11/12/04
Jon Stoll, Fantasma Productions 10/13/00
Jesse Stoll, AEG 06/27/09
Henry Stone, Henry Stone Music 06/24/05
Jason Stone, Live Nation New York 03/31/06
Howard Stovall, Resource Entertainment Group 05/28/04
Cameron Strang, New West Records 10/18/02
Don Strasburg, AEG Live Rocky Mountains 02/27/09
Barbara Strauss, Sovereign Ventures 05/12/06
Richard Stumpf, Cherry Lane Publishing 08/07/06
Patrick Sullivan, RightsFlow 10/25/11
Bernie Swain & Harry Rhodes, Jr., Washington Speakers Bureau 12/07/00
Dean Swett, Paramour Group 06/14/02
Jake Szufnarowski, Rocks Off 05/02/08
Marc Tanner, Chime Entertainment 12/22/06
Donald Tarlton, The Donald K Donald Group 04/12/02
Tess Taylor, Los Angeles Music Network 08/09/02
Race Taylor, WPLJ - New York 10/27/06
Race Taylor, WPLJ - New York 10/27/06
Chris Taylor, Taylor 03/15/09
Peter Tempkins, DeWitt Stern Group 03/16/01
Peter Tempkins, Momentous Insurance Brokerage 03/27/09
Lisa Tenner, Tenner & Associates (EAT'M) 08/06/01
Jeremy Tepper, Diesel Only Records 10/10/03
Allan Tepper, Bicycle Music Company 09/28/07
Martin Terefe, Kensaltown Studios 05/31/11
Milun Tesovic, MetroLeap Media 10/18/09
Jerry Thompson, Promoter Line Inc. 03/05/04
Jose Tillan, MTV Networks Latin America 12/02/05
Jon Tiven, Hormone Studios 08/05/05
John "J.T." Toomey, 25/8 Management 11/15/11
Livia Tortella, Warner Bros. Records 01/10/12
Phil Tripp, IMMEDIA! 01/19/06
Claudio Trotta, Barley Arts Promotion 11/26/01
Chris Tsakalakis, StubHub 01/11/10
Ben Turner, Graphite Media 05/10/10
Steve Vai, Favored Nations Entertainment 04/26/02
John Valentino, Fantasma Productions 04/18/03
John Valentino, AEG Live SE 11/01/10
Don Van Cleave, Coalition of Independent Music Stores 04/09/04
Casey Verbeck, Partners in Music 06/06/03
David "Boche" Viecelli, The Billions Corporation 04/18/10
Ray Waddell, Billboard Magazine 08/27/04
Rob Waggener, Foundations Recovery Network 03/07/11
Jim Walczak, Racine Civic Centre 06/03/05
Jeff Walker, The AristoMedia Group 08/16/10
Carla Wallace, Big Yellow Dog Music 11/04/05
Russell Wallach, Live Nation Network 03/20/12
Steve Walter, The Cutting Room 10/24/08
Neil Warnock, The Agency Group 05/02/09
Diane Warren, Realsongs 08/14/09
Butch Waugh, RCA Label Group Nashville 01/10/03
Lauren Wayne, The State Theatre 05/09/12
Ken Weinstein, Big Hassle Media 04/22/05
Bruce Weinstein, Bethel Woods Center for the Arts 02/15/08
Larry Weintraub, Fanscape 05/18/01
Pam Weiser, Momentous Insurance Brokerage 10/11/11
Kevin Welk, Welk Music Group 01/24/12
D-J Wendt, Dmand Management 05/09/08
Alison Wenham, Worldwide Independent Network 02/13/09
Bill Werde, Billboard 08/03/11
Joel Whitburn, Record Research 11/13/09
Judd White, Tour Manager/Accountant 02/13/04
Jeff White, In Ticketing 12/16/06
Fenton Williams, 04/04/08
Del Williams, Right Arm Entertainment 04/18/08
Bryan "Birdman" Williams, Cash Money Records 09/13/11
Paul Williams, ASCAP 10/19/11
J.P. Williams, Parallel Entertainment 10/03/12
Kurt Willms, Green Room Productions 09/20/03
Chris Wilson, Heartbeat Records 03/02/07
Tony Wilson, Factory Records/In The City 06/01/07
Tom Windish, The Windish Agency 07/26/10
John Wiseman, XL Touring Video 05/05/06
Thom Wolke, Twincloud.com 02/08/02
Michael Wood, City Lights Entertainment 08/08/08
Nigel Wright, Independant Record Producer 11/07/03
Dusty Wright, CultureCatch.com 07/27/07
Jeremiah “Ice” Younossi, A-List Talent 09/20/09
Gail Zappa, The Zappa Family Trust 10/02/14
Ron Zeelens, RAZco Visas 04/20/01
Rick Zeiler, Sidney Frank Importing Company 06/04/04
Danny Zelisko, Live Nation 06/19/09
Hillary Zuckerberg, Brick Wall Management. 07/09/04
Steve Zuckerman, Global Entertainment and Media Summit 03/22/02
Paul Zullo, Muze 01/23/04
Nanette Zumwalt, Hired Power 02/03/06

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