Industry Profile: Elizabeth Freund

— By Jane Cohen and Bob Grossweiner

For the global Live 8 concert held on July 2, 2005, Sir Bob Geldof called on Elizabeth Freund of Elizabeth Freund Public Relations (EFPR) to handle ever-demanding task of the U. S. public relations campaign for the quickly assembled event and manage the press for the launch and subsequent Live 8 concerts.

In 2007, Elizabeth and Anica Archip, formerly of Creative Communication Consultants, started the new year off with the opening of their new joint venture, Beautiful Day Media & Management, LLC, a boutique public relations and artist management firm. Initial clients are: The Beatles, Ringo Starr, Bob Geldof, Bow Thayer, Chico MacMurtrie, Vezna Gottwald, Ross Brodar , Apple Corps Ltd., GoodandEvil Productions, and NetMusicMakers.com, among others.

"Anica and I have collaborated on various projects over the past 15 years, including the past 10 Rock and Roll Hall of Fame Induction Ceremonies and Live 8," notes Elizabeth, in explaining how the two came together. "Combining our strengths seemed like an exciting and logical step towards growth."

Elizabeth began her career in the music business in 1985 as a DJ, meanwhile moonlighting at a recording studio. In 1987 she worked at Atlantic Records in the inventory department, and then in 1988 joined Geffen Records' A&R department.

"Geffen's New York office was quite small -- six, including myself and a receptionist," says Elizabeth. "As I was the only assistant working directly under Michael Rosenblatt in A&R, I had an opportunity to help out the other departments as well, including promotions, headed by Don Maggi, and Mr. Geffen's east coast assistant Sandy Giorgio. The artists we were working then included Guns N' Roses, Aerosmith, Jimmy Page, Siouxsie & The Banshees, The Toll and WarriorSoul."

In 1989 Elizabeth joined Dera & Associates, a music industry public relations firm, where she was vice president of the Music division and worked with Paul McCartney, ZZ Top, Clint Black, Motley Crue and John Densmore.

She left Dera in 1994 to open her own shop, EFPR, in 1994.

"I'd been at Dera & Associates five years and simply wanted a change, so I resigned not really knowing what was next," she explains. "It was Linda McCartney who helped put the next step into focus. She asked if I wanted to keep doing PR, and if I did, she would sign on, so it was that wonderful mix of putting change in motion and the rest falling into place."

Ringo Starr joined McCartney as the firm's first signings.

In 1995 the company headed the PR campaign for the "Concert For The Hall of Fame," which was the second highest rated TV special of the year, second only to the Beatles Anthology. EFPR represented the Rock and Roll Hall of Fame Induction Ceremonies from 1995-2006. Other clients included Robert Palmer, UB40, George Harrison, Eric Burdon, John Mellencamp, A Perfect Circle, the Spice Girls, David Fishof's Rock and Roll Fantasy Camps (three), The Beatles, including The Anthology book, Beatles 1, Let It Be Naked and Love campaigns.

How did the Atlantic and Geffen Records jobs come about?
I'd been working three different jobs: DJ-ing at a station in Middletown, N.Y., and for a company located near Ellensville, which supplied DJs to the Catskills resorts like Kutchers; interning at a recording studio, Platinum Island, and working at a record store in Middletown and wanted something more stable and more into the industry. I looked at my record collection, and a lot of the music I loved emanated from the record companies located at 75 Rockefeller Plaza -- Geffen, Warner, Atlantic, Elektra, etc. -- so I went to that building with a ridiculous looking resume printed on velvet paper and started dropping it with the receptionists on every floor.

In the elevator, a man saw my resumes and said, "You know that's going straight in the bin, right?" Then he told me to go to the 24th floor and ask for Virginia, and tell her Chris sent me. I did and that got me started. Virginia ran the temp services for all the record companies in that building. My first temp job was at Atlantic Records in 1987 and after two weeks I was asked to stay on permanently. From there a friend heard about a job at Geffen Records as an assistant in A&R and recommended me. I went for the interview and got the job the same day.

What makes a good publicist?
Being passionate about what you're pitching because passion ignites creativity. Passion also comes across when you're speaking to the press who are hearing a million pitches daily. A good publicist is resilient, intuitive and diplomatic, resourceful and determined but also knows when to step back. But for me, it really comes down to love -- loving the musicians, artists and the music/art I've been privileged to represent and then turning other people, the press and through them the public, onto it.

What makes a good press release?
It should be brief, to the point, descriptive without being overly wordy, and it should reflect the character and essence of the event, musician and artist one is representing. It should be laid out clearly on the page and all the vital information should easily discernible so that someone in a hurry can get the details without having to scan sentence by sentence for info like release dates, titles, etc. It should also have links so that anyone interested in additional information can easily access it.

In general, how do you approach a PR campaign for any of your clients?
Every campaign is different because every single piece of music/art/book/event is different, and the climate into which it's released is always changing too. The first step is diving into the music or art or the book, we're working. It has to be something we are passionate about and can inhabit--the same way music first captivated me as a kid. We work with the artist and their representatives to determine exactly what their expectations and desired results are for the media campaign. Then we set about to designing a campaign that is tailor-made to their needs and which also incorporates our own creative responses and ideas to the product and where we envision it should be.

What was your most outrageous publicity campaign?
The Yellow Submarine Children's book campaign. With no author to work with, we had to get very creative so we used a character from the book, the Blue Meanie00we had a giant costume of him made -- to do our promotional and PR appearances. We had him do "signings" at book shops. We had a rubber stamp outfitted so his giant blue hands could affect a signature, and had him do a weather report on the BBC, which was hilarious because his body is, of course, Blue, and they do it in front of a Blue screen so the effect on camera was a giant floating head, and with that unforgettable high pitch voice it was really surreal. In the U.S. we placed him in the outdoor audience for a "Good Morning America" taping, where the anchors acknowledged him on camera, and finally, we secured him a spot in the Thanksgiving Day Parade! Watching him walk amongst the balloons and cheerleaders and school bands was an especially proud moment!

In the long run, is bad publicity better than no publicity?
It depends what your goals are. Certainly when one is seeking publicity on a campaign one wants it talked about, there's no general answer. It depends on each individual campaign and again what the goals are. In the case of a new emerging artist, the goal is to get their music in front of as many people as possible or to build their name itself into a recognizable entity. In the latter case the idea that any publicity is better than no publicity is more applicable. But in the case of a musician who isn't aspiring towards fame but just reaching a particular audience for the single purpose of furthering his/her music and art, one is more selective Bad publicity or the wrong publicity is certainly not better than no publicity, and, in fact, can create a PR crisis all its own.

What was the process in designing and launching the PR campaign for the "Concert For The Hall of Fame"?
In my experience the best and most successful campaigns are always driven by a team, and in that case we had the best. We sought to ensure that the opening of the Rock and Roll Hall of Fame & Museum and Concert For The Hall of Fame in Cleveland became a global event, and we constructed a multi-faceted international campaign incorporating and exploiting every conceivable angle, targeting travel press celebrating Cleveland's rebirth and growth, architectural media regarding IM Pei's outstanding design; and, of course, entertainment and consumer media, which we directly managed, working closely with HBO's PR team as well. It was a city-wide celebration and over six months in the planning. It was tremendously successful -- "The Concert For The Hall of Fame" was the second highest rated television special of the year, and the museum boasted over 40,000 visitors in its first week.

How complex was the publicity for 2005's Live 8?
The publicity for Live 8 was a very complicated for a variety of reasons: the extremely truncated preparation period; the logistical obstacles of staging eight shows in 8 countries which would be simul-broadcast globally on the web, and which had never been done before; and educating the public as to the purpose of Live 8. Unlike Live Aid, which sought to relieve the immediate hunger crisis in Africa, Live 8's mission was to influence the G8 leaders to vote in favor of an agenda put forth by the Commission for Africa thus ensuring more lasting relief to the crises which still plague Africa, including hunger.

Aside from being logistically challenging, mounting the Live 8 shows was also very expensive and required sponsors, who, of course, seek to have their efforts and participation included in the press coverage, and which added another challenge to staying on message in regard to Live 8 but also making sure we were appropriately acknowledging the generous support we were given and without which Live 8 would not have been possible. We were responsible for the press launch, which was a live satellite event linking several cities including Philadelphia and London. We could not have pulled it off in the one week we had to prepare it without AOL's generous support and On the Scene Productions' tremendous effort and expertise.

We were also responsible for coordinating and credentialing all media coverage of the U.S. event and any U.S. coverage of any and all of the other concerts in the other countries. We worked extremely closely with D.A.T.A, which had launched the ONE Campaign into which Live 8 fit: "ONE is the movement, Live 8 is the moment" -- to ensure we had and maintained a unified message. We also coordinated with the mayor's office in Philadelphia and their PR team, the PR team for each sponsor and the publicists for each artist. It was an enormous task, which at the end of the day was successful but which also was the greatest challenge I have had in my career.

How has the Internet changed or altered your approach to PR?
Incredibly. The landscape for PR and promotion has changed for the better. The proliferation of blogs, music, art and fan driven sites have allowed a rebirth of grass roots music and art of all genres to flourish as it should. In particular, it's a very exciting time to be in the music industry. Everything is changing and while we all have to learn new ways of doing what we do, the possibilities are truly endless.

First concert attended
Dionne Warwick at The Apollo Theatre in the 60's. I was five.

First concert worked
Atlantic Records 40th Anniversary at Madison Square Garden on May 14, 1988. I was one notch above an intern.

First industry job
I started with three: DJing at a radio station in Middletown, N.Y.; working at a record store and interning my nights at a recording studio, Platinum Island, in Soho.

Career highlights
Watching Guns 'N Roses take off when I first started at Geffen, from playing the Limelight to Madison Square Garden to opening for Aerosmith at Giants Stadium within one year;
working with Ringo Starr -- I first met him in 1989 when my then boss, Joe Dera, assigned me that account in what he used to call "good casting," and he was right because I've had the honor and joy to work with Ringo since; starting my own company, EFPR, with Linda McCartney as my first signing. She was an incredible inspiration as a woman, as an artist and a loving and kind human being. I will always feel so grateful and proud that she was my first client.

Career disappointment
Growing up, I was always a Stones fan back in the day when you were either a Stones or Beatles fan. So it was a childhood dream realized when Mick Jagger interviewed me for the Voodoo Lounge tour. Looking over my resume and seeing that I'd worked with Ringo, Paul and George, he queried, "Are you some kind of a Beatle freak?" I didn't get the job.

Greatest challenge
Two words: Live 8.

Best business decision
Going out on my own.

Best advice you received
Not to regret mistakes because they can be our greatest lessons.

Best advice to offer
Do what you love, and you will love what you do.

Most memorable industry experiences
Really too many to recount. Some highlights: watching Steven Tyler sing "Sweet Emotion" from the side of the stage at Giants Stadium in 1988. It was my first time backstage at a big show and even with 60,000 fans there, you could've heard a pin drop -- he held that audience totally captive and the whole band was just amazing. I will never forget it; seeing Levon Helm sound as soulful as ever, even after cancer, this past December 2006 at his Midnight Rambles in his barn in Woodstock NY; working with George Harrison on the All Things Must Pass reissue campaign; and every single Ringo & His All Starr Band tours.

Favorite restaurants
Toss up between Alain Ducasse, River Cafe, Alices Tea Cup and Candle Cafe in New York City; Tamarind in London; Tour D'Argent in Paris; and I'd probably starve in L.A. without organic smoothies at the Newsroom Cafe.

Favorite hotel
When I am working: The Peninsula in Los Angeles; when I am not: Hotelito Descondido, an eco resort on the Pacific Coast in Mexico.

What friends would be surprised to learn about you
I was a visual art major and after college was living in New Mexico weaving tapestries for a Polish family before moving back to New York and getting into the music business.

Office paraphernalia
Artwork, including a mixed media piece on a found iron door, approximately 4 feet wide by 10 feet tall and weighing a ton, by Outsider artist Ross Brodar; small figurative iron and steel sculpture created from found objects by Linus Carravagio; and a hanging hand painted wooden Tibetan Om sculpture.

If I wasn't doing this, I would be...
…a happy hippie in Vermont.

Industry mentor
John Kalodner. He was the first person in the industry to have faith in me and gave me great advice and guidance. His work and his life were synonymous, and his example inspired me. Having been raised by artists myself, it was an attitude and approach to loving one's work and one's life I understood.

Elizabeth can be reached at: (718) 858-3550; e-mail: Elizabeth@beautifulDayMedia.com

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Rob Challice, Coda Music Agency 03/27/13
Tom Chauncey, Partisan Arts 01/11/02
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Michael Cohl - Part 2, S2BN Entertainment 03/13/13
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Michael O. Crain, Crain Law Group, LLC 10/09/13
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Elizabeth Freund, Beautiful Day Media & Management 01/26/07
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Steve Gerstman, SGS 07/19/02
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Steve Gietka, SMG Entertainment 03/19/14
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Daniel Glass, Glassnote Entertainment Group 10/16/14
Jake Gold, The Management Trust 04/13/01
Neil Goldberg, Cirque Productions 09/07/07
Harris Goldberg, Concert Ideas 06/27/11
Neil Goldberg, Cirque Productions 04/16/14
Martin Goldschmidt, Cooking Vinyl Group 09/29/16
Harvey Goldsmith, Harvey Goldsmith Productions 06/28/10
Michael Goldstein, RockPoP Gallery 11/09/07
Seth Goldstein, Turntable.fm 09/20/11
Anna Paula Goncalves, CEO Global Brand Appeal 08/20/14
Arnie Goodman, Blue Storm Music 11/15/02
Wesley Goodman, Red Entertainment 09/16/05
Richard Goodstone, Superfly Productions 01/27/06
Christie Goodwin, Photographer 03/18/15
Rob Gordon, What Are Records? LTD 02/01/02
Steve Gordon, Entertainment Attorney 08/06/04
Yoav Goren, Immediate Music & Imperativa Records 06/10/14
Mike Gormley, L.A. Personal Development 11/10/06
Jonathan Gosselin, Gosselin Marketing & Promotions 07/02/04
Richard Gottehrer, The Orchard 04/10/09
Sean Goulding, The Agency Group London 09/12/12
Jerimaya Grabher, RPM Direct 09/26/03
Mary Granata, The Granata Agency 09/06/10
Kelly Graves, Providence Performing Arts Center/Professional Facilities Management 01/20/02
Stan Green, Stanley A. Green Lighting and Productions 12/12/03
Mark Green, Celebrity Talent Agency Inc. / Bergen Performing Arts Center 08/12/05
Jeffrey Green, Americana Music Association 03/10/06
Paul Green, The School of Rock 07/06/08
Benjy Grinberg, Rostrum Records 12/06/11
Brent Grulke, SXSW 03/06/09
Michael Gudinski, The Mushroom Group 10/29/15
Phil Guiliano, CIE USA Entertainment Inc. & OCESA PRESENTS Inc. 03/25/05
Steve Gumble, SBG Productions 06/16/06
Greg Hagglund, Vivelo! 05/07/04
Rodney Hall, FAME Music Group 11/06/09
Rob Hallett, Robomagic 02/05/15
Craig Hankenson, Producers, Inc 02/23/06
Kerry Hansen, Wynonna Incorporated 10/03/03
Eric Hanson, Ted Kurland Associates 12/20/02
Eric Hanson, Tree Lawn Artists 03/23/07
Rusty Harmon, MTM Music Management 12/06/07
Ali Harnell, Clear Channel Entertainment Nashville 08/15/03
Bob Harris, 02/06/09
Evan Harrison, Huka Entertainment 12/08/16
David Hart, The Agency Group 02/20/04
Laura Hassler, Musicians without Borders 12/02/15
Abe Hathot, Musician, composer, and music producer. 12/21/16
Steve Hecht, Piedmont Talent 08/29/12
Travis Hellyer, Mezzanine 09/02/05
Janie Hendrix, Experience Hendrix 02/01/10
Nona Hendryx, Rhythmbank Entertainment 06/02/06
Dan Herrington, Dualtone Records 07/25/03
Sara Hickman, Sleeveless/Stingray 06/30/06
Dan Hirsch, On Board Entertainment 04/04/03
Nick Hobbs, Charmenko 12/14/01
Carel Hoffman, Hilltop Live/Oppikoppi Productions 11/07/12
Ian Hogarth, Songkick 08/09/11
Gene Hollister, Rose Presents 04/08/01
Rusty Hooker, Rock Steady Management Agency 02/16/01
Jake Hooker, Hook Entertainment 05/10/02
Martin Hopewell, Primary Talent International 04/19/02
Tom Hoppa, TKO Booking Agency 09/29/06
Bobbie Horowitz, Times Square Group 01/04/02
Barney Hoskyns, Rock's Backpages 11/01/11
Bruce Houghton, Skyline Music 10/27/00
Bruce Houghton, Skyline Music 01/22/14
Andi Howard, Peak Records and Andi Howard Entertainment 09/02/03
Barbara Hubbard, ACTS 09/12/03
Laurent Hubert, BMG US 11/12/15
Seth Hurwitz, I.M.P. 04/20/09
Ariel Hyatt, Author, and founder of Cyber PR 11/23/16
Mark Hyman, Ashley Talent International 11/09/01
Brett Hyman, Category 5 Entertainment 07/23/04
Bruce Iglauer, Alligator Records 08/17/01
Bruce Iglauer, Alligator Records 05/28/14
Doug Isaac, Super Bowl Concert Series Producer (EXI) 08/24/01
David Israelite, National Music Publishers' Association 11/29/08
Tom Jackson, Tom Jackson Productions 02/06/13
Jay Jacobs, Parc Landon 09/21/07
Larry Jacobson, World Audience 09/17/04
Audra Jaeger, The Management Trust 05/09/03
Ralph James, The Agency Group 01/31/11
Jeffrey Jampol, Jampol Artist Management 07/18/12
Jean Michel Jarre, International Confederation of Societies of Authors and Composers (CISAC) 06/19/13
Michael Jaworek, The Birchmere 05/08/09
Peter Jesperson, New West Records 11/03/06
John Jeter, The Handlebar 08/15/12
Mike Johnson, Groundrush Media 02/17/06
Mike Gormley & Jolene Pellant, Yes, Dear Entertainment 04/23/10
Susan Joseph, Justice Entertainment Group 02/21/11
Darren Julien, Julien's Auctions 10/25/10
Henry Juszkiewicz, Gibson Guitars 09/28/10
Leonard Kalikow, Music Business Reference, Inc. 06/26/08
Craig Kallman, Atlantic Records 03/20/09
Steve Kane, Warner Music Canada 02/09/17
Danny Kapilian, Independent Producer 07/12/02
Mike Kappus, The Rosebud Agency 10/26/09
Andy Kaufman, Birdland 05/17/02
Wendy Kay, Mars Talent Agency 03/09/01
Lucas Keller, The Collective 03/22/11
Marty Kern, Clemson University 07/07/01
Carlos Keyes, Red Entertainment 10/08/04
Golnar Khosrowshahi, Reservoir Media Management 10/24/12
Martin Kierszenbaum, Interscope/Cherrytree Records 09/06/09
Barney Kilpatrick, Rattlesby Records 10/28/05
John Kinsner, The Walnut Room 03/28/08
Doug Kirby, LiveTourArtists 10/24/03
Steve Kirsner, Compaq Center 06/29/01
JoAnne Klabin, Sweet Relief 03/21/03
Andrew Klein, Revolution Marketing 11/05/04
Larry Klein, Producer, bassist, songwriter 03/13/12
Jack Kleinsinger, Highlights in Jazz 04/25/08
Ann Kline, Casa Kline 09/04/14
Brian Knaff, Talent Buyers Network 09/29/01
Kymberlee Knight, IEBA 11/16/00
Mike Kociela, 360 Productions 05/30/08
Stefan Kohlmeyer, Bach Technology 02/08/10
Lily Kohn, Microsoft Corporation 02/14/11
Tim Kolleth, Alligator Records 01/25/08
Al Kooper, Musician/songwriter/producer/author 02/06/14
Mitchell Koulouris, Digital Musicworks International, Inc. 02/11/05
Mark Krantz, John Schreiber Group 06/15/01
Jeff Krasno, Velour Music Group 11/19/07
Jeffrey Kruger, The Kruger Organisation 01/25/02
Harvey Kubernik, Author/historian/music journalist 08/20/15
Ted Kurland, Ted Kurland Associates 01/15/01
Jordan Kurland, Zeitgeist Artist Management 08/23/11
Carianne Laguna, Blackheart Records 03/07/08
Brady Lahr, Kufala Recordings 04/30/04
Ernie Lake, EL Records 01/19/07
Roks Lam, Wolfman Jack Entertainment 12/17/04
Anni Lam, Parc Landon 06/29/07
Gary Lane, CenterLane Attractions 10/14/05
Tom LaPenna, Lucky Man Productions 09/10/04
Camilo Lara, EMI Music Mexico/MIS 08/10/07
Gary Lashinsky, Lipizzaner Tours 05/13/05
Gregg Latterman, Aware Records 12/13/02
Tony Laurenson, Eat to the Beat 02/27/04
Emily Lazar, The Lodge 10/15/15
Bill Leabody, Leabody Systems 06/10/05
Peter Leak, 24-7 Worldwide Management 03/28/12
Steve Leeds, SR. VP/Promotion/Rock Formats at Virgin Records 07/26/02
Bob Lefsetz, The Lefsetz Letter 11/14/08
Carl Leighton-Pope, Leighton-Pope Organisation 07/05/09
Steve Lemon, Live 4 Live, Inc. 12/06/02
Randy Lennox, Universal Music Canada 06/24/15
Simma Levine, Disson Furst and Partners 11/10/00
Andy Levine, Sixthman 06/08/07
Rich Levy, Clear Channel Entertainment Properties 06/25/04
Eddie Levy, Chelsea Music Publishing 07/24/14
Myles Lewis, Denise Rich Songs 12/20/10
Adam Lewis, Planetary Group 01/20/16
Terry Lickona, Austin City Limits 03/14/11
Justine Liddelow, Stage and Screen Travel Services 08/31/11
Jim Lidestri, Border City Media 09/03/15
Larry Lieberman, 4EverWild 03/28/03
Eric Lilavois, Crown City Studios, and London Bridge Studio 12/10/14
Marc Lipkin, Alligator Records 03/05/05
Tommy LiPuma (Part 1), Verve Records 11/08/10
Tommy LiPuma (Part 2), Verve Records 11/15/10
Alexander Ljung, SoundCloud 10/04/10
Andy Lo Russo, The Singing Chef 12/16/05
Phil Lobel, Lobeline Communications 08/13/04
Paul Lohr, New Frontier Touring 01/21/05
Paul Lohr, New Frontier Touring 05/17/10
Julie Lokin, New Audiences 03/23/01
Dave Lory, Artemis Records 03/30/02
Max Loubiere, Tour Director 04/11/12
Mark Lourie, Skyline Music 03/08/02
Dave Lucas, Live-360 04/28/06
Joe Lucchese, EventJoe 02/23/07
Kevin Lyman, 4 fini 03/30/01
Kevin Lyman, Vans Warped Tour 05/23/12
Bubba Mac, 09/14/07
David Macias, Emergent Music Marketing 06/17/05
Kristen Madsen, Grammy Foundation and MusiCares 11/22/10
Larry Magid, Larry Magid Entertainment 05/04/10
Peter Malkin, PM Management 02/07/03
Toby Mamis, Alive Enterprises 02/12/01
Billy Mann, Green & Bloom | Topl1ne, Manncom 09/18/14
Tasea Margeolas, Multi Entertainment 06/23/06
Tony Margherita, dBpm Records 09/06/11
Bob Roux & Mark Campana, Live Nation 12/20/11
Lee Marshall, Magic Arts & Entertainment 09/13/02
Zach Martin, Radio Producer at New York's WAXQ-FM 08/30/02
Mario Martin, Gorgeous PR 04/27/07
Molly Martinez, Ticket Summit 2008 05/23/08
Paul Mascioli, Mascioli Entertainment 01/14/05
Michael Maska, Big Hassle 01/28/05
Ted Mason, Mi-5 Recordings 11/16/01
Steve Masur, Masur & Associates, LLC 11/21/03
Pam Matthews, The Ryman Auditorium 04/08/05
Terry McBride, Nettwerk Music Group 03/01/10
Michael McCarty, ole 06/20/11
Jim McDonald, McDonald Group 12/19/03
Virginia McEnerney, HeadCount 11/26/07
Doc McGhee, McGhee Entertainment 06/14/10
Camilla McGuinn, Tour Manager 08/24/07
Andy McLean, North By Northeast (NXNE) 04/01/05
Dennis McNally, Grateful Dead historian/publicist 09/06/02
Garry McQuinn, Back Row Productions 06/14/11
Ruthann McTyre, The Rita Benton Music Library; and president of the Music Library Association 08/31/10
Dick McVey, Musician's Referral Service 10/27/07
Katherine McVicker, Music Works International 01/08/15
John Meglen, Concerts West/AEG Live 02/21/13
Mark Meharry, Music Glue 05/28/15
Jorge Mejia, Sony/ATV Music Publishing 09/17/15
Dan Melnick, Festival Productions, Inc. 02/22/02
André Ménard, Festival International de Jazz de Montréal 06/12/09
Bob Merlis, Merlis For Hire/Memphis International Records 01/16/04
Doug Merrick, Cumberland Talent Agency and Merrick Music Group 07/21/06
Louis Messina, The Messina Group 10/22/04
Louis Messina, The Messina Group/AEG Live 07/17/09
Louis Jay Meyers, North American Folk Music and Dance Alliance 03/30/07
Louis Jay Meyers, Folk Alliance International 01/23/09
Todd Miller, House Of Blues - New Orleans 11/14/03
Jeff Miller, Fantasma Productions 03/16/07
Ben Miller, Rock Ridge Music 11/02/07
J. B. Miller, Empire Entertainment 08/22/08
Richard Mills, S.L. Feldman 11/02/09
Marty Monson, Barbershop Harmony Society 07/07/16
Linda Moran, Songwriters Hall of Fame (SHOF) 04/05/09
Jesse Morreale, Nobody In Particular Presents (NIPP) 09/20/02
Chuck Morris, Live Rocky Mountains 09/28/09
Mo Morrison, Independent production 05/24/02
Kevin Morrow, Steel Wool Entertainment 01/25/17
Nick Moss, Blue Bella Records 11/30/07
Jim Musselman, Appleseed Recordings 04/14/06
Natalia Nastaskin, United Talent Agency 04/13/16
Marc Nathan, Flagship Records 07/01/05
David Neilon, Rising Star Promotions 11/30/01
Don Neuen, Star Coaches Inc. 10/10/12
Dennis Newhall, DIG Music 10/07/05
John Nittolo, John Nittolo Productions 04/13/07
Ian Noble, Metropolitan Talent 05/23/03
Josh Norek, JN Media, LLC 07/05/02
David Norman, Tour Manager 04/20/07
Mimi Northcott, Canadian Recording Services (CRS) 04/11/08
Bill Nowlin, Rounder Records 01/05/07
John Nugent, NY JAM Inc. 11/08/02
Andy Nulman, Just For Laughs 11/20/13
Sal Nunziato, NYCD 06/01/01
Bob O'Neal, Ryman Auditorium 06/28/02
Andrea Orbeck, Prehab Health and Fitness 03/15/10
Heather Orser, Toad's Place 01/29/01
Janet Oseroff, MultiMediaProperties 11/18/05
Marc Ostrow, Boosey & Hawkes 12/05/08
Riley O’Connor, Live Nation Canada 07/24/09
Jeremy Palmer, Buddy Lee Attractions 11/02/01
John Palmer, Megawave Records 08/31/07
Panos Panay, Sonicbids 12/23/05
Julien Paquin, Paquin Artists Agency 04/30/14
Graham Parker, WQXR-FM 11/26/14
Crispin Parry, British Underground 02/24/08
Donald Passman, Gang, Tyre, Ramer & Brown 04/09/10
Donald S. Passman, Gang, Tyre, Ramer & Brown 01/06/16
Bruce Patron, Overland Entertainment 07/28/06
Alexandra Patsavas, Chop Shop Music 09/27/11
Cheryl Pawelski, Omnivore Entertainment Group 09/26/13
Kerry Peace, Alligator Records 08/18/06
Eric Peltoniemi, Red House Records 12/14/09
Scott Perry, Sperry Media 03/11/05
Lawrence Peryer, Jr., 23 Omnimedia 11/07/08
John Peters, MassConcerts 06/07/11
Holger Petersen, Stony Plain Records 04/15/05
Jon Phillips, Silverback Professional Artist Mgmt/Controlled Substance Sound 08/29/08
Dave Pichilingi, Sound City 03/30/16
Vince Pileggi, Music Inc./Music Inc. Sounds 12/01/06
Eric Pirritt, Endit! Presents / The Fox Theatre 10/17/03
Neil Portnow, The Recording Academy 02/08/11
Louis Posen, Hopeless Records 04/04/11
Stephen Posen, Estate of Glenn Gould 01/23/13
Nadia Prescher, Madison House 06/20/03
Jeff Price, TuneCore 02/28/11
Tom Principato, Powerhouse Records 02/01/08
Roger Probert, Core Records 12/08/06
John "Grinder" Procaccini, JP Squared (JP2) 01/17/03
Mark Pucci, Independent Music Publicist 09/09/05
David Pullman, The Pullman Group 11/03/00
Rod Quinton, Saigon Sound System 04/18/11
Dolphus Ramseur, Ramseur Records 10/19/07
Jack Randall, Ted Kurland Associates 04/05/02
Jack Randall, The Kurland Agency 03/08/17
Debra Rathwell, AEG Live 05/03/13
Jeff Ravitz, Visual Terrain 02/08/08
Rich Rees, M.P.I. Talent Agency 09/19/08
John Reese, Freeze Artist Management 08/01/08
Bill Reeves, WRIII, Inc. 10/20/06
Stephen Rehage, Rehage Entertainment 07/30/04
Lisa Reiss, Pearl Productions 08/17/07
Salaam Remi, Composer, producer, musician and label executive. 01/08/14
David Renzer, Universal Music Publishing Group 08/23/09
Alison Richard, Universal Orlando Resort 05/06/05
Kelli Richards, The All Access Group 02/07/12
Gary Richards, HARD Events 08/29/13
Sam Righi, Waterfront Entertainment Group 05/30/03
Jon Rinaldo, Joker Productions 01/02/04
Geary Rindels, Geary Rindels Enterprises, Inc. 12/05/03
Doreen Ringer Ross, BMI 01/18/08
Lisette Rioux, Island Def Jam Music Group 05/16/03
Dave Roberge, Everfine Records & Everfine Artist Management 12/03/04
Sandy Roberton, Worlds End Producer Management 02/20/09
Ty Roberts, Gracenote 01/31/12
Bill Rogers, BRE Presents 07/13/07
Ian Rogers, Topspin Media 06/01/10
Benji Rogers, PledgeMusic 12/19/13
Dave Rose, Deep South Entertainment 09/15/06
Eric Rosen, Ronald S. Bienstock & Associates 05/25/01
Stuart Ross, The Ross Group 02/23/01
David Ross, President IAAM; Director, Show Me Center 09/23/05
Bobby Rossi, Ruth Eckerd Hall 02/28/03
Michael Rothschild, Landslide Records 04/29/05
Robert Rowland, Red Entertainment 06/13/08
Bill Royston, Mt. Hood Jazz Festival 03/07/03
John Rudolph, Bug Music 05/24/10
Elizabeth Rush, E.R.A. / Elizabeth Rush Agency 08/20/04
Aran Rush, Expo and Foro Imperial 02/16/07
Maurice Russell, Harry Fox Agency 10/21/05
Barron Ruth, Skyline Music 02/14/03
Andrea Sabata, Skyline Music 01/07/05
Numa Saisselin, Count Basie Theatre, Inc. 02/04/05
Ron Sakamoto, Gold & Gold Productions 01/16/10
David Salidor, dis Company 07/20/07
Shaw Saltzberg, S. L. Feldman and Associates 06/21/10
Bruce Allen & Sam Feldman, A&F Music 12/19/08
Mark Samuels, Basin Street Records 06/11/04
Jacqueline Saturn, Harvest Records 01/21/15
Tamara Saviano, American Roots Publishing 07/22/05
Tamara Saviano, Author, journalist, and producer 08/18/16
Michael Scafuto, Mountain High Entertainment 12/07/01
Steve Schankman, Contemporary Productions 12/21/01
Steve Scharf, Carlin America 10/11/02
John Scher, Metropolitan Talent 11/21/08
Al Schmitt, Producer/Engineer 02/13/10
Bobby Schneider, Tour Coordinator, Third Eye Blind 01/31/03
Jake Schneider, Madison House 04/02/14
Steven Schnur, EA Music Group 07/03/13
Elaine Schock, Shock Ink 02/19/10
Stacy Schott, Mad Booking and Events 08/22/03
Daylle Schwartz, Revenge Productions 08/19/05
Dean Sciarra, ItsAboutMusic.com 11/26/04
Joel Selvin, Author and Journalist 08/07/14
Jay Sendyk, Sendyk, Leonard & Company, Inc. 05/03/02
Peter Shapiro, Ideal Entertainment 04/16/04
Seth Sheck, Access Pass & Design 01/03/03
Seth Sheck, ACCESS Event Solutions 06/22/16
Seth Shomes, The Agency Group 11/12/14
Jay Sieleman, The Blues Foundation 07/18/03
Anya Siglin, The Ark 03/05/10
Bill Silva, Bill Silva Entertainment 10/19/10
Tom Silverman, Tommy Boy Entertainment 03/06/12
Steve Simon, Clear Channel Communications 05/14/04
Ralph Simon, Live Earth 07/06/07
Ralph Simon, Mobilium 04/12/11
Michael Simon, The Harry Fox Agency 08/14/13
Ron Simpson, RCS Productions 01/11/08
John Simson, SoundExchange 07/15/05
Dion Singer, Warner Bros. 12/07/09
Gram Slaton, The Community Arts Center 02/25/05
Owen Sloane, Gladstone Michel Weisberg Willner & Sloane 10/11/10
Peter Smidt, Eurosonic Noorderslag & manager Buma Cultuur 07/17/13
Garrison Snell, Gyrosity Projects 02/23/17
Mike Snider, Paradigm Talent Agency Nashville 05/17/11
Andrew Snowhite, Musictoday 05/04/01
Bruce Solar, The Agency Group 05/14/14
Nikki Solgot, Circle Talent Agency 02/18/15
Michael Solomon, Brick Wall Management 05/25/07
Mark Sonder, Mark Sonder Productions 07/25/08
Steve Sonnier, UIC Pavilion at the University of Illinois, Chicago 09/03/04
Kathy Spanberger, peermusic 06/20/12
Carolyn Specht, CIE USA Entertainment Inc. and OCESA PRESENTS Inc. 03/26/04
David Spelman, New York Guitar Festival 10/01/04
Jason Spiewak, Rock Ridge Music 04/07/06
Dan Steinberg, Square Peg Concerts 11/29/12
Dan Steinberg, Square Peg Concerts 02/18/05
Jeremy Stephan, Ventures, LLC 04/23/04
Walter Stewart, Mars Talent Agency 02/21/03
Gail Stocker, Gail Stocker Presents 11/12/04
Jon Stoll, Fantasma Productions 10/13/00
Jesse Stoll, AEG 06/27/09
Henry Stone, Henry Stone Music 06/24/05
Jason Stone, Live Nation New York 03/31/06
Howard Stovall, Resource Entertainment Group 05/28/04
Cameron Strang, New West Records 10/18/02
Don Strasburg, AEG Live Rocky Mountains 02/27/09
Barbara Strauss, Sovereign Ventures 05/12/06
Richard Stumpf, Cherry Lane Publishing 08/07/06
Patrick Sullivan, RightsFlow 10/25/11
Bernie Swain & Harry Rhodes, Jr., Washington Speakers Bureau 12/07/00
Dean Swett, Paramour Group 06/14/02
Jake Szufnarowski, Rocks Off 05/02/08
Marc Tanner, Chime Entertainment 12/22/06
Donald Tarlton, The Donald K Donald Group 04/12/02
Tess Taylor, Los Angeles Music Network 08/09/02
Race Taylor, WPLJ - New York 10/27/06
Race Taylor, WPLJ - New York 10/27/06
Chris Taylor, Taylor 03/15/09
Peter Tempkins, DeWitt Stern Group 03/16/01
Peter Tempkins, Momentous Insurance Brokerage 03/27/09
Lisa Tenner, Tenner & Associates (EAT'M) 08/06/01
Jeremy Tepper, Diesel Only Records 10/10/03
Allan Tepper, Bicycle Music Company 09/28/07
Martin Terefe, Kensaltown Studios 05/31/11
Milun Tesovic, MetroLeap Media 10/18/09
Mandar Thakur, Times Music 08/06/15
Jerry Thompson, Promoter Line Inc. 03/05/04
Jose Tillan, MTV Networks Latin America 12/02/05
Jon Tiven, Hormone Studios 08/05/05
Rob Tonkin, Marketing Factory 12/17/15
John "J.T." Toomey, 25/8 Management 11/15/11
Livia Tortella, Warner Bros. Records 01/10/12
Phil Tripp, IMMEDIA! 01/19/06
Claudio Trotta, Barley Arts Promotion 11/26/01
Chris Tsakalakis, StubHub 01/11/10
Ben Turner, Graphite Media 05/10/10
Steve Vai, Favored Nations Entertainment 04/26/02
John Valentino, Fantasma Productions 04/18/03
John Valentino, AEG Live SE 11/01/10
Don Van Cleave, Coalition of Independent Music Stores 04/09/04
Casey Verbeck, Partners in Music 06/06/03
David "Boche" Viecelli, The Billions Corporation 04/18/10
Ray Waddell, Billboard Magazine 08/27/04
Rob Waggener, Foundations Recovery Network 03/07/11
Jim Walczak, Racine Civic Centre 06/03/05
Jeff Walker, The AristoMedia Group 08/16/10
Carla Wallace, Big Yellow Dog Music 11/04/05
Russell Wallach, Live Nation Network 03/20/12
Steve Walter, The Cutting Room 10/24/08
Neil Warnock, The Agency Group 05/02/09
Diane Warren, Realsongs 08/14/09
Butch Waugh, RCA Label Group Nashville 01/10/03
Lauren Wayne, The State Theatre 05/09/12
Kirt Webster, Webster PR 02/03/16
Ken Weinstein, Big Hassle Media 04/22/05
Bruce Weinstein, Bethel Woods Center for the Arts 02/15/08
Larry Weintraub, Fanscape 05/18/01
Pam Weiser, Momentous Insurance Brokerage 10/11/11
Kevin Welk, Welk Music Group 01/24/12
D-J Wendt, Dmand Management 05/09/08
Alison Wenham, Worldwide Independent Network 02/13/09
Bill Werde, Billboard 08/03/11
Joel Whitburn, Record Research 11/13/09
Judd White, Tour Manager/Accountant 02/13/04
Jeff White, In Ticketing 12/16/06
Adam White, Author 09/14/16
Adam Wilkes, AEG Live Asia 10/13/16
Fenton Williams, 04/04/08
Del Williams, Right Arm Entertainment 04/18/08
Bryan "Birdman" Williams, Cash Money Records 09/13/11
Paul Williams, ASCAP 10/19/11
J.P. Williams, Parallel Entertainment 10/03/12
Kurt Willms, Green Room Productions 09/20/03
Chris Wilson, Heartbeat Records 03/02/07
Tony Wilson, Factory Records/In The City 06/01/07
Tom Windish, The Windish Agency 07/26/10
John Wiseman, XL Touring Video 05/05/06
Thom Wolke, Twincloud.com 02/08/02
Michael Wood, City Lights Entertainment 08/08/08
Keith Wortman, Blackbird Presents 03/22/17
Nigel Wright, Independant Record Producer 11/07/03
Dusty Wright, CultureCatch.com 07/27/07
Jeremiah “Ice” Younossi, A-List Talent 09/20/09
Gail Zappa, The Zappa Family Trust 10/02/14
Kevin 'Chief' Zaruk, Chief Music Management 06/10/15
Ron Zeelens, RAZco Visas 04/20/01
Rick Zeiler, Sidney Frank Importing Company 06/04/04
Danny Zelisko, Live Nation 06/19/09
Hillary Zuckerberg, Brick Wall Management. 07/09/04
Steve Zuckerman, Global Entertainment and Media Summit 03/22/02
Paul Zullo, Muze 01/23/04
Nanette Zumwalt, Hired Power 02/03/06

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