Industry Profile: Jamie Adler

— By Jane Cohen and Bob Grossweiner

Jamie Adler is president and founder of Adler Entertainment Group, a small boutique agency in Los Angeles that exclusively represents Bone Thugs-n-Harmony, Tyrese, Dennis Quaid and the Sharks, Sean Kingston, Bobby Brown and LIL Eazy.

"When your older brother starts Guns N' Roses, there's not a whole lot you can do with your life to establish yourself as anything but a younger brother," laments Jamie. "So, at an insanely young age, I decided to capitalize on my family connection and follow in Steven's footsteps but in my own way." Steven Adler was the original drummer in Guns N' Roses.

Never aspiring to become a musician, Jamie's interest focused on guiding musicians with their careers. By 15, he was already managing local bands and hooking them up with showcases for record companies.

Ten years later, following a break for college that was "inspired by my practical side and my Jewish mother," he quips. "I was promoting concerts regularly at the Key Club, then called Billboard Live, under the 'Jamie Adler Presents' moniker."

His first show was John Easdale of Dramarama in 1997. Although he had only three days to assemble and promote the show, it drew more than 500 people and officially launched him, albeit a little, at least, out of his brother's shadow. Chris Smith, currently ICM's Comedy division head, was impressed enough to hire Jamie as a talent agent at his International Artist Group agency in 1988.

"I was scared because I'd no idea what I was doing," Jamie admits, "but I listened, paid attention, asked a whole lot of questions and eventually signed Gene Loves Jezebel and Missing Persons. However, both acts featured only one original member so they were a tough sell, but I sold them, learning even more about the business and people in the process."

Jamie eventually came to rep Wang Chung, Missing Persons, Flock of Seagulls, Bulletboys, Bang Tango and Enuff Znuff at IAG.

He joined Artists Worldwide in 2000. "We stepped up our game and signed Dokken, Ratt, Yngwie Malmsteen, Danzig, Zakk Wylde's Black Label Society and Dennis Quaid and the Sharks," Jamie notes. During this time, however, Jamie never stopped managing bands. In fact, Motorhead manager Todd Singerman and Jamie were co-managing groups, including Jimmy Girl and Tangerine.

"It was Todd who gave me the best advice of my life," he reminisces. "He told me I couldn't go on being an agent, promoter and manager and give 100% to each. He told me to choose one and give it 200%. Once I realized that being an agent was my calling, Todd walked me into The Agency Group in 2001, and I was handed Motorhead. My entire roster went with me, and I became the youngest agent at a major music agency."

After hearing that Bone Thugs-n-Harmony had a new album on the horizon, Jamie contacted the group's manager, Steve Lobel, and his current career passion was sparked. "While all my friends were listening to my brother's albums, I was cranking Bone Thugs," he says. "We turned the group's reputation upside-down, making sure they put on an amazing show that they were always on time for. In our first year, Bone Thugs played over 50 shows -- unheard of for a hip-hop act without a hit for five years."

After two years with The Agency Group, Jamie returned to Artists Worldwide in 2004. "Seeking even more success, I took Bone Thugs back to Artists Worldwide, keeping the group on the road for 60-100 shows for the next four years," he states.

In January 2006 Jamie decided it was time to strike out on his own and opened the Adler Entertainment Group, dedicating his experience and resources on urban music. Today, Adler Entertainment Group includes one other agent, Michael Nunnery, an assistant, support staff and a couple of interns.


Experience & Advice
Don't mix business with pleasure. That's all I'll say. You guys know what I mean.

Why did you leave rock music behind?
To pursue rap music when the rap game started really blowing up. I figured there are only a couple major rap agents and hundreds of rock agents. I felt I had a better chance to succeed with my boutique agency with less competition. There is no way I could've competed with the major agencies in the rock game. Having a roster consisting mostly of rappers I felt I had a better chance to win. Plus, my mentor in the rap game, Steve Lobel, is very respected, and he put his stamp of approval on me. That opened many doors for me and gave me the opportunity to build new relationships. For some reason I've so much more fun booking rap as opposed to rock. It's a lot more challenging, and I'm always up for a challenge.

Why did going back to Artists Worldwide equate with more success?
It allowed me to be independent and make the moves I needed to make. I'd the opportunity to travel on tour, shake hands with promoters across the world, become close to my clients and be able to create my own hours in the office.

Why did you start your own agency?
I wanted to be able to give more personal attention to my artists. Working for someone else has its benefits, and none of them are monetary Seriously, I learned a hell of a lot in agency boot camp, but I was booking $3-4 million in dates and barely earning enough to make car payments. It was time to take a risk and go for the whole 10%. I'm very grateful that I've loyal clients who trust me because of my booking skills, not because I've a nice business card, an Ari Gold office and two personal assistants. They're with me because I consistently make them money. I knew that if I was to start my own agency, all of my clients would be very happy for me and with me.

What kind of acts are you looking to sign?
An artist that has staying power. I'm not looking for any one hit wonders. As an agent you spend so much time building an act. What's the point if they will only be around for two months.. Any artist that makes good guarantees or has potential to, but who also shows up on time, puts on an amazing show, treats the venues with respect and encircles themselves with a professional team. All money isn't good money, and sometimes earners come with some very unprofessional baggage that can damage your reputation. No money's worth that.

Do you miss promoting concerts?
No way. I'm happy leaving risky business like that to the corporate types. As an agent, I'm guaranteed 10% on every deal I cut (as long as the artist makes good on the agreement. My batting average is solid, especially for hip-hop. I've only had a few shows canceled in the last three years, and I've booked over 500 dates since I started my own agency.

Do you miss managing clients?
I don't miss managing clients because I never really made any money as a manager. Now, I make a good living just by talking on the phone. How many other jobs out there offer that possibility?

What did you learn as a promoter that you brought to being an agent?
Every single thing that goes into putting a show together: sound, lights, radio and print. There's so much involved in guaranteeing a successful show. Everything has to line up perfect, from the equipment to the marketing, security and even catering.

What makes a good agent?
This business is all about relationships. You have to be able to know how to make people like and trust you, which requires highly developed communications skills -- the kind I'm not so sure people can be taught. Great agents tend to be those kids in high school you wanted to hang with because they had friends in all the different cliques. They had something interesting to say to everybody, and they didn't talk trash. Traditional routes to learning the business -- college, being an assistant, reading industry books - are fine, but being a great agent requires amazing personal skills. I'm always looking to recruit new blood. But, honestly, I've only found one person in the last three years that has what it takes. His name is Michael Nunnery.

Which Guns N' Roses do you like better: original or newest version?
There is only one version. No band in history - not the Beatles, not the Stones, not Led Zeppelin - was able to touch the live show GN'R staged from 1985-90. There's no doubt in my mind that the five original members could still re-spark that chemistry. I'm speaking as a fan, not a relative. Now, speaking as an industry representative, it would be the biggest tour in history grossing over a billion dollars worldwide. Maybe one day.

First concert attended
Guns N' Roses at the Troubadour in Los Angeles, 1985. I was 10 years old.

First concert worked
John Easdale of Dramarama at BIllboard Live on the Sunset Strip in 1997. It was my first of many concert series called "Jamie Adler Presents..." The owners of Billboard Live called me with three days notice asking if I wanted to start my own night there. I was working with Easdale at the time. We worked out the guarantee, and he confirmed the show on that call. I'd only three days to promote a show that packed the house with more than 500 people. My very first experience in the concert world could not have been any more successful and gave me the confidence to continue. After that show I put on another 15 "Jamie Adler Presents" shows at Billboard Live. All turned out better than I ever expected, such as Gilby Clarke, LA Guns, Bulletboys -- mainly the bands that used to be cool on the Sunset Strip backs in the '80s. I was helping to bring back the old days of Gazzarris and the Sunset Strip. My most legendary show was when I had almost all of Guns N' Roses on stage at once--Steven Adler, Slash, Gilby Clarke and Teddy Zig Zag.

First industry job
International Artists Group (IAG), working under the legendary Chris Smith, now at ICM. I was just thrown into the booking game. I was never an assistant or an intern. I walked into the office the first day, and he put me on the phones. My first tour he asked me to book was Missing Persons. The catch was that the band had only one original member -- talk about persons missing! Similarly, I got handed Gene Loves Jezebel with only one brother!

Without knowing what I was doing, I was expected to book some of the toughest acts ever booked. I sat in Chris' office for one week and listened and asked questions. I didn't make one call that whole week. I just tried to learn the game. After working there for a month, I slowly but surely, started bringing in offers. It took me a minute to get the hang of it, but when I did, it was on. I'm very blessed to look back and realize I learned from the best. He was my first mentor in the game.

Career highlights
Todd Singerman handing me over his number one act, Motorhead, which later led me to becoming the youngest agent at the time working at a major agency. At the Agency Group, I also signed my favorite guitar player of all time, Zakk Wylde, with his Black Label Society. I've known Zakk, through my brother, since I was 13, He was just so cool to me when I was a kid, and you don't forget stuff like that. Being able to be his agent was a dream come true. Another highlight was to sign my favorite hip-hop group of all time, Bone Thugs-n-Harmony. In my teens they were the only rap group I really listened to. It's really an incredible feeling to work with people you once dreamed of meeting, but then to actually get to be a big part of their career. There are no words for that feeling. Of course, starting my own agency was cool too.

Career disappointment
Walking away from The Agency Group. I don't miss working at the company, but I really respected and looked up some of the people there. Leaving meant that I was walking away from the rock world where I started, and from an astonishing roster that I personally helped build up all on my own. I was 26 and personally representing Black Label Society, Danzig, Motorhead, Whitesnake, Dennis Quaid and the Sharks and Bone Thugs-n-Harmony. Except for leaving Danzig, that was hard to swallow --just kidding, Glenn. Starting my own agency meant I couldn't compete with the majors in the rock world, so I surrendered most of my roster. It was a great risk to take, but it was the best move I ever made.

Greatest challenge
Entering into the world of hip-hop without knowing the first thing about it.

Best business decision
Leaving a major agency and starting up my own.

Best advice you received
Standing on the street in front of the old Opium Den in Hollywood in '98 with my one of my best friends now but at the time one of my first mentors, Todd Singerman, I was complaining that I seemed to be incredibly busy for someone who wasn't making much money, managing rock groups, booking tours, promoting shows and parties. His advice changed my life. He told me to pick just one thing and give it 200%, and eventually, if I do the best I can, I will succeed. Guaranteed. And he was right.

Most memorable industry experience
Attending the Diamond Awards Inaugural party in NYC. There were no agents or managers allowed at the private event -- only artists. My brother went to represent Guns N' Roses. We literally spent the whole day with Elton John, Billy Joel, Jimmy Page, John Paul Jones; Kenny Rogers …the list goes on. I was the only one in that room who didn't sell 10 million albums, and I talked to everybody there.

What friends would be surprised to learn about you
For a minute there, my life started spinning out of control -- the usual VH1 Behind the Music story: having it all and then losing it. God didn't have that in the cards for me. He wanted me to have a fruitful, happy life. He put me on this planet to make a difference and to help out others that need my help. What people would be surprised to know about me is that I do what I do out of love. There's nothing in the world cooler than having a millionaire rap star call me and say thanks for helping me be able to purchase my new phat mansion. I enjoy doing things for others. I grew up having everything I ever wanted. I'm so grateful for that. Now it's time for me to give back.

Industry pet peeve
Egos. I can't stand when someone in an admirable position thinks they can talk down to people who might not be on their level. No one is better then anyone else. I learned that from my older brother. This dude has sold over 60 million records and has never turned down signing an autograph, taking a picture and giving a fan a hug. Never, not once.

If I wasn't doing this, I would be…
…miserable, depressed, sad. I was born to do what I do. I knew what I was going to do ever since I was a little kid. I live, eat and breathe what I do.

Industry mentors
Todd Singerman, Steve Lobel, Chris Smith and Dave Kirby.

Jamie can be reached at: (323) 465-5997; e-mail: jamie@adlerentgroup.com

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Bob Harris, 02/06/09
David Hart, The Agency Group 02/20/04
Steve Hecht, Piedmont Talent 08/29/12
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Bruce Houghton, Skyline Music 01/22/14
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Seth Hurwitz, I.M.P. 04/20/09
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Leonard Kalikow, Music Business Reference, Inc. 06/26/08
Craig Kallman, Atlantic Records 03/20/09
Danny Kapilian, Independent Producer 07/12/02
Mike Kappus, The Rosebud Agency 10/26/09
Andy Kaufman, Birdland 05/17/02
Wendy Kay, Mars Talent Agency 03/09/01
Lucas Keller, The Collective 03/22/11
Marty Kern, Clemson University 07/07/01
Carlos Keyes, Red Entertainment 10/08/04
Golnar Khosrowshahi, Reservoir Media Management 10/24/12
Martin Kierszenbaum, Interscope/Cherrytree Records 09/06/09
Barney Kilpatrick, Rattlesby Records 10/28/05
John Kinsner, The Walnut Room 03/28/08
Doug Kirby, LiveTourArtists 10/24/03
Steve Kirsner, Compaq Center 06/29/01
JoAnne Klabin, Sweet Relief 03/21/03
Andrew Klein, Revolution Marketing 11/05/04
Larry Klein, Producer, bassist, songwriter 03/13/12
Jack Kleinsinger, Highlights in Jazz 04/25/08
Ann Kline, Casa Kline 09/04/14
Brian Knaff, Talent Buyers Network 09/29/01
Kymberlee Knight, IEBA 11/16/00
Mike Kociela, 360 Productions 05/30/08
Stefan Kohlmeyer, Bach Technology 02/08/10
Lily Kohn, Microsoft Corporation 02/14/11
Tim Kolleth, Alligator Records 01/25/08
Al Kooper, Musician/songwriter/producer/author 02/06/14
Mitchell Koulouris, Digital Musicworks International, Inc. 02/11/05
Mark Krantz, John Schreiber Group 06/15/01
Jeff Krasno, Velour Music Group 11/19/07
Jeffrey Kruger, The Kruger Organisation 01/25/02
Ted Kurland, Ted Kurland Associates 01/15/01
Jordan Kurland, Zeitgeist Artist Management 08/23/11
Carianne Laguna, Blackheart Records 03/07/08
Brady Lahr, Kufala Recordings 04/30/04
Ernie Lake, EL Records 01/19/07
Roks Lam, Wolfman Jack Entertainment 12/17/04
Anni Lam, Parc Landon 06/29/07
Gary Lane, CenterLane Attractions 10/14/05
Tom LaPenna, Lucky Man Productions 09/10/04
Camilo Lara, EMI Music Mexico/MIS 08/10/07
Gary Lashinsky, Lipizzaner Tours 05/13/05
Gregg Latterman, Aware Records 12/13/02
Tony Laurenson, Eat to the Beat 02/27/04
Bill Leabody, Leabody Systems 06/10/05
Peter Leak, 24-7 Worldwide Management 03/28/12
Steve Leeds, SR. VP/Promotion/Rock Formats at Virgin Records 07/26/02
Bob Lefsetz, The Lefsetz Letter 11/14/08
Carl Leighton-Pope, Leighton-Pope Organisation 07/05/09
Steve Lemon, Live 4 Live, Inc. 12/06/02
Simma Levine, Disson Furst and Partners 11/10/00
Andy Levine, Sixthman 06/08/07
Rich Levy, Clear Channel Entertainment Properties 06/25/04
Eddie Levy, Chelsea Music Publishing 07/24/14
Myles Lewis, Denise Rich Songs 12/20/10
Terry Lickona, Austin City Limits 03/14/11
Justine Liddelow, Stage and Screen Travel Services 08/31/11
Larry Lieberman, 4EverWild 03/28/03
Marc Lipkin, Alligator Records 03/05/05
Tommy LiPuma (Part 1), Verve Records 11/08/10
Tommy LiPuma (Part 2), Verve Records 11/15/10
Alexander Ljung, SoundCloud 10/04/10
Andy Lo Russo, The Singing Chef 12/16/05
Phil Lobel, Lobeline Communications 08/13/04
Paul Lohr, New Frontier Touring 01/21/05
Paul Lohr, New Frontier Touring 05/17/10
Julie Lokin, New Audiences 03/23/01
Dave Lory, Artemis Records 03/30/02
Max Loubiere, Tour Director 04/11/12
Mark Lourie, Skyline Music 03/08/02
Dave Lucas, Live-360 04/28/06
Joe Lucchese, EventJoe 02/23/07
Kevin Lyman, 4 fini 03/30/01
Kevin Lyman, Vans Warped Tour 05/23/12
Bubba Mac, 09/14/07
David Macias, Emergent Music Marketing 06/17/05
Kristen Madsen, Grammy Foundation and MusiCares 11/22/10
Larry Magid, Larry Magid Entertainment 05/04/10
Peter Malkin, PM Management 02/07/03
Toby Mamis, Alive Enterprises 02/12/01
Billy Mann, Green & Bloom | Topl1ne, Manncom 09/18/14
Tasea Margeolas, Multi Entertainment 06/23/06
Tony Margherita, dBpm Records 09/06/11
Bob Roux & Mark Campana, Live Nation 12/20/11
Lee Marshall, Magic Arts & Entertainment 09/13/02
Zach Martin, Radio Producer at New York's WAXQ-FM 08/30/02
Mario Martin, Gorgeous PR 04/27/07
Molly Martinez, Ticket Summit 2008 05/23/08
Paul Mascioli, Mascioli Entertainment 01/14/05
Michael Maska, Big Hassle 01/28/05
Ted Mason, Mi-5 Recordings 11/16/01
Steve Masur, Masur & Associates, LLC 11/21/03
Pam Matthews, The Ryman Auditorium 04/08/05
Terry McBride, Nettwerk Music Group 03/01/10
Michael McCarty, ole 06/20/11
Jim McDonald, McDonald Group 12/19/03
Virginia McEnerney, HeadCount 11/26/07
Doc McGhee, McGhee Entertainment 06/14/10
Camilla McGuinn, Tour Manager 08/24/07
Andy McLean, North By Northeast (NXNE) 04/01/05
Dennis McNally, Grateful Dead historian/publicist 09/06/02
Garry McQuinn, Back Row Productions 06/14/11
Ruthann McTyre, The Rita Benton Music Library; and president of the Music Library Association 08/31/10
Dick McVey, Musician's Referral Service 10/27/07
John Meglen, Concerts West/AEG Live 02/21/13
Dan Melnick, Festival Productions, Inc. 02/22/02
André Ménard, Festival International de Jazz de Montréal 06/12/09
Bob Merlis, Merlis For Hire/Memphis International Records 01/16/04
Doug Merrick, Cumberland Talent Agency and Merrick Music Group 07/21/06
Louis Messina, The Messina Group 10/22/04
Louis Messina, The Messina Group/AEG Live 07/17/09
Louis Jay Meyers, North American Folk Music and Dance Alliance 03/30/07
Louis Jay Meyers, Folk Alliance International 01/23/09
Todd Miller, House Of Blues - New Orleans 11/14/03
Jeff Miller, Fantasma Productions 03/16/07
Ben Miller, Rock Ridge Music 11/02/07
J. B. Miller, Empire Entertainment 08/22/08
Richard Mills, S.L. Feldman 11/02/09
Linda Moran, Songwriters Hall of Fame (SHOF) 04/05/09
Jesse Morreale, Nobody In Particular Presents (NIPP) 09/20/02
Chuck Morris, Live Rocky Mountains 09/28/09
Mo Morrison, Independent production 05/24/02
Nick Moss, Blue Bella Records 11/30/07
Jim Musselman, Appleseed Recordings 04/14/06
Marc Nathan, Flagship Records 07/01/05
David Neilon, Rising Star Promotions 11/30/01
Don Neuen, Star Coaches Inc. 10/10/12
Dennis Newhall, DIG Music 10/07/05
John Nittolo, John Nittolo Productions 04/13/07
Ian Noble, Metropolitan Talent 05/23/03
Josh Norek, JN Media, LLC 07/05/02
David Norman, Tour Manager 04/20/07
Mimi Northcott, Canadian Recording Services (CRS) 04/11/08
Bill Nowlin, Rounder Records 01/05/07
John Nugent, NY JAM Inc. 11/08/02
Andy Nulman, Just For Laughs 11/20/13
Sal Nunziato, NYCD 06/01/01
Bob O'Neal, Ryman Auditorium 06/28/02
Andrea Orbeck, Prehab Health and Fitness 03/15/10
Heather Orser, Toad's Place 01/29/01
Janet Oseroff, MultiMediaProperties 11/18/05
Marc Ostrow, Boosey & Hawkes 12/05/08
Riley O’Connor, Live Nation Canada 07/24/09
Jeremy Palmer, Buddy Lee Attractions 11/02/01
John Palmer, Megawave Records 08/31/07
Panos Panay, Sonicbids 12/23/05
Julien Paquin, Paquin Artists Agency 04/30/14
Crispin Parry, British Underground 02/24/08
Donald Passman, Gang, Tyre, Ramer & Brown 04/09/10
Bruce Patron, Overland Entertainment 07/28/06
Alexandra Patsavas, Chop Shop Music 09/27/11
Cheryl Pawelski, Omnivore Entertainment Group 09/26/13
Kerry Peace, Alligator Records 08/18/06
Eric Peltoniemi, Red House Records 12/14/09
Scott Perry, Sperry Media 03/11/05
Lawrence Peryer, Jr., 23 Omnimedia 11/07/08
John Peters, MassConcerts 06/07/11
Holger Petersen, Stony Plain Records 04/15/05
Jon Phillips, Silverback Professional Artist Mgmt/Controlled Substance Sound 08/29/08
Vince Pileggi, Music Inc./Music Inc. Sounds 12/01/06
Eric Pirritt, Endit! Presents / The Fox Theatre 10/17/03
Neil Portnow, The Recording Academy 02/08/11
Louis Posen, Hopeless Records 04/04/11
Stephen Posen, Estate of Glenn Gould 01/23/13
Nadia Prescher, Madison House 06/20/03
Jeff Price, TuneCore 02/28/11
Tom Principato, Powerhouse Records 02/01/08
Roger Probert, Core Records 12/08/06
John "Grinder" Procaccini, JP Squared (JP2) 01/17/03
Mark Pucci, Independent Music Publicist 09/09/05
David Pullman, The Pullman Group 11/03/00
Rod Quinton, Saigon Sound System 04/18/11
Dolphus Ramseur, Ramseur Records 10/19/07
Jack Randall, Ted Kurland Associates 04/05/02
Debra Rathwell, AEG Live 05/03/13
Jeff Ravitz, Visual Terrain 02/08/08
Rich Rees, M.P.I. Talent Agency 09/19/08
John Reese, Freeze Artist Management 08/01/08
Bill Reeves, WRIII, Inc. 10/20/06
Stephen Rehage, Rehage Entertainment 07/30/04
Lisa Reiss, Pearl Productions 08/17/07
Salaam Remi, Composer, producer, musician and label executive. 01/08/14
David Renzer, Universal Music Publishing Group 08/23/09
Alison Richard, Universal Orlando Resort 05/06/05
Kelli Richards, The All Access Group 02/07/12
Gary Richards, HARD Events 08/29/13
Sam Righi, Waterfront Entertainment Group 05/30/03
Jon Rinaldo, Joker Productions 01/02/04
Geary Rindels, Geary Rindels Enterprises, Inc. 12/05/03
Doreen Ringer Ross, BMI 01/18/08
Lisette Rioux, Island Def Jam Music Group 05/16/03
Dave Roberge, Everfine Records & Everfine Artist Management 12/03/04
Sandy Roberton, Worlds End Producer Management 02/20/09
Ty Roberts, Gracenote 01/31/12
Bill Rogers, BRE Presents 07/13/07
Ian Rogers, Topspin Media 06/01/10
Benji Rogers, PledgeMusic 12/19/13
Dave Rose, Deep South Entertainment 09/15/06
Eric Rosen, Ronald S. Bienstock & Associates 05/25/01
Stuart Ross, The Ross Group 02/23/01
David Ross, President IAAM; Director, Show Me Center 09/23/05
Bobby Rossi, Ruth Eckerd Hall 02/28/03
Michael Rothschild, Landslide Records 04/29/05
Robert Rowland, Red Entertainment 06/13/08
Bill Royston, Mt. Hood Jazz Festival 03/07/03
John Rudolph, Bug Music 05/24/10
Elizabeth Rush, E.R.A. / Elizabeth Rush Agency 08/20/04
Aran Rush, Expo and Foro Imperial 02/16/07
Maurice Russell, Harry Fox Agency 10/21/05
Barron Ruth, Skyline Music 02/14/03
Andrea Sabata, Skyline Music 01/07/05
Numa Saisselin, Count Basie Theatre, Inc. 02/04/05
Ron Sakamoto, Gold & Gold Productions 01/16/10
David Salidor, dis Company 07/20/07
Shaw Saltzberg, S. L. Feldman and Associates 06/21/10
Bruce Allen & Sam Feldman, A&F Music 12/19/08
Mark Samuels, Basin Street Records 06/11/04
Tamara Saviano, American Roots Publishing 07/22/05
Michael Scafuto, Mountain High Entertainment 12/07/01
Steve Schankman, Contemporary Productions 12/21/01
Steve Scharf, Carlin America 10/11/02
John Scher, Metropolitan Talent 11/21/08
Al Schmitt, Producer/Engineer 02/13/10
Bobby Schneider, Tour Coordinator, Third Eye Blind 01/31/03
Jake Schneider, Madison House 04/02/14
Steven Schnur, EA Music Group 07/03/13
Elaine Schock, Shock Ink 02/19/10
Stacy Schott, Mad Booking and Events 08/22/03
Daylle Schwartz, Revenge Productions 08/19/05
Dean Sciarra, ItsAboutMusic.com 11/26/04
Joel Selvin, Author and Journalist 08/07/14
Jay Sendyk, Sendyk, Leonard & Company, Inc. 05/03/02
Peter Shapiro, Ideal Entertainment 04/16/04
Seth Sheck, Access Pass & Design 01/03/03
Jay Sieleman, The Blues Foundation 07/18/03
Anya Siglin, The Ark 03/05/10
Bill Silva, Bill Silva Entertainment 10/19/10
Tom Silverman, Tommy Boy Entertainment 03/06/12
Steve Simon, Clear Channel Communications 05/14/04
Ralph Simon, Live Earth 07/06/07
Ralph Simon, Mobilium 04/12/11
Michael Simon, The Harry Fox Agency 08/14/13
Ron Simpson, RCS Productions 01/11/08
John Simson, SoundExchange 07/15/05
Dion Singer, Warner Bros. 12/07/09
Gram Slaton, The Community Arts Center 02/25/05
Owen Sloane, Gladstone Michel Weisberg Willner & Sloane 10/11/10
Peter Smidt, Eurosonic Noorderslag & manager Buma Cultuur 07/17/13
Mike Snider, Paradigm Talent Agency Nashville 05/17/11
Andrew Snowhite, Musictoday 05/04/01
Bruce Solar, The Agency Group 05/14/14
Michael Solomon, Brick Wall Management 05/25/07
Mark Sonder, Mark Sonder Productions 07/25/08
Steve Sonnier, UIC Pavilion at the University of Illinois, Chicago 09/03/04
Kathy Spanberger, peermusic 06/20/12
Carolyn Specht, CIE USA Entertainment Inc. and OCESA PRESENTS Inc. 03/26/04
David Spelman, New York Guitar Festival 10/01/04
Jason Spiewak, Rock Ridge Music 04/07/06
Dan Steinberg, Square Peg Concerts 11/29/12
Dan Steinberg, Square Peg Concerts 02/18/05
Jeremy Stephan, Ventures, LLC 04/23/04
Walter Stewart, Mars Talent Agency 02/21/03
Gail Stocker, Gail Stocker Presents 11/12/04
Jon Stoll, Fantasma Productions 10/13/00
Jesse Stoll, AEG 06/27/09
Henry Stone, Henry Stone Music 06/24/05
Jason Stone, Live Nation New York 03/31/06
Howard Stovall, Resource Entertainment Group 05/28/04
Cameron Strang, New West Records 10/18/02
Don Strasburg, AEG Live Rocky Mountains 02/27/09
Barbara Strauss, Sovereign Ventures 05/12/06
Richard Stumpf, Cherry Lane Publishing 08/07/06
Patrick Sullivan, RightsFlow 10/25/11
Bernie Swain & Harry Rhodes, Jr., Washington Speakers Bureau 12/07/00
Dean Swett, Paramour Group 06/14/02
Jake Szufnarowski, Rocks Off 05/02/08
Marc Tanner, Chime Entertainment 12/22/06
Donald Tarlton, The Donald K Donald Group 04/12/02
Tess Taylor, Los Angeles Music Network 08/09/02
Race Taylor, WPLJ - New York 10/27/06
Race Taylor, WPLJ - New York 10/27/06
Chris Taylor, Taylor 03/15/09
Peter Tempkins, DeWitt Stern Group 03/16/01
Peter Tempkins, Momentous Insurance Brokerage 03/27/09
Lisa Tenner, Tenner & Associates (EAT'M) 08/06/01
Jeremy Tepper, Diesel Only Records 10/10/03
Allan Tepper, Bicycle Music Company 09/28/07
Martin Terefe, Kensaltown Studios 05/31/11
Milun Tesovic, MetroLeap Media 10/18/09
Jerry Thompson, Promoter Line Inc. 03/05/04
Jose Tillan, MTV Networks Latin America 12/02/05
Jon Tiven, Hormone Studios 08/05/05
John "J.T." Toomey, 25/8 Management 11/15/11
Livia Tortella, Warner Bros. Records 01/10/12
Phil Tripp, IMMEDIA! 01/19/06
Claudio Trotta, Barley Arts Promotion 11/26/01
Chris Tsakalakis, StubHub 01/11/10
Ben Turner, Graphite Media 05/10/10
Steve Vai, Favored Nations Entertainment 04/26/02
John Valentino, Fantasma Productions 04/18/03
John Valentino, AEG Live SE 11/01/10
Don Van Cleave, Coalition of Independent Music Stores 04/09/04
Casey Verbeck, Partners in Music 06/06/03
David "Boche" Viecelli, The Billions Corporation 04/18/10
Ray Waddell, Billboard Magazine 08/27/04
Rob Waggener, Foundations Recovery Network 03/07/11
Jim Walczak, Racine Civic Centre 06/03/05
Jeff Walker, The AristoMedia Group 08/16/10
Carla Wallace, Big Yellow Dog Music 11/04/05
Russell Wallach, Live Nation Network 03/20/12
Steve Walter, The Cutting Room 10/24/08
Neil Warnock, The Agency Group 05/02/09
Diane Warren, Realsongs 08/14/09
Butch Waugh, RCA Label Group Nashville 01/10/03
Lauren Wayne, The State Theatre 05/09/12
Ken Weinstein, Big Hassle Media 04/22/05
Bruce Weinstein, Bethel Woods Center for the Arts 02/15/08
Larry Weintraub, Fanscape 05/18/01
Pam Weiser, Momentous Insurance Brokerage 10/11/11
Kevin Welk, Welk Music Group 01/24/12
D-J Wendt, Dmand Management 05/09/08
Alison Wenham, Worldwide Independent Network 02/13/09
Bill Werde, Billboard 08/03/11
Joel Whitburn, Record Research 11/13/09
Judd White, Tour Manager/Accountant 02/13/04
Jeff White, In Ticketing 12/16/06
Fenton Williams, 04/04/08
Del Williams, Right Arm Entertainment 04/18/08
Bryan "Birdman" Williams, Cash Money Records 09/13/11
Paul Williams, ASCAP 10/19/11
J.P. Williams, Parallel Entertainment 10/03/12
Kurt Willms, Green Room Productions 09/20/03
Chris Wilson, Heartbeat Records 03/02/07
Tony Wilson, Factory Records/In The City 06/01/07
Tom Windish, The Windish Agency 07/26/10
John Wiseman, XL Touring Video 05/05/06
Thom Wolke, Twincloud.com 02/08/02
Michael Wood, City Lights Entertainment 08/08/08
Nigel Wright, Independant Record Producer 11/07/03
Dusty Wright, CultureCatch.com 07/27/07
Jeremiah “Ice” Younossi, A-List Talent 09/20/09
Ron Zeelens, RAZco Visas 04/20/01
Rick Zeiler, Sidney Frank Importing Company 06/04/04
Danny Zelisko, Live Nation 06/19/09
Hillary Zuckerberg, Brick Wall Management. 07/09/04
Steve Zuckerman, Global Entertainment and Media Summit 03/22/02
Paul Zullo, Muze 01/23/04
Nanette Zumwalt, Hired Power 02/03/06

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