Randy & The Derek Trucks Band

Industry Profile: Randy Alexander

— by Bob Grossweiner and Jane Cohen

Randy Alexander has successfully transitioned his career as a veteran, award-winning journalist to running his own entertainment publicity firm. He currently is celebrating the 10th anniversary as founder and president of Randex Communications. For the past three years, he also has been manager of Robert Hazard, who recently inked with Rykodisc. Hazard is best known as the writer of "Girls Just Want to Have Fun," the Cyndi Lauper breakout hit of 1984.

Randy currently represents: promoters (BRE Presents, Camden County N.J. Special Events, and Walther Productions; artists (Godhead, Michele Greene, Ra, Donovan's daughter Astrella Celeste, Annie Haslam of Renaissance, The Grip Weeds, The Milwaukees, Julz-A, and The Mercury Seed); record labels (Cement Shoes); festivals (All Good Music Festival & Camp Out, Mid Atlantic Blues and Music Festival, Chopper XPO and Rock'n Rally in Sturgis, S.D.); and entertainment organizations (Philadelphia Folksong Society).

Based in southern New Jersey with numerous associate publicists around the country, Randex PR was founded in 1997 with the goal to utilize his unique perspective in journalism to service a market niche demanding more publicity attention -- primarily the independent music and entertainment sector. Randex PR prides itself on delivering the highest level of service through a results-orientated, hands-on approach. To accomplish this, Randy never has lost sight that successful PR is based on getting to know a client or activity and then creating a campaign suitable to meeting the needs of the marketplace. Making the most of his vast experience as an entertainment journalist, Randy delivers stylish campaigns which work in-step with clients’ visions and today’s emerging trends – specializing in top-tier media placement, tours and special events. His journalist’s sense for defining story angles is a key component in all of his campaigns.

"Every publicity and marketing plan is individually crafted and implemented for those who want this type of boutique proficiency," he advises. "Knowing as much as possible about your client and where to target is essential."

Randex PR began with one foot in the underground and one foot in the door of national consumer and mainstream press. The diversity of the music projects Randy has successfully worked ranges from hard rock, metal, classic rock and jam bands to world, punk, folk, roots, Americana, indie, alternative, pop and jazz, and virtually everything in between. Other music artists and tours he has handled include Dion, Deep Purple, the Disco Biscuits, the Mammals, Susan Werner, The Machine, Trachtenburg Family Slideshow Players, Ill Niño, Soulfly, Virgin College Mega Tour, deSoL, club d’Elf, Amfibian, Project/Object, Ozric Tentacles and Richard X. Heyman.

Aside from representing artists, Randy also has overseen publicity for music organizations such as the Paul Green School of Rock, Philadelphia Music Alliance, the ParkinSong Foundation, Jack Utsick Presents NE and Max Cruise Entertainment; festivals including Philadelphia Folk Festival, Gathering of the Vibes, Camp Bisco, Floyd Fest and the Great Bamboozle; and a number of concert venues (Sovereign Bank Arena – Trenton, NJ; Keswick Theatre – Glenside, PA; Recher Theatre – Towson, MD; Tin Angel – Philadelphia; Funk Box – Baltimore; Mexicali Blues – Teaneck, NJ).

Outside of music, he has represented comedians (Joey Callahan, Steve Lazarus, Jessica Delfino), lifestyle experts (Anne Chertoff), actors (Emmy nominee Michele Greene of “LA Law”; Alex Skuby of “King of Queens”), visual artists (Annie Haslam Arts), books (“Chasing the Jaguar,” “Live at the Fillmore East” ), health clubs (Cherry Hill Health & Racquet Club), corporate (Cummins Team of Janney Montgomery Scott), charities (Special Olympics, Golden Slipper) and law firms (Begelman & Orlow).

As a nationally respected music journalist and winner of three writing awards, he was one of the first to report on the Howard Stern phenomenon and establish a genuine rapport with the Man Who Would Be King of All Media, earning a first-place award from the New Jersey Press Association in the process. He has additional arts writing awards from the Society of Professional Journalists and Garden State Association of Black Journalists.

He spent over a month filing daily reports on the historic birth of Live Aid and marked the 10th anniversary of Elvis Presley’s death on an extended mission to Memphis and Tupelo, Miss., to explore and uncover the roots of the King of Rock ‘n’ Roll. He has been a daily contributor to America Online’s MusicSpace Channel, pop music critic for the Courier-Post (Gannett’s Southern New Jersey daily), video reviewer for Home Viewer magazine, and rock columnist for Action, the in-house publication of the Wachovia Spectrum while it was Philadelphia’s leading entertainment arena. His coverage of Bruce Springsteen’s “Born in the U.S.A.” tour was included in the best-selling biography, Glory Days.

In the early ‘90s, Randy lured an array of celebrities to his talk radio show on WTTM/Trenton. Covering TV on national and local levels, he attended Television Critics Association press tours in Los Angeles and New York, made a cameo on ABC’s “One Life to Live’’ and was Philadelphia correspondent for Multichannel News, the cable industry trade. He also edited and wrote for two national cable guides published by TVSM.

Randy started his career in East Coast pro and college sports press boxes as an Amfax Communications correspondent covering championship events for the NFL, NHL and Major League Baseball. While still in college, he switched from sports to entertainment at The Philadelphia Journal, a sports- and entertainment-oriented daily tabloid. A Philadelphia native, Alexander holds a bachelor of arts degree in Journalism with a News-Editorial concentration from Temple University’s Annenberg School of Communications and Theater.

Randy is a board member of the Philadelphia Music Alliance (Philadelphia Walk of Fame) and member of the Entertainment Publicists Professional Society (EPPS) and the National Academy of Recording Arts & Sciences, for which he does volunteer work as Grammy in the Schools instructor, panel moderator and panelist. He also has moderated or sat on panels for CMJ Music Marathon, NARAS, DIY Convention and IMC and gets quoted nationally as an industry expert (CBS Radio, CNN Radio, Baltimore Sun, KYW Newsradio).

What makes a good press release?
Because of all my years as an entertainment columnist, this is an area where I’m a real stickler, and I spend lots of energy making sure it reads a certain easy, breezy, informative, entertaining, and above all, alluring way. I get told a lot how much people enjoy reading my releases; in fact, I once had a West Coast writer who was leaving the business ask to keep him on my distribution list simply because he dug my releases so much – and he’s still on the list. To me the best press releases should have several things, but most of all, they need to grab the reader’s attention quickly and not just be well-written but clever. The idea is to get the media recipients interested enough to either keep reading or make a split decision upon impact that they’re gonna go with it. Always assume the media has no time to read through, and you’ll be much better at editing yourself. It needs to be front-loaded, meaning the key facts – the who, what, where and why - should be up top but for heaven’s sake not read blandly like a news story. I take the same basic approach as when I was writing articles. If you can turn a phrase, do so without clichés, and no hyperbole, ever. And always tell the truth, never fabricate. The trick is knowing how to take the hand you're dealt and spin it as credibly attractive as possible.

How did you become a manager?
I was asked and encouraged by Robert Hazard, an artist I’ve known for 25 years with major songwriting pedigree, whose music had a great impact on me when I was first starting out, but who hadn’t been heard from in a very long time. He had made a splash in the ‘80s as a new wave/modern rocker and wanted to make a comeback in a completely different genre, going back to his roots as a folk roots singer-songwriter. I really didn’t need to do it, but he persisted, and I eventually accepted the challenge. And two and a half years later, though I kept hearing it couldn’t be done, I secured him a record deal with Rykodisc.

Has being a manager helped you as a publicist?
Having that management experience and success absolutely informs and strengthens my skills and perspective as a publicist, much as coming from a journalism background does. Having both of those added credentials opens more windows for viewing the publicity challenges facing a particular client. So it's very much to my clients' advantage.

How effective is tour publicity for the promoter?
Extremely effective for the promoter and not nearly enough promoters are taking advantage of outsourcing to publicity pros to handle it. For a minimal investment, it buys a great deal of insurance that's just a small fraction of marketing budgets for a particular concert. My promoter clients are very smart - dare I say shrewd - in tapping a national music publicity firm in that arena as the liaison who makes sure their shows get the proper publicity attention. After all, it’s the promoter whose money is on the line at the box office.

As an artist publicist and promoter publicist, I’m privileged to see it from both sides. And with all due respect to my colleagues, too often the tour publicist doesn't do the job as they have to deal with multiple markets and usually just hit the key outlets, if that, and often with less familiarity and media relationships in that market. It’s our job to not only penetrate the market much deeper, but work the artist’s team - publicists, managers and booking agents - into going that extra mile, particularly when ticket counts are soft. Similarly, we often go to bat for the local media who we’re dealing with week in and week out, and they’ll often feel more secure coming to us first instead of the artist. Working very closely with the promoter’s marketing department, we’ll also get more creative about it, sometimes combining to initiate events that will stimulate ticket sales as well. In the end, publicity can make or break a successful show. Ultimately, we’re all on the same team, so everyone wins.

What was your most outrageous publicity campaign?
How about my most outrageous clients? I’ve had some real live wires; in fact, I love it when my clients are bona fide characters in their own right. The Trachtenburg Family Slideshow Players and Paul Green, founder of the School of Rock national chain, come immediately to mind. They had media darlings written all over them from the moment I met them, and the media wound up flocking. The Trachtenburgs, in particular, had their 15 minutes in the truest sense in the two years I was with them, from media hits to concert bookings--big props to Brian Swanson, now at Monterey International--and we had a blast. I mean c’mon, a bohemian family from Greenwich Village – mom, dad and their nine-year-old daughter, making simple, satirical and often poignant songs based on vintage slides from the ‘50s, ‘60s and ’70s found at flea markets and yard sales. Dad on keyboards, daughter on drums and mom on the ol’ Kodak carousel slide projector. You couldn’t dream that up. Jason Trachtenburg and I always came up with wacky names for every tour, such as “the ’83 Suburban tour, named after their vehicle; and the “27 States Of Vintage Fabric Tour,” in which the band urged audience members to bring vintage fabric to shows to be used in making the band’s next set of stage costumes. They’d even mount an annual Trachtenburg Family Slideshow Players … On Ice” for the Holiday season.

As for Paul Green, like Jason he's a brilliant, rapid-fire sound bite machine with boundless energy who can blow info by you with speed and agility. I mean, one encounter and you know instantly why the Jack Black character in "School of Rock" was supposedly inspired by Paul. There's no middle ground with him: either people love him or hate him. Where do you think my allegiances lie?

In the long run is bad publicity better than no publicity?
The saying goes that the only bad publicity is no publicity. I’d place a big fat asterisk there. I essentially disagree, although if the bad publicity is strategically positioned, it can absolutely help. It’s ultimately about a publicist’s ability to control and manipulate media, no matter if the press is good or bad. Either is great as long as it’s maneuvered to the client’s advantage. The public in general is very forgiving. Taking that into account, it depends who is getting the publicity and the timing. As I answer this, we’re all looking at Britney Spears. Now that she’s lost custody of her kids, the pundit consensus is that she’s bottomed out, and her career is over. No way! She’s still in her mid-20s. Anything can happen, and the media’s just waiting to see what it will be. Her new record looks like it’s taking a big hit, but I say her career is only over till she fixes it. The first step would be to not only fix herself but her team – reconciling with her family, listening to her handlers and making a serious effort at cleaning up, from rehab to parenting classes to drug testing, etc. whoever they are. America just loves a great comeback, and the publicist can absolutely craft it with the team as long as everyone’s on the same page. So yes, the bad publicity Britney’s getting now can set the stage for the long haul. Whether it’s for the new album or the next one, proper media positioning, especially in the case of someone with her level of media profile, can make a huge difference.

First concert attended
Chicago at The Spectrum in Philadelphia, 1975.

First concert worked
“The Round-Up” – Allman Brothers, Marshall Tucker, 38 Special, The Outlaws and a couple of other southern rock bands amid 90,000 people at JFK Stadium in Philadelphia. I was a cub entertainment reporter at the Philadelphia Journal, a screaming tabloid, assigned to do a crowd story, which ended up getting severely rewritten by the copy editor--perhaps because he was a New York Times import?

First industry job
Amfax Communications, 1978. I transmitted sports writers’ articles from press boxes around North America via fax machine--4-6 minutes a page-- and teleram – what 30 years later and 30 pounds lighter evolved into the laptop.

Career highlights
As a publicist: conceiving, producing, promoting, marketing and publicizing a major benefit concert in a New Jersey performing arts center to aid local flood victims at the Lenape Regional Performing Arts Center in Marlton, NJ, with media sponsors in TV, radio and print from all over the Philly region and incredible coverage; and the ongoing work I’ve done the past few years with the ParkinSong Foundation, which tirelessly works to find a cure for Parkinson’ s Disease through music – two benefit concerts at Lawrence High School and the College of New Jersey, and an all-star double CD compilation featuring Bonnie Raitt, Crosby & Nash, and many more, with incredible media spokesman support from Jon Stewart and comic actor Richard Kind of “Spin City." I love going on the road with my artists, working at festivals and staging events. I also get a kick out of chaperoning artists--Brian Wilson, Mike Love, Frankie Valli, Roseanne Barr, Donovan, Ian Anderson, Jon Anderson, Asia, David Crosby, Peter Tork of the Monkees-- for my promoters.

Beyond that, I truly find the most joy in securing the best coverage possible for my clientele. I gain the most satisfaction in sharing in their happiness and success from my efforts. I’ve had some terrific clients, shared wonderful experiences and have been lucky to gain a few great friendships too.

As a journalist: Live Aid – 30 days of daily coverage with endless digging for scoops and a month long adrenaline rush, culminating in 16 hours worth at the actual event. It was a day, a feeling and an overall experience I will never forget. And all in my hometown. Also, scouring Memphis and Tupelo, Miss., in search of Elvis’ roots and finding so many graciously cooperative people who impacted his life, including knocking on the door of his fifth grade teacher’s house and being invited into her living room; and winning three writing awards --see above--, including first place honors for an early feature on Howard Stern during his WNBC days. He hated doing interviews, but the NBC brass insisted, and he was very skeptical and reticent at the outset. But afterward, I somehow won him over, and he told me in total sincerity it was “the best interview he had ever done,” thus beginning a mutually respectful, professional friendship that continued well into the ‘90s.

Greatest challenge
Determining when I’ve reached critical mass with a client because there’s always more press out there that you would/should have secured had you more time and resources. I see publicity campaigns like long-running chess games: you can endlessly strategize to find more and more press coverage and ways of getting it, but when, if ever, do you hit "checkmate" status?

Career disappointment
Being hired by the New York Daily News after a year long national search, only to find that the publisher wouldn’t sign the employment papers because he ultimately decided to internalize the position. That's when I knew I had reached the mountaintop in the newspaper biz, and it was time to move on.

Best business decision
Leaving daily newspaper journalism and heading for what my journalist friends would affectionately call "the dark side" — public relations. I never liked the "flack" terminology, it always seem to be used by newsroom types who didn’t want to recognize how much they need us. The sweetener was the decision to enter publicity by starting my own business, never once giving a thought to working for someone else. It’s been 10 years since I launched Randex Communications, and I haven’t had a single day of regret. The possibilities remain endless.

Come to think of it, it must’ve been the publicist inside of me making an early showing 20 years ago, when Bill Graham ambush-called me from an airplane to rattle me and chew me out about something I’d written, and I wound up spinning the conversation entirely around and shutting him down. From then on, he always took my calls.

Best advice you received
From Regis Philbin: "Don’t put all your eggs in one basket;" and from one of my mentors, Jonny Z: "It’s war out there" and "You’ll never make more than $100,000 working for someone else."

Most memorable industry experience
I’ve seen so many amazing shows, met and interviewed and represented so many of the greatest artists you’ve heard – or have yet to hear – about. Yet every time I think I’ve seen it all, I remind myself that’s there’s so much more to do and of the challenges and excitement of discovering even greater experiences ahead.

What friends would be surprised to learn about you
That I rarely finish a book because I’m reading information all day long; that I wish I would have experienced being the rock drummer that all those drum lessons were supposed to prepare me for – at least for a little while; that I managed to write only a dozen or so record reviews in 20 years of being a music journalist; and that I was an avid stamp collector in my early teens who now collects vintage Flintstones merchandise, JFK “Camelot” memorabilia, NY World’s Fair--‘64-‘65--items and since I was 14, Presidential campaign buttons and such.

Industry pet peeve
People whose greatest skills are being adept at getting paid more for working less.

Mistakes you've learned from
I make mistakes all the time, and anyone who doesn’t admit to it and says they don’t learn from them isn’t being honest with you or him/herself. In general, some of the biggest mistakes I’ve made have been about relying too much on others’ opinions instead of my own. I’ve since learned to go with my gut, which if not the best decision 100 percent of the time, is at least the most satisfying and reliable. The other, from a pure business decision, is to always make sure you get a signed contract; aside from the security, it also establishes a level of mutual respect that a handshake doesn't always guarantee. And along those lines, to collect your money for services rendered as early in the process possible. Be careful who you trust.

If I wasn't doing this, I would be...
... I’ll let you know when and if that day comes.

Industry mentors
Franke Previte, Oscar-winning songwriter of "Dirty Dancing"; Dave Marsh, best-selling author and music journalist; Bill Rogers, promoter--BRE Presents; Jon "Jonny Z" Zazula--Megaforce Records, discovered Metallica; Larry Shenk, the legendary PR director of The Phillies; Gail Parenteau of Parenteau Guidance; Walt Herring--RIP--managing editor of the Philadelphia Journal and Trenton Times; and there probably will be more coming.

Randy can be reached at: 856-596-1410; e-mail: randex@randexpr.com

.

Industry Profile Archives:
Joanne Abbot Green, CMJ Music Marathon and Film Festival 10/17/08
Lee Abrams, XM Satellite Radio 11/28/03
Jay Boy Adams, Roadhouse Transportation 05/04/07
Jamie Adler, Adler Entertainment Group 05/11/07
Gary Adler, National Association of Ticket Brokers 12/04/13
Rodney Afshari, Freeze Artist Management 03/01/02
JC Ahn, VU Entertainment 04/10/13
Steve Alaimo, Vision Records & Audio Vision Studios 05/26/06
Jaye Albright, Albright & O'Malley Consulting 07/19/10
Randy Alexander, Randex Communications 10/12/07
Marcie Allen, Mad Booking 12/14/00
Jeff Allen, Universal Attractions 08/16/02
Marcie Allen, MAC Presents 06/05/09
Marcie Allen Cardwell, MAC Presents 12/21/07
David Allgood, Bama Theatre 01/03/11
Patrick Allocco, AllGood Concerts 10/05/07
Mike Amato, Rok Tours International 02/02/07
Billy Atwell, AMP Studios 12/13/07
Tom Baggot, thebookingagency.com 05/02/03
Stephen Bailey, EPACC & Deleware Center For The Arts 02/06/04
Cary Baker, Conqueroo 05/11/11
Vince Bannon, Getty Images 07/05/11
Phil Barber, Barber & Associates 02/04/01
Camille Barbone, WineDark Records 12/09/05
Erin Barra, Musician/Producer/Educator 07/10/14
Ben Baruch, The Fox Theatre 09/27/08
Adam Bauer, Fleming, Tamulevich & Associates 02/15/02
Ed Bazel, That's Entertainment International 10/05/01
Joachim Becker, ZOHO Music L.L.C. 01/12/07
Howard Becker, Comet Technologies 05/02/11
Mark Bego, Author 06/15/07
Jim Beloff, Flea Market Music 09/20/10
Richard Bengloff, The American Association of Independent Music (A2IM) 09/12/13
Seth Berg, South Bay Music 01/30/09
Aimee Berger, 2 Generations SPA Music Management 09/24/04
Barry Bergman, Music Managers Forum 03/14/03
Steve Bernstein, Relix LLC 09/30/05
Mark Berry, Attack Media Group 04/07/07
Scott Billington, Rounder Records 01/17/12
Jeffrey Bischoff, Cinder Block 03/24/06
Sat Bisla, A&R Worldwide/ Musexpo 03/29/10
Nina Blackwood, Sirius Satellite Radio 07/14/06
Adam Block, Legacy Recordings 11/07/13
P.J. Bloom, Neophonic, Inc. 01/24/11
Rishon Blumberg, Brick Wall Management 06/27/03
Justin Bolognino, Learned Evolution, and The Meta Agency 04/25/13
Steve "Chopper" Borges, Total Pro and Borse Techos 03/03/06
Les Borsai, Mediocre Management 01/30/04
Shane Bourbonnais, Live Nation Canada 03/21/08
Jeff Bowen, Sears Centre Arena 03/13/08
Rick Bowen, Mystic Music Experience 07/11/08
John Boyle, Sanctuary Music Group 03/19/04
Jeff & Todd Brabec, Writers/Attorneys 01/03/12
Bill Bragin, Joe's Pub at the Public Theater 08/08/03
Joel Brandes, Avenue Management Group 11/02/08
Joe Brandmeier, Moving Pictures 03/15/02
Scooter Braun, SB Projects 12/13/10
Billy Brill, Billy Alan Productions 11/11/05
Doug Brown, Talent Buyers Network 09/21/01
James Browne, Sweet Rhythm 11/01/02
Tony Brummel, Victory Records 05/17/09
Charlie Brusco, TBA Entertainment Corporation 10/13/01
Del Bryant, BMI 05/18/07
Cortez Bryant, Bryant Management 12/06/10
Bruce Burch, University of Georgia Music Business Program 10/09/09
Deborah Burda, Kentucky Exposition Center 08/03/07
Patti Burgart, IEBA 06/07/02
Jordan Burger, The New Musiquarium 01/22/01
Ron Burman, Roadrunner Records 08/25/06
Suzanne Cadgene, Elmore 05/19/06
Karen Cadle, KGC Productions 03/12/04
Gary Calamar, KCRW 07/10/09
Charles Caldas, Merlin 07/05/10
Brian Camelio, ArtistShare 02/29/08
David Campbell, AEG Europe 08/02/10
Tom Cantone, Foxwoods Entertainment Group 10/20/00
Tom Cantone, Foxwoods Resort Casino 07/03/03
Tom Cantone, Mohegan Sun 08/30/09
Ashley Capps, A. C. Entertainment 05/21/04
Rio Caraeff, Vevo 07/12/11
Mike Carden, Eagle Rock Entertainment 08/16/11
Charles Carlini, Carlini Group 05/16/08
Mark Carpentieri, M.C. Records 05/27/05
Mark Carpentieri, M.C. Records 01/10/11
Troy Carter, Coalition Media Group 06/07/10
Daniel Catullo, Coming Home Studios 06/22/08
Jeffrey Chabon, Chabon Entertainment Group 08/22/02
Mike Chadwick, Essential Music & Marketing 08/01/12
Rob Challice, Coda Music Agency 03/27/13
Tom Chauncey, Partisan Arts 01/11/02
Tom Chauncey, Partisan Arts 10/04/11
Lisa Cherniak, Artists Against Racism (AAR) 07/20/01
Bob Chiappardi, Concrete Marketing 06/13/03
Joel Chriss, Chriss & Co. 10/04/02
Michael Chugg, Michael Chugg Entertainment 09/14/01
Michael Chugg, Chugg Enterprises 10/02/09
Gary Churgin, Harry Fox Agency 09/13/10
Vinny Cinquemani, S.L. Feldman & Associates 12/13/12
Barry Coburn, Ten Ten Music Group 03/28/11
Matthew Cohen, Green Room Productions 10/19/01
Ted Cohen, TAG Strategic 01/10/13
Lisa Cohen, Associated Booking Corporation 02/10/06
Steve Cohen, Music + Art Management, Inc. 03/09/07
Michael Cohl - Part 1, S2BN Entertainment 03/06/13
Michael Cohl - Part 2, S2BN Entertainment 03/13/13
Bryan Coleman, Union Entertainment Group 02/14/12
Mamie Coleman, Fox Broadcasting 07/05/12
Dennis Condon, Disneyland Resorts 07/13/01
Peter Conlon, Peter Conlon Presents 05/20/05
Tony Conway, Buddy Lee Attractions 10/06/00
Tomas Cookman, Cookman International 09/05/03
Alex Cooley, Alex Cooley Presents 07/12/10
David Cooper, Foxman.com 10/31/03
Jay Cooper, Greenberg Traurig, LLP 05/23/11
Julie Coulter, Near North Insurance Groups 06/07/01
Amy Cox, Deep South Entertainment 02/09/07
Michael O. Crain, Crain Law Group, LLC 10/09/13
Charlie Cran, The Strawberry Music Festival 04/05/10
Jim Cressman, Invictus Entertainment Group 06/06/12
Todd Culberhouse, Vision Management /Vision Records and Entertainment 09/05/08
Tony D'Amelio, Washington Speakers Bureau 04/21/06
Ken Dashow, WAXQ-FM (l04.3 FM) - New York 09/08/06
Hal David, Lyricist 07/26/11
David Davidian, Independant Lighting Designer/Director 06/18/04
Anthony Davis, D&L Entertainment Services, Inc. 03/02/01
Chip Davis, American Gramaphone/Mannheim Steamroller 05/31/02
Mitch Davis, Tempest Entertainment 07/16/04
Jeff Dawson, Canadian Recording Services 06/08/08
Desiree Day, USO Celebrity Entertainment 08/10/01
Shauna de Cartier, Six Shooter Records/Six Shooter Management 10/23/13
Gene DeAnna, The Library of Congress 02/21/12
Vincent Degiorgio, Chapter 2 Productions 08/01/13
Tony DeLauro, DeLauro Management 12/23/04
Peter Denholtz, CelebrityAccess 11/29/00
Valerie Denn, Val Denn Agency 04/30/01
Val Denn, Val Denn Agency 03/06/14
Robert DePugh, Alligator Records 07/29/05
Tom Derr, Rock Ridge Music 10/29/04
Paul Dexter, Masterworks Lighting Design and Road Cases 12/10/04
Marty Diamond, Paradigm 01/22/10
Glenn Dicker, Redeye Distribution/Yep Roc Records 07/07/06
Barry Dickins, International Talent Booking Agency 06/06/13
Mark Dinerstein, The Knitting Factory 11/17/06
Jasper Donat, Music Matters 2009/Branded 04/24/09
Jim Donio, National Association of Recording Merchandisers 04/22/11
Marc Dottore, M. Dottore Management 04/11/03
Tim Drake, The Roots Agency 12/12/08
Mike Dreese, Newbury Comics 11/23/11
Charles Driebe, Blind Ambition Management Ltd. 09/22/06
Jeremy Driesen, Ray Bloch Productions 09/07/01
Michael Drumm, Music Link Productions 07/18/08
Angie Dunn, Lucky Artist Booking 10/13/06
Jay Durgan, MEDIAmobz 11/09/11
Erik Dyce, City and County of Denver's Division of Theatres & Arenas 08/02/02
Erik Dyce, City and County of Denver’s Division of Theatres and Arenas 08/23/10
Paolo d’Alessandro, International Solutions 06/25/14
Ros Earls, 140dB Management 02/19/14
Art Edelstein, Festival Productions 12/01/02
Bruce Eisenberg, Audio Analysts 08/31/01
Martin Elbourne, The Glastonbury Festival 12/18/09
Michael Elder, Red Entertainment 03/17/06
Tod Elmore, Sixthman 11/24/06
Paul Emery, Clear Channel Entertainment 11/19/04
Joe Escalante, Kung Fu Records 07/08/05
Colin Escott, Music Historian/Journalist 07/18/11
Ritch Esra, The Music Business Registry 09/27/02
Ritch Esra, The Music Business Registry 04/24/12
Mike Esterman, Esterman Entertainment 09/01/06
Jeff Eyrich, BePop Records 11/25/05
Bob Ezrin, Bigger Picture Group 05/24/09
Lisa Fancher, Frontier Records 08/09/10
Rick Farman, Superfly Productions 10/15/04
Ray Farrell, eMusic 06/09/06
Sam Feldman, S.L. Feldman & Associates 10/25/02
Bob Feldman, Red House Records 11/24/02
Charlie Feldman, BMI 08/26/05
Paul Fenn, Asgard Promotions 11/22/09
Debra "Fergy" Ferguson, TourDesign 08/01/03
Pete Fisher, Grand Ole Opry 09/11/09
David Fishof, David Fishof Presents 01/08/01
David Fishof, Rock 'N Roll Fantasy 10/05/08
David Fishof, Rock ’n’ Roll Fantasy Camp 02/28/12
Mike Flanagin, New England Country Music Festival 09/12/08
Joel Flatow, RIAA 12/13/11
Jim Fleming, Fleming Artists 03/20/10
Joe Fletcher, Joe Fletcher Presents 01/12/06
Jeff Fluhr, StubHub 10/06/06
Nancy Fly, The Nancy Fly Agency 04/02/04
Arthur Fogel, Live Nation 08/09/09
Martin Folkman, Independent Music Awards & Music Resource Group 08/11/06
Belle Forino, Fantasma Tours 03/18/05
Fletcher Foster, Universal Records South 07/31/09
Sam Foxman, Contemporary Productions 01/06/06
Todd Frank, 4Star Entertainment, LLC 01/24/03
Bob Frank, Koch Entertainment 01/09/09
Larry Frank, Frank Productions 01/17/11
Mike Fraser, Record Producer/Engineer 10/11/08
Carl Freed, Metropolitan Entertainment 06/22/01
Elizabeth Freund, Beautiful Day Media & Management 01/26/07
Harlan Frey, Roadrunner Records 07/11/03
Adam Friedman, Nederlander Concerts 06/22/07
Ted Gardner, Larrikin Management 04/25/03
Daniel Gélinas, Festival d’été de Québec 05/23/13
Marci Geller, Sonic Underground 08/15/08
Steve Gerstman, SGS 07/19/02
Sandra Gibson, The Association of Performing Arts Presenters 01/09/04
Sandra L. Gibson, Association of Performing Arts Presenters 01/16/09
Steve Gietka, Trump Properties 07/30/01
Steve Gietka, SMG Entertainment 03/19/14
Daniel Glass, Glassnote Entertainment Group 10/16/14
Jake Gold, The Management Trust 04/13/01
Neil Goldberg, Cirque Productions 09/07/07
Harris Goldberg, Concert Ideas 06/27/11
Neil Goldberg, Cirque Productions 04/16/14
Harvey Goldsmith, Harvey Goldsmith Productions 06/28/10
Michael Goldstein, RockPoP Gallery 11/09/07
Seth Goldstein, Turntable.fm 09/20/11
Anna Paula Goncalves, CEO Global Brand Appeal 08/20/14
Arnie Goodman, Blue Storm Music 11/15/02
Wesley Goodman, Red Entertainment 09/16/05
Richard Goodstone, Superfly Productions 01/27/06
Rob Gordon, What Are Records? LTD 02/01/02
Steve Gordon, Entertainment Attorney 08/06/04
Yoav Goren, Immediate Music & Imperativa Records 06/10/14
Mike Gormley, L.A. Personal Development 11/10/06
Jonathan Gosselin, Gosselin Marketing & Promotions 07/02/04
Richard Gottehrer, The Orchard 04/10/09
Sean Goulding, The Agency Group London 09/12/12
Jerimaya Grabher, RPM Direct 09/26/03
Mary Granata, The Granata Agency 09/06/10
Kelly Graves, Providence Performing Arts Center/Professional Facilities Management 01/20/02
Stan Green, Stanley A. Green Lighting and Productions 12/12/03
Mark Green, Celebrity Talent Agency Inc. / Bergen Performing Arts Center 08/12/05
Jeffrey Green, Americana Music Association 03/10/06
Paul Green, The School of Rock 07/06/08
Benjy Grinberg, Rostrum Records 12/06/11
Brent Grulke, SXSW 03/06/09
Phil Guiliano, CIE USA Entertainment Inc. & OCESA PRESENTS Inc. 03/25/05
Steve Gumble, SBG Productions 06/16/06
Greg Hagglund, Vivelo! 05/07/04
Rodney Hall, FAME Music Group 11/06/09
Craig Hankenson, Producers, Inc 02/23/06
Kerry Hansen, Wynonna Incorporated 10/03/03
Eric Hanson, Ted Kurland Associates 12/20/02
Eric Hanson, Tree Lawn Artists 03/23/07
Rusty Harmon, MTM Music Management 12/06/07
Ali Harnell, Clear Channel Entertainment Nashville 08/15/03
Bob Harris, 02/06/09
David Hart, The Agency Group 02/20/04
Steve Hecht, Piedmont Talent 08/29/12
Travis Hellyer, Mezzanine 09/02/05
Janie Hendrix, Experience Hendrix 02/01/10
Nona Hendryx, Rhythmbank Entertainment 06/02/06
Dan Herrington, Dualtone Records 07/25/03
Sara Hickman, Sleeveless/Stingray 06/30/06
Dan Hirsch, On Board Entertainment 04/04/03
Nick Hobbs, Charmenko 12/14/01
Carel Hoffman, Hilltop Live/Oppikoppi Productions 11/07/12
Ian Hogarth, Songkick 08/09/11
Gene Hollister, Rose Presents 04/08/01
Rusty Hooker, Rock Steady Management Agency 02/16/01
Jake Hooker, Hook Entertainment 05/10/02
Martin Hopewell, Primary Talent International 04/19/02
Tom Hoppa, TKO Booking Agency 09/29/06
Bobbie Horowitz, Times Square Group 01/04/02
Barney Hoskyns, Rock's Backpages 11/01/11
Bruce Houghton, Skyline Music 10/27/00
Bruce Houghton, Skyline Music 01/22/14
Andi Howard, Peak Records and Andi Howard Entertainment 09/02/03
Barbara Hubbard, ACTS 09/12/03
Seth Hurwitz, I.M.P. 04/20/09
Mark Hyman, Ashley Talent International 11/09/01
Brett Hyman, Category 5 Entertainment 07/23/04
Bruce Iglauer, Alligator Records 08/17/01
Bruce Iglauer, Alligator Records 05/28/14
Doug Isaac, Super Bowl Concert Series Producer (EXI) 08/24/01
David Israelite, National Music Publishers' Association 11/29/08
Tom Jackson, Tom Jackson Productions 02/06/13
Jay Jacobs, Parc Landon 09/21/07
Larry Jacobson, World Audience 09/17/04
Audra Jaeger, The Management Trust 05/09/03
Ralph James, The Agency Group 01/31/11
Jeffrey Jampol, Jampol Artist Management 07/18/12
Jean Michel Jarre, International Confederation of Societies of Authors and Composers (CISAC) 06/19/13
Michael Jaworek, The Birchmere 05/08/09
Peter Jesperson, New West Records 11/03/06
John Jeter, The Handlebar 08/15/12
Mike Johnson, Groundrush Media 02/17/06
Mike Gormley & Jolene Pellant, Yes, Dear Entertainment 04/23/10
Susan Joseph, Justice Entertainment Group 02/21/11
Darren Julien, Julien's Auctions 10/25/10
Henry Juszkiewicz, Gibson Guitars 09/28/10
Leonard Kalikow, Music Business Reference, Inc. 06/26/08
Craig Kallman, Atlantic Records 03/20/09
Danny Kapilian, Independent Producer 07/12/02
Mike Kappus, The Rosebud Agency 10/26/09
Andy Kaufman, Birdland 05/17/02
Wendy Kay, Mars Talent Agency 03/09/01
Lucas Keller, The Collective 03/22/11
Marty Kern, Clemson University 07/07/01
Carlos Keyes, Red Entertainment 10/08/04
Golnar Khosrowshahi, Reservoir Media Management 10/24/12
Martin Kierszenbaum, Interscope/Cherrytree Records 09/06/09
Barney Kilpatrick, Rattlesby Records 10/28/05
John Kinsner, The Walnut Room 03/28/08
Doug Kirby, LiveTourArtists 10/24/03
Steve Kirsner, Compaq Center 06/29/01
JoAnne Klabin, Sweet Relief 03/21/03
Andrew Klein, Revolution Marketing 11/05/04
Larry Klein, Producer, bassist, songwriter 03/13/12
Jack Kleinsinger, Highlights in Jazz 04/25/08
Ann Kline, Casa Kline 09/04/14
Brian Knaff, Talent Buyers Network 09/29/01
Kymberlee Knight, IEBA 11/16/00
Mike Kociela, 360 Productions 05/30/08
Stefan Kohlmeyer, Bach Technology 02/08/10
Lily Kohn, Microsoft Corporation 02/14/11
Tim Kolleth, Alligator Records 01/25/08
Al Kooper, Musician/songwriter/producer/author 02/06/14
Mitchell Koulouris, Digital Musicworks International, Inc. 02/11/05
Mark Krantz, John Schreiber Group 06/15/01
Jeff Krasno, Velour Music Group 11/19/07
Jeffrey Kruger, The Kruger Organisation 01/25/02
Ted Kurland, Ted Kurland Associates 01/15/01
Jordan Kurland, Zeitgeist Artist Management 08/23/11
Carianne Laguna, Blackheart Records 03/07/08
Brady Lahr, Kufala Recordings 04/30/04
Ernie Lake, EL Records 01/19/07
Roks Lam, Wolfman Jack Entertainment 12/17/04
Anni Lam, Parc Landon 06/29/07
Gary Lane, CenterLane Attractions 10/14/05
Tom LaPenna, Lucky Man Productions 09/10/04
Camilo Lara, EMI Music Mexico/MIS 08/10/07
Gary Lashinsky, Lipizzaner Tours 05/13/05
Gregg Latterman, Aware Records 12/13/02
Tony Laurenson, Eat to the Beat 02/27/04
Bill Leabody, Leabody Systems 06/10/05
Peter Leak, 24-7 Worldwide Management 03/28/12
Steve Leeds, SR. VP/Promotion/Rock Formats at Virgin Records 07/26/02
Bob Lefsetz, The Lefsetz Letter 11/14/08
Carl Leighton-Pope, Leighton-Pope Organisation 07/05/09
Steve Lemon, Live 4 Live, Inc. 12/06/02
Simma Levine, Disson Furst and Partners 11/10/00
Andy Levine, Sixthman 06/08/07
Rich Levy, Clear Channel Entertainment Properties 06/25/04
Eddie Levy, Chelsea Music Publishing 07/24/14
Myles Lewis, Denise Rich Songs 12/20/10
Terry Lickona, Austin City Limits 03/14/11
Justine Liddelow, Stage and Screen Travel Services 08/31/11
Larry Lieberman, 4EverWild 03/28/03
Marc Lipkin, Alligator Records 03/05/05
Tommy LiPuma (Part 1), Verve Records 11/08/10
Tommy LiPuma (Part 2), Verve Records 11/15/10
Alexander Ljung, SoundCloud 10/04/10
Andy Lo Russo, The Singing Chef 12/16/05
Phil Lobel, Lobeline Communications 08/13/04
Paul Lohr, New Frontier Touring 01/21/05
Paul Lohr, New Frontier Touring 05/17/10
Julie Lokin, New Audiences 03/23/01
Dave Lory, Artemis Records 03/30/02
Max Loubiere, Tour Director 04/11/12
Mark Lourie, Skyline Music 03/08/02
Dave Lucas, Live-360 04/28/06
Joe Lucchese, EventJoe 02/23/07
Kevin Lyman, 4 fini 03/30/01
Kevin Lyman, Vans Warped Tour 05/23/12
Bubba Mac, 09/14/07
David Macias, Emergent Music Marketing 06/17/05
Kristen Madsen, Grammy Foundation and MusiCares 11/22/10
Larry Magid, Larry Magid Entertainment 05/04/10
Peter Malkin, PM Management 02/07/03
Toby Mamis, Alive Enterprises 02/12/01
Billy Mann, Green & Bloom | Topl1ne, Manncom 09/18/14
Tasea Margeolas, Multi Entertainment 06/23/06
Tony Margherita, dBpm Records 09/06/11
Bob Roux & Mark Campana, Live Nation 12/20/11
Lee Marshall, Magic Arts & Entertainment 09/13/02
Zach Martin, Radio Producer at New York's WAXQ-FM 08/30/02
Mario Martin, Gorgeous PR 04/27/07
Molly Martinez, Ticket Summit 2008 05/23/08
Paul Mascioli, Mascioli Entertainment 01/14/05
Michael Maska, Big Hassle 01/28/05
Ted Mason, Mi-5 Recordings 11/16/01
Steve Masur, Masur & Associates, LLC 11/21/03
Pam Matthews, The Ryman Auditorium 04/08/05
Terry McBride, Nettwerk Music Group 03/01/10
Michael McCarty, ole 06/20/11
Jim McDonald, McDonald Group 12/19/03
Virginia McEnerney, HeadCount 11/26/07
Doc McGhee, McGhee Entertainment 06/14/10
Camilla McGuinn, Tour Manager 08/24/07
Andy McLean, North By Northeast (NXNE) 04/01/05
Dennis McNally, Grateful Dead historian/publicist 09/06/02
Garry McQuinn, Back Row Productions 06/14/11
Ruthann McTyre, The Rita Benton Music Library; and president of the Music Library Association 08/31/10
Dick McVey, Musician's Referral Service 10/27/07
John Meglen, Concerts West/AEG Live 02/21/13
Dan Melnick, Festival Productions, Inc. 02/22/02
André Ménard, Festival International de Jazz de Montréal 06/12/09
Bob Merlis, Merlis For Hire/Memphis International Records 01/16/04
Doug Merrick, Cumberland Talent Agency and Merrick Music Group 07/21/06
Louis Messina, The Messina Group 10/22/04
Louis Messina, The Messina Group/AEG Live 07/17/09
Louis Jay Meyers, North American Folk Music and Dance Alliance 03/30/07
Louis Jay Meyers, Folk Alliance International 01/23/09
Todd Miller, House Of Blues - New Orleans 11/14/03
Jeff Miller, Fantasma Productions 03/16/07
Ben Miller, Rock Ridge Music 11/02/07
J. B. Miller, Empire Entertainment 08/22/08
Richard Mills, S.L. Feldman 11/02/09
Linda Moran, Songwriters Hall of Fame (SHOF) 04/05/09
Jesse Morreale, Nobody In Particular Presents (NIPP) 09/20/02
Chuck Morris, Live Rocky Mountains 09/28/09
Mo Morrison, Independent production 05/24/02
Nick Moss, Blue Bella Records 11/30/07
Jim Musselman, Appleseed Recordings 04/14/06
Marc Nathan, Flagship Records 07/01/05
David Neilon, Rising Star Promotions 11/30/01
Don Neuen, Star Coaches Inc. 10/10/12
Dennis Newhall, DIG Music 10/07/05
John Nittolo, John Nittolo Productions 04/13/07
Ian Noble, Metropolitan Talent 05/23/03
Josh Norek, JN Media, LLC 07/05/02
David Norman, Tour Manager 04/20/07
Mimi Northcott, Canadian Recording Services (CRS) 04/11/08
Bill Nowlin, Rounder Records 01/05/07
John Nugent, NY JAM Inc. 11/08/02
Andy Nulman, Just For Laughs 11/20/13
Sal Nunziato, NYCD 06/01/01
Bob O'Neal, Ryman Auditorium 06/28/02
Andrea Orbeck, Prehab Health and Fitness 03/15/10
Heather Orser, Toad's Place 01/29/01
Janet Oseroff, MultiMediaProperties 11/18/05
Marc Ostrow, Boosey & Hawkes 12/05/08
Riley O’Connor, Live Nation Canada 07/24/09
Jeremy Palmer, Buddy Lee Attractions 11/02/01
John Palmer, Megawave Records 08/31/07
Panos Panay, Sonicbids 12/23/05
Julien Paquin, Paquin Artists Agency 04/30/14
Crispin Parry, British Underground 02/24/08
Donald Passman, Gang, Tyre, Ramer & Brown 04/09/10
Bruce Patron, Overland Entertainment 07/28/06
Alexandra Patsavas, Chop Shop Music 09/27/11
Cheryl Pawelski, Omnivore Entertainment Group 09/26/13
Kerry Peace, Alligator Records 08/18/06
Eric Peltoniemi, Red House Records 12/14/09
Scott Perry, Sperry Media 03/11/05
Lawrence Peryer, Jr., 23 Omnimedia 11/07/08
John Peters, MassConcerts 06/07/11
Holger Petersen, Stony Plain Records 04/15/05
Jon Phillips, Silverback Professional Artist Mgmt/Controlled Substance Sound 08/29/08
Vince Pileggi, Music Inc./Music Inc. Sounds 12/01/06
Eric Pirritt, Endit! Presents / The Fox Theatre 10/17/03
Neil Portnow, The Recording Academy 02/08/11
Louis Posen, Hopeless Records 04/04/11
Stephen Posen, Estate of Glenn Gould 01/23/13
Nadia Prescher, Madison House 06/20/03
Jeff Price, TuneCore 02/28/11
Tom Principato, Powerhouse Records 02/01/08
Roger Probert, Core Records 12/08/06
John "Grinder" Procaccini, JP Squared (JP2) 01/17/03
Mark Pucci, Independent Music Publicist 09/09/05
David Pullman, The Pullman Group 11/03/00
Rod Quinton, Saigon Sound System 04/18/11
Dolphus Ramseur, Ramseur Records 10/19/07
Jack Randall, Ted Kurland Associates 04/05/02
Debra Rathwell, AEG Live 05/03/13
Jeff Ravitz, Visual Terrain 02/08/08
Rich Rees, M.P.I. Talent Agency 09/19/08
John Reese, Freeze Artist Management 08/01/08
Bill Reeves, WRIII, Inc. 10/20/06
Stephen Rehage, Rehage Entertainment 07/30/04
Lisa Reiss, Pearl Productions 08/17/07
Salaam Remi, Composer, producer, musician and label executive. 01/08/14
David Renzer, Universal Music Publishing Group 08/23/09
Alison Richard, Universal Orlando Resort 05/06/05
Kelli Richards, The All Access Group 02/07/12
Gary Richards, HARD Events 08/29/13
Sam Righi, Waterfront Entertainment Group 05/30/03
Jon Rinaldo, Joker Productions 01/02/04
Geary Rindels, Geary Rindels Enterprises, Inc. 12/05/03
Doreen Ringer Ross, BMI 01/18/08
Lisette Rioux, Island Def Jam Music Group 05/16/03
Dave Roberge, Everfine Records & Everfine Artist Management 12/03/04
Sandy Roberton, Worlds End Producer Management 02/20/09
Ty Roberts, Gracenote 01/31/12
Bill Rogers, BRE Presents 07/13/07
Ian Rogers, Topspin Media 06/01/10
Benji Rogers, PledgeMusic 12/19/13
Dave Rose, Deep South Entertainment 09/15/06
Eric Rosen, Ronald S. Bienstock & Associates 05/25/01
Stuart Ross, The Ross Group 02/23/01
David Ross, President IAAM; Director, Show Me Center 09/23/05
Bobby Rossi, Ruth Eckerd Hall 02/28/03
Michael Rothschild, Landslide Records 04/29/05
Robert Rowland, Red Entertainment 06/13/08
Bill Royston, Mt. Hood Jazz Festival 03/07/03
John Rudolph, Bug Music 05/24/10
Elizabeth Rush, E.R.A. / Elizabeth Rush Agency 08/20/04
Aran Rush, Expo and Foro Imperial 02/16/07
Maurice Russell, Harry Fox Agency 10/21/05
Barron Ruth, Skyline Music 02/14/03
Andrea Sabata, Skyline Music 01/07/05
Numa Saisselin, Count Basie Theatre, Inc. 02/04/05
Ron Sakamoto, Gold & Gold Productions 01/16/10
David Salidor, dis Company 07/20/07
Shaw Saltzberg, S. L. Feldman and Associates 06/21/10
Bruce Allen & Sam Feldman, A&F Music 12/19/08
Mark Samuels, Basin Street Records 06/11/04
Tamara Saviano, American Roots Publishing 07/22/05
Michael Scafuto, Mountain High Entertainment 12/07/01
Steve Schankman, Contemporary Productions 12/21/01
Steve Scharf, Carlin America 10/11/02
John Scher, Metropolitan Talent 11/21/08
Al Schmitt, Producer/Engineer 02/13/10
Bobby Schneider, Tour Coordinator, Third Eye Blind 01/31/03
Jake Schneider, Madison House 04/02/14
Steven Schnur, EA Music Group 07/03/13
Elaine Schock, Shock Ink 02/19/10
Stacy Schott, Mad Booking and Events 08/22/03
Daylle Schwartz, Revenge Productions 08/19/05
Dean Sciarra, ItsAboutMusic.com 11/26/04
Joel Selvin, Author and Journalist 08/07/14
Jay Sendyk, Sendyk, Leonard & Company, Inc. 05/03/02
Peter Shapiro, Ideal Entertainment 04/16/04
Seth Sheck, Access Pass & Design 01/03/03
Jay Sieleman, The Blues Foundation 07/18/03
Anya Siglin, The Ark 03/05/10
Bill Silva, Bill Silva Entertainment 10/19/10
Tom Silverman, Tommy Boy Entertainment 03/06/12
Steve Simon, Clear Channel Communications 05/14/04
Ralph Simon, Live Earth 07/06/07
Ralph Simon, Mobilium 04/12/11
Michael Simon, The Harry Fox Agency 08/14/13
Ron Simpson, RCS Productions 01/11/08
John Simson, SoundExchange 07/15/05
Dion Singer, Warner Bros. 12/07/09
Gram Slaton, The Community Arts Center 02/25/05
Owen Sloane, Gladstone Michel Weisberg Willner & Sloane 10/11/10
Peter Smidt, Eurosonic Noorderslag & manager Buma Cultuur 07/17/13
Mike Snider, Paradigm Talent Agency Nashville 05/17/11
Andrew Snowhite, Musictoday 05/04/01
Bruce Solar, The Agency Group 05/14/14
Michael Solomon, Brick Wall Management 05/25/07
Mark Sonder, Mark Sonder Productions 07/25/08
Steve Sonnier, UIC Pavilion at the University of Illinois, Chicago 09/03/04
Kathy Spanberger, peermusic 06/20/12
Carolyn Specht, CIE USA Entertainment Inc. and OCESA PRESENTS Inc. 03/26/04
David Spelman, New York Guitar Festival 10/01/04
Jason Spiewak, Rock Ridge Music 04/07/06
Dan Steinberg, Square Peg Concerts 11/29/12
Dan Steinberg, Square Peg Concerts 02/18/05
Jeremy Stephan, Ventures, LLC 04/23/04
Walter Stewart, Mars Talent Agency 02/21/03
Gail Stocker, Gail Stocker Presents 11/12/04
Jon Stoll, Fantasma Productions 10/13/00
Jesse Stoll, AEG 06/27/09
Henry Stone, Henry Stone Music 06/24/05
Jason Stone, Live Nation New York 03/31/06
Howard Stovall, Resource Entertainment Group 05/28/04
Cameron Strang, New West Records 10/18/02
Don Strasburg, AEG Live Rocky Mountains 02/27/09
Barbara Strauss, Sovereign Ventures 05/12/06
Richard Stumpf, Cherry Lane Publishing 08/07/06
Patrick Sullivan, RightsFlow 10/25/11
Bernie Swain & Harry Rhodes, Jr., Washington Speakers Bureau 12/07/00
Dean Swett, Paramour Group 06/14/02
Jake Szufnarowski, Rocks Off 05/02/08
Marc Tanner, Chime Entertainment 12/22/06
Donald Tarlton, The Donald K Donald Group 04/12/02
Tess Taylor, Los Angeles Music Network 08/09/02
Race Taylor, WPLJ - New York 10/27/06
Race Taylor, WPLJ - New York 10/27/06
Chris Taylor, Taylor 03/15/09
Peter Tempkins, DeWitt Stern Group 03/16/01
Peter Tempkins, Momentous Insurance Brokerage 03/27/09
Lisa Tenner, Tenner & Associates (EAT'M) 08/06/01
Jeremy Tepper, Diesel Only Records 10/10/03
Allan Tepper, Bicycle Music Company 09/28/07
Martin Terefe, Kensaltown Studios 05/31/11
Milun Tesovic, MetroLeap Media 10/18/09
Jerry Thompson, Promoter Line Inc. 03/05/04
Jose Tillan, MTV Networks Latin America 12/02/05
Jon Tiven, Hormone Studios 08/05/05
John "J.T." Toomey, 25/8 Management 11/15/11
Livia Tortella, Warner Bros. Records 01/10/12
Phil Tripp, IMMEDIA! 01/19/06
Claudio Trotta, Barley Arts Promotion 11/26/01
Chris Tsakalakis, StubHub 01/11/10
Ben Turner, Graphite Media 05/10/10
Steve Vai, Favored Nations Entertainment 04/26/02
John Valentino, Fantasma Productions 04/18/03
John Valentino, AEG Live SE 11/01/10
Don Van Cleave, Coalition of Independent Music Stores 04/09/04
Casey Verbeck, Partners in Music 06/06/03
David "Boche" Viecelli, The Billions Corporation 04/18/10
Ray Waddell, Billboard Magazine 08/27/04
Rob Waggener, Foundations Recovery Network 03/07/11
Jim Walczak, Racine Civic Centre 06/03/05
Jeff Walker, The AristoMedia Group 08/16/10
Carla Wallace, Big Yellow Dog Music 11/04/05
Russell Wallach, Live Nation Network 03/20/12
Steve Walter, The Cutting Room 10/24/08
Neil Warnock, The Agency Group 05/02/09
Diane Warren, Realsongs 08/14/09
Butch Waugh, RCA Label Group Nashville 01/10/03
Lauren Wayne, The State Theatre 05/09/12
Ken Weinstein, Big Hassle Media 04/22/05
Bruce Weinstein, Bethel Woods Center for the Arts 02/15/08
Larry Weintraub, Fanscape 05/18/01
Pam Weiser, Momentous Insurance Brokerage 10/11/11
Kevin Welk, Welk Music Group 01/24/12
D-J Wendt, Dmand Management 05/09/08
Alison Wenham, Worldwide Independent Network 02/13/09
Bill Werde, Billboard 08/03/11
Joel Whitburn, Record Research 11/13/09
Judd White, Tour Manager/Accountant 02/13/04
Jeff White, In Ticketing 12/16/06
Fenton Williams, 04/04/08
Del Williams, Right Arm Entertainment 04/18/08
Bryan "Birdman" Williams, Cash Money Records 09/13/11
Paul Williams, ASCAP 10/19/11
J.P. Williams, Parallel Entertainment 10/03/12
Kurt Willms, Green Room Productions 09/20/03
Chris Wilson, Heartbeat Records 03/02/07
Tony Wilson, Factory Records/In The City 06/01/07
Tom Windish, The Windish Agency 07/26/10
John Wiseman, XL Touring Video 05/05/06
Thom Wolke, Twincloud.com 02/08/02
Michael Wood, City Lights Entertainment 08/08/08
Nigel Wright, Independant Record Producer 11/07/03
Dusty Wright, CultureCatch.com 07/27/07
Jeremiah “Ice” Younossi, A-List Talent 09/20/09
Gail Zappa, The Zappa Family Trust 10/02/14
Ron Zeelens, RAZco Visas 04/20/01
Rick Zeiler, Sidney Frank Importing Company 06/04/04
Danny Zelisko, Live Nation 06/19/09
Hillary Zuckerberg, Brick Wall Management. 07/09/04
Steve Zuckerman, Global Entertainment and Media Summit 03/22/02
Paul Zullo, Muze 01/23/04
Nanette Zumwalt, Hired Power 02/03/06

.

Return to front page of ENCORE



© 2001-2014 Gen-Den Corporation. All rights reserved.
CelebrityAccessSM and Gen-DenSM are service marks of Gen-Den Corporation.

** ENCORE readers and those that utilize ENCORE features are bound by the ENCORE NEWSLETTER USE AGREEMENT. If you choose not to be bound by this agreement, please discard the e-mail and notify us of your desire to be removed from future mailings. **