Industry Profile: Rob Waggener
By Larry LeBlanc (CelebrityAccess MediaWire)
This week In the Hot Seat with Larry LeBlanc: Rob Waggener, CEO, Foundations Recovery Network.
Those inside the music industry—artists managers, agents, label executives, publishers, roadies, lawyers and others—are likely acquainted or linked to someone fighting their demons amidst a drug and alcohol-fueled world.
The list of artists known to have fought (or who are still fighting) drug and/or alcohol addiction over the years includes: Mary J. Blige, Eric Clapton, Bonnie Raitt, James Taylor, Elton John, Steve Earle, Natalie Cole, Ozzy Osbourne, Dr. John, Courtney Love, Whitney Houston, Jo Dee Messina, Mindy McCready, Ty Herndon, Scott Weiland, Wilco’s Jeff Tweedy, Red Hot Chili Peppers’ Anthony Kiedis, and members of Aerosmith.
Many of these artists have publicly dealt with their addictions or have gone public with their sobriety. At the same time, communication about the dangers of addiction has greatly improved, and rehab facilities themselves have become more effective.
A conference “Power, Fame and Recovery—Addiction, Health and Wellness in the Public Eye” will take place at The Breakers Palm Beach in Palm Beach, Florida, Sept. 26-29, 2011 that will explore the unique implications of power and fame in the struggle for lasting recovery.
Organized by the Foundations Recovery Network (FRN), the conference will give treatment providers and professionals the opportunity to share clinical, legal/ethical and programmatic ideas, challenges and solutions.
It is hoped that conference participants will gain insight into enhancing the quality of care in serving this unique celebrity population.
Founded in 1995, FRN is an integrated dual diagnosis treatment, research and education company with treatment facilities in Memphis, Malibu, Sausalito, and Palm Springs, California. FRN offers a continuum of care for those battling with co-occurring disorders, including outpatient services, vocational rehabilitation and residential programs.
Rob Waggener, CEO of FRN, has his office in Brentwood, Tennessee. He is a licensed clinical social worker, and is a diplomat in the American College of Healthcare Executives.
Prior to joining FRN in 2009, Waggener was with the Lakeside Behavioral Health System in Memphis for 13 years. He was the CEO there for his last nine years of service.
Under Waggener's leadership, Lakeside became one of the largest and most profitable psychiatric health systems in the United States, and received numerous local, state and company awards for quality, innovation and overall performance.
During his tenure, Waggener expanded psychiatric service lines to include geriatric services, ECT, child and adolescent partial hospital and intensive outpatient services, dual diagnosis treatment for adults, mobile crisis services, and managed units in medical hospitals. He also developed and implemented the Lakeside Psychiatric Triage service for Memphis/Shelby County.
As well, under Waggener’s leadership, Lakeside and Southeast Mental Health Center created a for-profit/not-for-profit joint venture hospital called Community Behavioral Health, designed to fill a gap in private, largely Medicaid-funded inpatient services in downtown Memphis.
FRN offers clients an integrated, personalized treatment that combines mental health and addiction treatment approaches, and places emphasis on engaging the client in the process of change. Its treatment program incorporates the traditional 12-step philosophy while utilizing motivational interviewing techniques.
At FRN, clients are encouraged to determine the pace, goals and course of their treatment. They are treated as partners in, rather than subjects of, the recovery process.
Do you have many clients that are celebrities?
Oh yeah, tons. We have sports figures, politicians, and musical people all of the time. You would certainly know their names.
Are people in the entertainment field with addictions that different from people from other walks of life?
Oh, my goodness yes, for a couple of reasons. People in the entertainment business would be considered in the same bracket with other high-profile people. This generally means that they have the means, and the resources to access illicit substances faster and easier than anybody else. So, all of the normal barriers are gone. They generally also have more money. They have easier and quicker access than, say, the common man. They are surrounded by substances. Whether they have money or not, everybody that they hang out with does.
So that’s the first reason.
There’s a scripture (passage) in Matthew (Matthew 19:24) that says “It’s easier for a camel to go through the eye of a needle than for a rich man to enter the kingdom of God.” And that is absolutely the same dynamic with a person who has celebrity because there are so many more barriers to acceptance (of addiction) to them.
The rich man—the person of celebrity, the person with fame, and the person of wealth—comes with such a sense of entitlement, that their level of acceptance (of addiction)…well, there’s not much of a rock bottom for them. They never really reach that place of desperation, and need to be able to reach out and say, “I really need help.” They are surrounded by people who are enabling them, and who are co-dependents themselves. They have money. They have access (to drugs and alcohol) and it is just incredibly difficult to get them sober, and keep them sober.
An artist may be surrounded by people enabling them in their addictions. They are also within a culture that is not only supportive of addiction, it’s as if there is a demand for it, like it’s part of the credibility package of being a rebel artist.
You are right in using the term enabling. In other words, it is certainly part of the social fabric of being in the entertainment business. Drugs are certainly more accepted as part of the social fabric.
Alcohol and drug abuse are often tolerated in the entertainment world until bad behavior starts costing money.
That’s exactly right. You use the world “enabling” and I would combine the word with another word, “co-dependents.” You take a group of people (an entourage) who have their own interests, but they are also there to put the interests of the person who is struggling with addiction ahead of their own. They are there to put someone else’s interests ahead of their own, and it’s in their best interests if they keep it going. They keep their jobs. The entourage stays together. There’s a great deal of loyalty, but also secrecy, with being part of an entourage. And, it really is in the best interest of the entourage in keeping the group together to keep the dysfunction rolling.
Well, everybody around the artist has a financial stake to protect.
There’s no question that there is a financial stake. Let’s call the artist “the enterprise.” The artist is the enterprise. So there is certainly a financial stake in keeping them rolling. You are seeing that in the television business right now. There are folks who want to keep (artists) rolling and keep them as close to compliance with their contracts so they can get paid, and they keep the enterprise rolling.
It’s still very hard for a celebrity to go public about their addiction if they are a private person.
That certainly is the last great barrier for someone who has fame—to seek recovery when they live their lives in the public eye. There’s very little, if anything, that is private about their life or about their recovery. The research indicates that most people who struggle with sobriety are going to relapse. The difference between you and me relapsing is that the paparazzi aren’t chasing us down, and waiting for us to do it.
Pop singer Britney Spears inspired Gwyneth Paltrow's character in the recent country drama film “Country Strong.”
My heart goes out to Britney Spears. My heart goes out to people who have got such incredible celebrity because there is no way that they can live their lives with the privacy that they need to struggle.
(The road to recovery) is a blessing and a curse. Here’s the blessing part—the blessing part is that despite all of the negative press around celebrities that struggle, the reality is that it is now cool to go to rehab. In some ways, it has actually reduced the (addiction) stigma. There are songs now about going to rehab. Everybody is talking about going to rehab. So, to an extent, it is not such a bad thing. But, it has become much, much worse for the celebrity because they absolutely can find no peace, and no respite to have a reasonably healthy struggle (with their addiction), like the rest of us do.
[In “Country Strong” Gwyneth Paltrow portrays country singer Kelly Canter who, after a drunken onstage fall that causes her to suffer a miscarriage, sinks into a haze of depression and substance abuse. Directed and written by Shana Feste, “Country Strong” was filmed on location in and around Nashville. Many of the extras and background performers are musicians, technicians and reporters who work in Nashville.]
Country music is full of stories of drug and alcohol escapades, and abuse. Nashville has had an addiction problem for years.
I think that’s right. You backed off from saying a drug problem, and you said “addiction problem” because certainly in the country music world, alcohol has been the drug of choice for many years. What’s happening now is that while alcohol is certainly still a major drug of choice, the biggest trend is the use of opiates, in particular, prescription drug abuse.
Everybody now has begun to lean toward concierge docs. Artists on the road are blowing and going; and they don’t have time to make a doctor and dentist appointment, like the rest of us do, so they have concierge docs. So the access to prescription drugs is fast and easy and (prescription drug are) as addictive as the opiates.
An artist, however, can say, “It must be okay, the doctor prescribed it. He wouldn’t do anything to hurt me.” This isn’t like going to a back alley for drugs. It is legal.
I think that is true. I would say that the means of how that they get the substance doesn’t carry the stigma as bad as walking through an alley, but the addiction is exactly the same. The addiction doesn’t care. The addiction does not discriminate by social class, by place, by an alley or a prescription. The addiction is exactly the same. That is one more barrier that is now gone which is a stigma barrier. They have a doctor that says, “You have been working hard. You have been driving yourself hard. You really need to get some decent sleep so we’re going to get you some sleeping pills.” So that begins the (addiction) process right there.
A doctor on the road with an artist can just write out a prescription or pull drugs out of his black bag.
Take it all the way back to Elvis Presley. I would say with the touring business more than anything that there is no normal life. There’s not. So having doctors with an artist is kind of (an artist’s) only choice. But it’s back to that whole dynamic of enabling and co-dependency. The doctor, in that situation—it’s so seductive (for them to prescribe) because they have a total vested interest in keeping the enterprise going.
Public sensibilities have changed regarding alcoholics and public drunkenness. Foster Brooks or Oscar Levant playing lovable drunks, that behavior isn’t tolerated these days.
I agree with you. I would say that the level of social acceptance and public visibility of addiction—alcohol or drugs—has certainly changed over time. I think that comes with a level of awareness, and with public education. When we grew up, everybody smoked, everywhere. You smoked at work. You smoked on planes. As the public began to get educated, and found out just how destructive and socially unacceptable smoking was, it was pushed to the peripheral. So I think that would be the same with (drug) addiction in the public purview, in entertainment and everywhere else. It is just not socially acceptable.
The acceptability of alcoholism also differs in cultures.
It is very cultural. I don’t know if you call it social acceptance or social denial, but you are absolutely right. Britain, and the rest of Europe, are 30 years behind the U.S., just in terms of their level of acceptance of the destruction of addiction.
Is there a difference between drug and alcohol addiction? Is one of them genetic?
Boy, that’s a fair question. Certainly, in the dynamic of addiction, there is no distinction between true addiction that is genetic. It certainly has been proven that there is a genetic predisposition to addiction. Does that mean people that don’t have a predisposition won’t get addicted? Absolutely not. That is the problem with prescription drugs. The opiates and other prescription drugs are so highly addictive by their nature that they can take someone, who has no genetic predisposing toward addiction, and can totally change their lives.
The addiction can quickly sneak up on them.
Absolutely. That is why it’s such an incredible demon.
Alarm bells generally ring about an artist if they don’t make a show or if they cancel a tour. What early signs of addiction should others be looking at before a four-bell alarm goes off?
I would say that the alarm bells are the same alarm bells for the rest of us. In that they begin to show risky behavior, and then there is an inability to hear and accept friendly advice.
Give me some examples of risky behavior.
Risky behavior would be if there was suddenly a dramatic change in their behavior. If historically, they had a reasonable pattern of fairly committed relationships versus they want to have sex with everything in sight, any time, day or night.
For most people, if they commit to a contract, then they are generally going to keep to the contract.
So risky behavior would be beginning to push the bounds of reasonable behavior to what they have committed to. That’s a legal contract. That’s a touring contract. That suddenly their commitments don’t matter to them at all anymore. They really don’t care about the consequences or about the impact on other people.
Do they feel invulnerable or they just don’t care?
Some of both. I hate to stereotype, but I will say that you have certainly seen people change over time when they gain celebrity, wealth and power. Those dynamics by themselves have the potential to certainly change someone.
I would say that the developmental pattern of someone moving through newly acquired power, fame or wealth is not unlike all of us growing up into adolescence, and then going away to college. Suddenly, we have newfound friends. It is a fairly typical normal developmental pattern where people are going to sow their oats and they are going to test the waters. I would say that’s normal. Unfortunately, during the process, they very often discover their addictions. That’s where things change. Suddenly, they not only have power, fame and wealth, they have the access and the resources, and now they have the addiction as well.
So that’s probably the biggest difference between people in the public eye versus the rest of us.
If they have shown risky behavior their entire lives then they probably need psychiatric help as well.
The vast majority do. I would say to you, show me anyone who is struggling with addiction that doesn’t have some kind of co-occurring problem going on—whether that is depression, anxiety, bi-polar, psychiatric trauma, shame, you name it. I will give you the research, but I can also tell you anecdotally doing this work for 25 years that every addict I’ve ever dealt with had some significant co-occurring issues that they really needed to have treated at the same time.
What can you say to those parents with kids entering the music business? What can you say to them about the pit falls?
Oh my goodness. What I can say is that your children are about to enter an environment where access to drugs—call it fast living—is simply part of the social fabric. I pray that your child will never fall into needing to struggle with addiction. What I can tell you is that your child is going to need more support, supervision, limit setting, and parenting than any other child around you.
Your job is to be loving, accepting, supporting, but also to be a parent up until your child is a young adult. You then still continue to be a parent, but you are losing leverage. So I hope that you have earned their respect. I hope that you have earned their regard so when they turn to you for help, or if they need it, that you are there with a loving hand.
I don’t know what else to tell them. I would never tell them, “You know what, don’t (let your kid go into the music business). Don’t squelch their creativity, and run from the entertainment business. God knows that you don’t want to do that. Your kid is your kid, but you are the parent and your job just went up 300%. Are you ready for that?”
The artists I’ve seen struggling with fame are often people where their families aren’t a big part of their lives. Those people I see that are centered are those with a family around them.
In that regard, I would say that there is not a lot of difference between “normal” people, and people of fame. Certainly, families that are supportive and generally have healthy relationships, their kids are less likely to struggle with addiction. I don’t care whether that is the entertainment business or stock brokers or coaches or teachers. There is not a lot of difference there. I would say that it becomes more pronounced when you lay on power, fame and wealth. The problems become more pronounced. Now the opposite also applies. You can have the healthiest families in the world, but that doesn’t mean that kids aren’t going to struggle with addiction because it’s such a genetic problem.
An artist fighting with a parent might be able to say, “The best you did in your life was $45,000 a year. I grossed $5 million last year. Who’s right here about my life?”
Yeah. That’s back to that sense of entitlement, and just sheer narcissism.
You probably have to be narcissistic to be onstage.
To some extent you do. You certainly have to have an intact ego to get up there. So you are right. That is certainly another factor. Successful people tend to have a high propensity toward the driven disorders, including bi-polar which is manic. Tons of energy. Tons of drive can also often reflect some mental disturbance that can also be a challenge as well when they face addiction.
Those traits are also necessary if you want to succeed.
Certainly, they are sought after traits from time to time.
Does FRN have both outpatient and inpatient care?
We have both inpatient and outpatient. We also do large, national conferences which are part of our mission to educate people (about addiction). This conference (“Power, Fame and Recovery—Addiction, Health and Wellness in the Public Eye”) is a timely conference for us because with addiction and celebrity, everything is out in the public eye, but we haven’t come together as an industry or with people who are in recovery who are celebrities, and compared notes to say what is working, and what is not working.
How are costs of treatment at FRN covered?
I have 147 beds company wide, and 90% of my business is private insurance.
Under President Obama’s new health care bill, young adults can now access their parents’ health insurance up until they turn 26.
The research out there is that there are 23 million people who need addiction treatment, and only three million people get it. Usually, the difference is related to simple access. People don’t have the resources to pay for treatment. There are people who want it, but can’t get it or pay for it. This move alone is going to give 1.2 million more people access to treatment. That young adult population, by the way, is my biggest chunk of my current patient base. Some 65% of my current patient base is under the age of 34.
What are the differences of treatment at FRN for inpatient and outpatient? At what stage would you want a patient to stay in residence?
Most people whose lives have become unmanageable—their life is completely out of control—the research shows that they need to step out of their home environment for at least 90 days. Now there’s a reality factor there. The reality factor is that most people can’t afford to be out of their home environment for 90 days. But that’s what the research is. Now that doesn‘t mean that they need to be in a locked up 24 hour ward for 90 days. It just means that they need a total change of pace away from their home environment for 90 days.
So most people, who are struggling with addiction, will start with some kind of residential inpatient episode and they may step down to outpatient. In that situation, outpatient is a great way to practice the skills they have learned being in this safe and protective environment. Residential treatment is not reality. We want to give people an opportunity to practice some of the recovery and living skills that they gained while they were in treatment without totally cutting them loose, and putting them back on the road.
Do people come to you knowing they need help?
Part of what makes us different is that we really pay attention to someone’s readiness for change. That’s the other thing that has changed. The historic days of addiction treatment was that folks can only get help if they asked for it. Well, that reality has changed. A variety of people—spouses, managers, and lawyers—are demanding that these people change, and seek help or treatment. Should the people in the treatment industry turn them away and say, “No. They aren’t ready. They haven’t asked for help, yet.” The reality is that we have to take people at every opportunity that we can get them.
Recovery is not monolithic. It comes to everyone differently. So people in your care have to figure out the pace and the goals of their treatment. Is that an important goal?
Very much so.
Why is that so important?
The research shows that someone can only find lasting and sustainable change when they have reached a level of personal acceptance. I will qualify that back to the very beginning of treatment. Does that mean that we require them to come in with a level of acceptance? No. What the research has shown is that if you use the right kind of engagement, the right kind of tools to engage and build a trusting relationship between you the professional, and them the patient, then you can help them find their own point of change even though they believe they don’t have a problem.
You make them a partner in their own recovery?
That’s exactly right. Here’s a typical scenario for me. I get patients who come in and basically their response to me in the assessment process is, “I don’t have a problem. I just have to get my family off my back.” Generally, my response is, “That’s a great goal. How about I help you get your family off your back?” They are generally totally blown away by that response because they are expecting me to say, “Clearly, you are in denial. Of course, you have a drug problem. By the way, here’s step one (toward recovery), and if you fill it out, and bring it to the meeting on Friday, and you do an honest job of it, I will let you step up a level.” He’s sitting there thinking, “Screw you. I don’t even have a problem. Why would I ever do step one”?
You meet with people then whether there’s a readiness for change or not, and you basically go with it.
I say, “Okay, let’s work on getting your family off of your back. Let’s talk about how we are going to do that. What are your thoughts?” Over the course of even the first week sometimes, having them in what we call the milieu—having them in the community—generally the community is more effective in making changes than I am because they are looking around and they are starting to see themselves in everybody else around them. The people around them are saying, “Dude, I said the same thing when I came in. Let me tell you about me.” And they tell their stories, and they begin to connect (with others). A week or two weeks into (treatment) they go, “I really do have a problem.” I go, “Really? Holy smoke.”
It is frustrating that there’s been so little research into alcohol addiction over the years.
Very little. So much has grown up out of legend. Not bad legend. It is still good legend. But there’s a legend, for example, of 28 day treatment. Well, everybody signed off on that, and said, “It’s a 28 day treatment.” Where that came from originally was from the military. The military would allow 30 days treatment (for a soldier) to get alcohol treatment. One day for travel, 28 days for treatment and one day to get back. That’s where that came from. But there’s really no research basis to it.
The 12-step philosophy is traditional in addiction treatment. FRN uses it.
It is very much traditional. Still, there’s not a lot of research. In fact, the research shows that the 12-steps are not absolutely necessary. Certainly people have become sober without the 12-steps. What we have found through our history, through the model, and the research that we did, was that the 12-steps is an incredibly valuable tool. It may not be for everybody. We don’t force everybody to do all of the same things. But, from a social and a spiritual aspect, the 12-steps are invaluable.
Is one of the reasons that 12-steps is invaluable because it places people with addictions with others with addictions in a support group?
I think that there could be an argument that you could get community and like-minded people in other ways than going through the 12-steps. I would say that what the 12-steps does do, particularly with people with power, fame and celebrity, it challenges them to step outside themselves. And it’s a spiritual experience. That is a spiritual journey. The 12-steps are an incredible powerful spiritual journey outside of themselves looking back in. It’s self-examination. Not only looking at themselves from the outside, but also how have they affected those around them.
So it’s a powerful spiritual tool that also has the social aspect as well because most people have to find a new social support system. They generally have to walk away from their entourage, and find a new entourage.
[Most substance abuse treatment programs in the United States seek to involve clients in 12-step programs, such as Alcoholics Anonymous, and Narcotics Anonymous. By providing continuing support and structure, these programs serve to assist in the development of sober social support systems, and ultimately reduce rates of relapse. Studies of 12-step meeting attendance have further supported the idea that individuals who attend, and become involved in meetings, maintain abstinence from alcohol and drug use. Similar benefits of 12-step attendance have also been found for individuals with co-occurring disorders.]
Your current patients meet alumnae of FRN programs. That must be a very powerful tool.
Very, very much so. That’s kind of the beauty of having your rookies and your veterans. Beginners and folks that are advanced—in particular, folks that have now been out in the community and sober for 3, 4, 5 or 10 years—coming back and telling their stories. It’s like, “You may think that I’m successful, but let me tell you what I was like 10 years ago.”
More than 50% of those who abuse drugs are believed to have at least one significant mental illness as well. More than 35% of alcoholics have at least one mental illness. Almost a third of all individuals with a mental illness also have a substance abuse problem.
We deal with the whole package. That is part of why we have better outcomes. But it’s not cheap, and it is intensive work. It is very intensive.
Another unique dynamic in the public eye and entertainment is that we now know a lot more about the dynamics of psychological trauma.
We have been able to distinguish two types of trauma. One is incident-related which would be with people in the military or first responders, police, and fireman.
What we are also finding is a dramatic group of people who have shame-based trauma which has a very similar effect on their psychological well-being. If you think about people who have had public breakdown, imagine the amount of shame that comes with that. What it does is that it perpetuates the disease because they are constantly, and frequently shamed. They may not actually qualify it that way themselves, but when they reach recovery after a few years and they reflect back, they are still struggling with the shame of the public meltdown.
You see veteran artists struggling with shame when they lose the public spotlight. Their records stop selling, they can’t work, and they may have health issues. Country star Faron Young killed himself in 1996. He apparently felt the music industry had turned its back on him. That, and despondency over his deteriorating health, were cited as possible reasons why he shot himself.
The people who can manage wealth, power and fame are people who, even in the midst of it all, maintain a balance of life. (What happened there) is like what you saw with Wall Street brokers during the Depression. Their entire life and their entire identity was being successful on Wall Street so when everything crashed, they jumped out of the window. The same thing happens with celebrities. The point where their celebrity status becomes their entire life—their entire identity with nothing else—when it’s gone, they have nothing left.
The loss of celebrity is difficult for many artists.
There is an incredible need to maintain a balance of life. Another thing that we are going to talk about at the conference is being on the road, and in the midst of your celebrity status, what are the important things to remember to maintain a balanced life? Because (fame) will be short-lived. Hopefully, you are a Dolly Parton who has had an incredible career, who is famous and doing movies, and (recording) songs even today. She is an amazing woman. But I will tell you, that woman has a balanced life. She’s one of those rare people. She’s a great life example to follow. She’s a hero.
You grew up in Hendersonville which is close to Nashville.
I grew up with Johnny Cash, Roy Orbison, and the Mandrells, and going to school with Conway Twitty’s son and Johnny’s son. We relocated to Memphis later for my wife to go to dental school. She’s a dentist.
Were your parents in entertainment?
No, not at all. I grew up a preacher’s kid. My dad was a preacher—a Southern Baptist—and my mom was a teacher. She taught public school. My dad was the most non-Southern Baptist I’ve ever met.
Where did you go to school?
The University of Tennessee, the social work branch in Nashville (the University of Tennessee College of Social Work) for a M.S.S.W. (Master’s of Science in Social Work).
[The Master of Science in Social Work program at the University of Tennessee College of Social Work is the first and oldest graduate social work program in the state of Tennessee. Founded in 1942, it has been accredited continuously since 1945. The M.S.S.W. program provides concentrations in clinical social work practice and social welfare management and community practice.]
Why did you decide to change jobs in 2009 and come to FRN after 13 years with the Lakeside Behavioral Health System?
They were great employer. I was there almost 14 years, and I was CEO for nine years. It was a great run. I ran it up until the point where I looked around and thought, “What am I doing here? This isn’t why I went into social work.” So I joined this company (FRN). It was then a small, struggling company that had a fantastic product, and also a great business platform with a great opportunity for growth. So there was a self-serving component in there as well. I could exercise my passions and potentially have some ownership too, which I do.
You are a licensed clinical social worker.
You don’t go into social work for the power or the money or the status. You go into social work because you want to serve people, and my driving passion is to meet the needs of people. For my entire life, that’s what has driven me. When I went into social work, my first job was in Nashville’s inter-city in the housing projects, working with kids and their families. Very early on, I discovered that my gift is on a macro level of change, not on a micro level. Not necessarily on a one-to-one—though I was pretty good at it—but identifying gaps and services, finding ways to create new services, finding ways to pay for them, and then meeting the need. So I’m a macro level change social worker. That led me into my career, which is starting and running programs.
Larry LeBlanc is widely recognized as one of the leading music industry journalists in the world. Before joining CelebrityAccess in 2008 as senior editor, he was the Canadian bureau chief of Billboard from 1991-2007 and Canadian editor of Record World from 1970-89. He was also a co-founder of the late Canadian music trade, The Record. He has been quoted on music industry issues in hundreds of publications including Time, Forbes, and the London Times. He is co-author of the book “Music From Far And Wide: Celebrating 40 Years Of The Juno Awards.”
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Barry Bergman, Music Managers Forum 03/14/03
Steve Bernstein, Relix LLC 09/30/05
Mark Berry, Attack Media Group 04/07/07
Scott Billington, Rounder Records 01/17/12
Jeffrey Bischoff, Cinder Block 03/24/06
Sat Bisla, A&R Worldwide/ Musexpo 03/29/10
Nina Blackwood, Sirius Satellite Radio 07/14/06
Adam Block, Legacy Recordings 11/07/13
P.J. Bloom, Neophonic, Inc. 01/24/11
Rishon Blumberg, Brick Wall Management 06/27/03
Justin Bolognino, Learned Evolution, and The Meta Agency 04/25/13
Steve "Chopper" Borges, Total Pro and Borse Techos 03/03/06
Les Borsai, Mediocre Management 01/30/04
Shane Bourbonnais, Live Nation Canada 03/21/08
Jeff Bowen, Sears Centre Arena 03/13/08
Rick Bowen, Mystic Music Experience 07/11/08
John Boyle, Sanctuary Music Group 03/19/04
Jeff & Todd Brabec, Writers/Attorneys 01/03/12
Bill Bragin, Joe's Pub at the Public Theater 08/08/03
Joel Brandes, Avenue Management Group 11/02/08
Joe Brandmeier, Moving Pictures 03/15/02
Scooter Braun, SB Projects 12/13/10
Ron Brice, 3rd & Lindsley Bar & Grill 06/08/16
Billy Brill, Billy Alan Productions 11/11/05
Doug Brown, Talent Buyers Network 09/21/01
James Browne, Sweet Rhythm 11/01/02
Bob Brumley, Brumley Music Company 02/17/16
Tony Brummel, Victory Records 05/17/09
Charlie Brusco, TBA Entertainment Corporation 10/13/01
Del Bryant, BMI 05/18/07
Cortez Bryant, Bryant Management 12/06/10
Stephen Budd, Stephen Budd Management 07/13/17
Bruce Burch, University of Georgia Music Business Program 10/09/09
Deborah Burda, Kentucky Exposition Center 08/03/07
Patti Burgart, IEBA 06/07/02
Jordan Burger, The New Musiquarium 01/22/01
Ron Burman, Roadrunner Records 08/25/06
Suzanne Cadgene, Elmore 05/19/06
Karen Cadle, KGC Productions 03/12/04
Gary Calamar, KCRW 07/10/09
Charles Caldas, Merlin 07/05/10
Brian Camelio, ArtistShare 02/29/08
David Campbell, AEG Europe 08/02/10
Tom Cantone, Foxwoods Entertainment Group 10/20/00
Tom Cantone, Foxwoods Resort Casino 07/03/03
Tom Cantone, Mohegan Sun 08/30/09
Ashley Capps, A. C. Entertainment 05/21/04
Rio Caraeff, Vevo 07/12/11
Mike Carden, Eagle Rock Entertainment 08/16/11
Charles Carlini, Carlini Group 05/16/08
Mark Carpentieri, M.C. Records 05/27/05
Mark Carpentieri, M.C. Records 01/10/11
Troy Carter, Coalition Media Group 06/07/10
Daniel Catullo, Coming Home Studios 06/22/08
Raffi Cavoukian, Folk Singer/Children's Entertainer 05/11/16
Jeffrey Chabon, Chabon Entertainment Group 08/22/02
Mike Chadwick, Essential Music & Marketing 08/01/12
Rob Challice, Coda Music Agency 03/27/13
Tom Chauncey, Partisan Arts 01/11/02
Tom Chauncey, Partisan Arts 10/04/11
Lisa Cherniak, Artists Against Racism (AAR) 07/20/01
Bob Chiappardi, Concrete Marketing 06/13/03
Joel Chriss, Chriss & Co. 10/04/02
Michael Chugg, Michael Chugg Entertainment 09/14/01
Michael Chugg, Chugg Enterprises 10/02/09
Gary Churgin, Harry Fox Agency 09/13/10
Vinny Cinquemani, S.L. Feldman & Associates 12/13/12
Barry Coburn, Ten Ten Music Group 03/28/11
Matthew Cohen, Green Room Productions 10/19/01
Ted Cohen, TAG Strategic 01/10/13
Lisa Cohen, Associated Booking Corporation 02/10/06
Steve Cohen, Music + Art Management, Inc. 03/09/07
Dan Cohen, Music & Memory 01/12/17
Michael Cohl - Part 1, S2BN Entertainment 03/06/13
Michael Cohl - Part 2, S2BN Entertainment 03/13/13
Bryan Coleman, Union Entertainment Group 02/14/12
Mamie Coleman, Fox Broadcasting 07/05/12
Dennis Condon, Disneyland Resorts 07/13/01
Peter Conlon, Peter Conlon Presents 05/20/05
Tony Conway, Buddy Lee Attractions 10/06/00
Allen Cook, TOURtech 04/16/15
Tomas Cookman, Cookman International 09/05/03
Alex Cooley, Alex Cooley Presents 07/12/10
David Cooper, Foxman.com 10/31/03
Jay Cooper, Greenberg Traurig, LLP 05/23/11
Julie Coulter, Near North Insurance Groups 06/07/01
Amy Cox, Deep South Entertainment 02/09/07
Michael O. Crain, Crain Law Group, LLC 10/09/13
Charlie Cran, The Strawberry Music Festival 04/05/10
Jim Cressman, Invictus Entertainment Group 06/06/12
Russ Crupnick, MusicWatch, Inc. 07/23/15
Todd Culberhouse, Vision Management /Vision Records and Entertainment 09/05/08
Tony D'Amelio, Washington Speakers Bureau 04/21/06
Ruth Daniel, In Place of War 08/09/17
Ray Danniels, Standing Room Only Management, and the Anthem Entertainment Group 03/05/15
Ken Dashow, WAXQ-FM (l04.3 FM) - New York 09/08/06
Hal David, Lyricist 07/26/11
David Davidian, Independant Lighting Designer/Director 06/18/04
Anthony Davis, D&L Entertainment Services, Inc. 03/02/01
Chip Davis, American Gramaphone/Mannheim Steamroller 05/31/02
Mitch Davis, Tempest Entertainment 07/16/04
Jeff Dawson, Canadian Recording Services 06/08/08
Desiree Day, USO Celebrity Entertainment 08/10/01
Shauna de Cartier, Six Shooter Records/Six Shooter Management 10/23/13
Gene DeAnna, The Library of Congress 02/21/12
Vincent Degiorgio, Chapter 2 Productions 08/01/13
Tony DeLauro, DeLauro Management 12/23/04
Valerie Denn, Val Denn Agency 04/30/01
Val Denn, Val Denn Agency 03/06/14
Robert DePugh, Alligator Records 07/29/05
Tom Derr, Rock Ridge Music 10/29/04
Paul Dexter, Masterworks Lighting Design and Road Cases 12/10/04
Marty Diamond, Paradigm 01/22/10
Glenn Dicker, Redeye Distribution/Yep Roc Records 07/07/06
Barry Dickins, International Talent Booking Agency 06/06/13
Jim Digby, Event Safety Alliance 09/01/16
Mark Dinerstein, The Knitting Factory 11/17/06
Neill Dixon, Canadian Music Week 03/03/16
Thomas Dolby, Musician, academic, technologist, and author 11/09/16
Jasper Donat, Music Matters 2009/Branded 04/24/09
Jim Donio, National Association of Recording Merchandisers 04/22/11
Marc Dottore, M. Dottore Management 04/11/03
Tim Drake, The Roots Agency 12/12/08
Mike Dreese, Newbury Comics 11/23/11
Charles Driebe, Blind Ambition Management Ltd. 09/22/06
Jeremy Driesen, Ray Bloch Productions 09/07/01
Michael Drumm, Music Link Productions 07/18/08
Angie Dunn, Lucky Artist Booking 10/13/06
Jay Durgan, MEDIAmobz 11/09/11
Erik Dyce, City and County of Denver's Division of Theatres & Arenas 08/02/02
Erik Dyce, City and County of Denver’s Division of Theatres and Arenas 08/23/10
Paolo d’Alessandro, International Solutions 06/25/14
Ros Earls, 140dB Management 02/19/14
Art Edelstein, Festival Productions 12/01/02
Bruce Eisenberg, Audio Analysts 08/31/01
Martin Elbourne, The Glastonbury Festival 12/18/09
Michael Elder, Red Entertainment 03/17/06
Tod Elmore, Sixthman 11/24/06
Paul Emery, Clear Channel Entertainment 11/19/04
Arty Erk, Citrin Cooperman 04/27/16
Joe Escalante, Kung Fu Records 07/08/05
Colin Escott, Music Historian/Journalist 07/18/11
Ritch Esra, The Music Business Registry 09/27/02
Ritch Esra, The Music Business Registry 04/24/12
Mike Esterman, Esterman Entertainment 09/01/06
Jeff Eyrich, BePop Records 11/25/05
Bob Ezrin, Bigger Picture Group 05/24/09
Lisa Fancher, Frontier Records 08/09/10
Rick Farman, Superfly Productions 10/15/04
Ray Farrell, eMusic 06/09/06
Sam Feldman, S.L. Feldman & Associates 10/25/02
Bob Feldman, Red House Records 11/24/02
Charlie Feldman, BMI 08/26/05
Paul Fenn, Asgard Promotions 11/22/09
Debra "Fergy" Ferguson, TourDesign 08/01/03
Pete Fisher, Grand Ole Opry 09/11/09
David Fishof, David Fishof Presents 01/08/01
David Fishof, Rock 'N Roll Fantasy 10/05/08
David Fishof, Rock ’n’ Roll Fantasy Camp 02/28/12
Mike Flanagin, New England Country Music Festival 09/12/08
Joel Flatow, RIAA 12/13/11
Jim Fleming, Fleming Artists 03/20/10
Joe Fletcher, Joe Fletcher Presents 01/12/06
Jeff Fluhr, StubHub 10/06/06
Nancy Fly, The Nancy Fly Agency 04/02/04
Arthur Fogel, Live Nation 08/09/09
Martin Folkman, Independent Music Awards & Music Resource Group 08/11/06
Belle Forino, Fantasma Tours 03/18/05
Fletcher Foster, Universal Records South 07/31/09
Sam Foxman, Contemporary Productions 01/06/06
Todd Frank, 4Star Entertainment, LLC 01/24/03
Bob Frank, Koch Entertainment 01/09/09
Larry Frank, Frank Productions 01/17/11
Mike Fraser, Record Producer/Engineer 10/11/08
Carl Freed, Metropolitan Entertainment 06/22/01
Elizabeth Freund, Beautiful Day Media & Management 01/26/07
Harlan Frey, Roadrunner Records 07/11/03
Adam Friedman, Nederlander Concerts 06/22/07
Ted Gardner, Larrikin Management 04/25/03
Daniel Gélinas, Festival d’été de Québec 05/23/13
Marci Geller, Sonic Underground 08/15/08
Chris Gero, Yamaha Entertainment Group 10/26/16
Steve Gerstman, SGS 07/19/02
Sandra Gibson, The Association of Performing Arts Presenters 01/09/04
Sandra L. Gibson, Association of Performing Arts Presenters 01/16/09
Steve Gietka, Trump Properties 07/30/01
Steve Gietka, SMG Entertainment 03/19/14
Darren Gilmore, Watchdog Management 03/17/16
Daniel Glass, Glassnote Entertainment Group 10/16/14
Jake Gold, The Management Trust 04/13/01
Neil Goldberg, Cirque Productions 09/07/07
Harris Goldberg, Concert Ideas 06/27/11
Neil Goldberg, Cirque Productions 04/16/14
Martin Goldschmidt, Cooking Vinyl Group 09/29/16
Harvey Goldsmith, Harvey Goldsmith Productions 06/28/10
Michael Goldstein, RockPoP Gallery 11/09/07
Seth Goldstein, Turntable.fm 09/20/11
Anna Paula Goncalves, CEO Global Brand Appeal 08/20/14
Arnie Goodman, Blue Storm Music 11/15/02
Wesley Goodman, Red Entertainment 09/16/05
Richard Goodstone, Superfly Productions 01/27/06
Christie Goodwin, Photographer 03/18/15
Rob Gordon, What Are Records? LTD 02/01/02
Steve Gordon, Entertainment Attorney 08/06/04
Yoav Goren, Immediate Music & Imperativa Records 06/10/14
Mike Gormley, L.A. Personal Development 11/10/06
Jonathan Gosselin, Gosselin Marketing & Promotions 07/02/04
Richard Gottehrer, The Orchard 04/10/09
Sean Goulding, The Agency Group London 09/12/12
Jerimaya Grabher, RPM Direct 09/26/03
Mary Granata, The Granata Agency 09/06/10
Kelly Graves, Providence Performing Arts Center/Professional Facilities Management 01/20/02
Stan Green, Stanley A. Green Lighting and Productions 12/12/03
Mark Green, Celebrity Talent Agency Inc. / Bergen Performing Arts Center 08/12/05
Jeffrey Green, Americana Music Association 03/10/06
Paul Green, The School of Rock 07/06/08
Benjy Grinberg, Rostrum Records 12/06/11
Brent Grulke, SXSW 03/06/09
Michael Gudinski, The Mushroom Group 10/29/15
Phil Guiliano, CIE USA Entertainment Inc. & OCESA PRESENTS Inc. 03/25/05
Steve Gumble, SBG Productions 06/16/06
Greg Hagglund, Vivelo! 05/07/04
Rodney Hall, FAME Music Group 11/06/09
Rob Hallett, Robomagic 02/05/15
Craig Hankenson, Producers, Inc 02/23/06
Kerry Hansen, Wynonna Incorporated 10/03/03
Eric Hanson, Ted Kurland Associates 12/20/02
Eric Hanson, Tree Lawn Artists 03/23/07
Rusty Harmon, MTM Music Management 12/06/07
Ali Harnell, Clear Channel Entertainment Nashville 08/15/03
Bob Harris, 02/06/09
Evan Harrison, Huka Entertainment 12/08/16
David Hart, The Agency Group 02/20/04
Laura Hassler, Musicians without Borders 12/02/15
Abe Hathot, Musician, composer, and music producer. 12/21/16
Steve Hecht, Piedmont Talent 08/29/12
Travis Hellyer, Mezzanine 09/02/05
Janie Hendrix, Experience Hendrix 02/01/10
Nona Hendryx, Rhythmbank Entertainment 06/02/06
Dan Herrington, Dualtone Records 07/25/03
Sara Hickman, Sleeveless/Stingray 06/30/06
Dan Hirsch, On Board Entertainment 04/04/03
Nick Hobbs, Charmenko 12/14/01
Carel Hoffman, Hilltop Live/Oppikoppi Productions 11/07/12
Ian Hogarth, Songkick 08/09/11
Gene Hollister, Rose Presents 04/08/01
Rusty Hooker, Rock Steady Management Agency 02/16/01
Jake Hooker, Hook Entertainment 05/10/02
Martin Hopewell, Primary Talent International 04/19/02
Tom Hoppa, TKO Booking Agency 09/29/06
Bobbie Horowitz, Times Square Group 01/04/02
Barney Hoskyns, Rock's Backpages 11/01/11
Bruce Houghton, Skyline Music 10/27/00
Bruce Houghton, Skyline Music 01/22/14
Andi Howard, Peak Records and Andi Howard Entertainment 09/02/03
Barbara Hubbard, ACTS 09/12/03
Laurent Hubert, BMG US 11/12/15
Seth Hurwitz, I.M.P. 04/20/09
Ariel Hyatt, Author, and founder of Cyber PR 11/23/16
Mark Hyman, Ashley Talent International 11/09/01
Brett Hyman, Category 5 Entertainment 07/23/04
Bruce Iglauer, Alligator Records 08/17/01
Bruce Iglauer, Alligator Records 05/28/14
Doug Isaac, Super Bowl Concert Series Producer (EXI) 08/24/01
David Israelite, National Music Publishers' Association 11/29/08
Tom Jackson, Tom Jackson Productions 02/06/13
Jay Jacobs, Parc Landon 09/21/07
Larry Jacobson, World Audience 09/17/04
Audra Jaeger, The Management Trust 05/09/03
Ralph James, The Agency Group 01/31/11
Jeffrey Jampol, Jampol Artist Management 07/18/12
Jean Michel Jarre, International Confederation of Societies of Authors and Composers (CISAC) 06/19/13
Michael Jaworek, The Birchmere 05/08/09
Peter Jesperson, New West Records 11/03/06
John Jeter, The Handlebar 08/15/12
Mike Johnson, Groundrush Media 02/17/06
Mike Gormley & Jolene Pellant, Yes, Dear Entertainment 04/23/10
Susan Joseph, Justice Entertainment Group 02/21/11
Darren Julien, Julien's Auctions 10/25/10
Henry Juszkiewicz, Gibson Guitars 09/28/10
Justin Kalifowitz, Downtown Publishing 04/20/17
Leonard Kalikow, Music Business Reference, Inc. 06/26/08
Craig Kallman, Atlantic Records 03/20/09
Steve Kane, Warner Music Canada 02/09/17
Danny Kapilian, Independent Producer 07/12/02
Mike Kappus, The Rosebud Agency 10/26/09
Andy Kaufman, Birdland 05/17/02
Wendy Kay, Mars Talent Agency 03/09/01
Lucas Keller, The Collective 03/22/11
Marty Kern, Clemson University 07/07/01
Carlos Keyes, Red Entertainment 10/08/04
Golnar Khosrowshahi, Reservoir Media Management 10/24/12
Martin Kierszenbaum, Interscope/Cherrytree Records 09/06/09
Barney Kilpatrick, Rattlesby Records 10/28/05
John Kinsner, The Walnut Room 03/28/08
Doug Kirby, LiveTourArtists 10/24/03
Steve Kirsner, Compaq Center 06/29/01
JoAnne Klabin, Sweet Relief 03/21/03
Andrew Klein, Revolution Marketing 11/05/04
Larry Klein, Producer, bassist, songwriter 03/13/12
Jack Kleinsinger, Highlights in Jazz 04/25/08
Ann Kline, Casa Kline 09/04/14
Brian Knaff, Talent Buyers Network 09/29/01
Kymberlee Knight, IEBA 11/16/00
Mike Kociela, 360 Productions 05/30/08
Stefan Kohlmeyer, Bach Technology 02/08/10
Lily Kohn, Microsoft Corporation 02/14/11
Tim Kolleth, Alligator Records 01/25/08
Al Kooper, Musician/songwriter/producer/author 02/06/14
Mitchell Koulouris, Digital Musicworks International, Inc. 02/11/05
Mark Krantz, John Schreiber Group 06/15/01
Jeff Krasno, Velour Music Group 11/19/07
Jeffrey Kruger, The Kruger Organisation 01/25/02
Harvey Kubernik, Author/historian/music journalist 08/20/15
Ted Kurland, Ted Kurland Associates 01/15/01
Jordan Kurland, Zeitgeist Artist Management 08/23/11
Carianne Laguna, Blackheart Records 03/07/08
Brady Lahr, Kufala Recordings 04/30/04
Ernie Lake, EL Records 01/19/07
Roks Lam, Wolfman Jack Entertainment 12/17/04
Anni Lam, Parc Landon 06/29/07
Gary Lane, CenterLane Attractions 10/14/05
Tom LaPenna, Lucky Man Productions 09/10/04
Camilo Lara, EMI Music Mexico/MIS 08/10/07
Gary Lashinsky, Lipizzaner Tours 05/13/05
Gregg Latterman, Aware Records 12/13/02
Tony Laurenson, Eat to the Beat 02/27/04
Emily Lazar, The Lodge 10/15/15
Bill Leabody, Leabody Systems 06/10/05
Peter Leak, 24-7 Worldwide Management 03/28/12
Steve Leeds, SR. VP/Promotion/Rock Formats at Virgin Records 07/26/02
Elliot Lefko, Goldenvoice 09/21/17
Bob Lefsetz, The Lefsetz Letter 11/14/08
Carl Leighton-Pope, Leighton-Pope Organisation 07/05/09
Steve Lemon, Live 4 Live, Inc. 12/06/02
Randy Lennox, Universal Music Canada 06/24/15
Simma Levine, Disson Furst and Partners 11/10/00
Andy Levine, Sixthman 06/08/07
Rich Levy, Clear Channel Entertainment Properties 06/25/04
Eddie Levy, Chelsea Music Publishing 07/24/14
Myles Lewis, Denise Rich Songs 12/20/10
Adam Lewis, Planetary Group 01/20/16
Terry Lickona, Austin City Limits 03/14/11
Justine Liddelow, Stage and Screen Travel Services 08/31/11
Jim Lidestri, Border City Media 09/03/15
Larry Lieberman, 4EverWild 03/28/03
Eric Lilavois, Crown City Studios, and London Bridge Studio 12/10/14
Miriam Linna, Norton Records 05/18/17
Marc Lipkin, Alligator Records 03/05/05
Tommy LiPuma (Part 1), Verve Records 11/08/10
Tommy LiPuma (Part 2), Verve Records 11/15/10
Alexander Ljung, SoundCloud 10/04/10
Andy Lo Russo, The Singing Chef 12/16/05
Phil Lobel, Lobeline Communications 08/13/04
Paul Lohr, New Frontier Touring 01/21/05
Paul Lohr, New Frontier Touring 05/17/10
Julie Lokin, New Audiences 03/23/01
Dave Lory, Artemis Records 03/30/02
Max Loubiere, Tour Director 04/11/12
Mark Lourie, Skyline Music 03/08/02
Dave Lucas, Live-360 04/28/06
Joe Lucchese, EventJoe 02/23/07
Kevin Lyman, 4 fini 03/30/01
Kevin Lyman, Vans Warped Tour 05/23/12
Bubba Mac, 09/14/07
David Macias, Emergent Music Marketing 06/17/05
Kristen Madsen, Grammy Foundation and MusiCares 11/22/10
Larry Magid, Larry Magid Entertainment 05/04/10
Peter Malkin, PM Management 02/07/03
Toby Mamis, Alive Enterprises 02/12/01
Billy Mann, Green & Bloom | Topl1ne, Manncom 09/18/14
Tasea Margeolas, Multi Entertainment 06/23/06
Tony Margherita, dBpm Records 09/06/11
Bob Roux & Mark Campana, Live Nation 12/20/11
Lee Marshall, Magic Arts & Entertainment 09/13/02
Zach Martin, Radio Producer at New York's WAXQ-FM 08/30/02
Mario Martin, Gorgeous PR 04/27/07
Molly Martinez, Ticket Summit 2008 05/23/08
Paul Mascioli, Mascioli Entertainment 01/14/05
Michael Maska, Big Hassle 01/28/05
Ted Mason, Mi-5 Recordings 11/16/01
Steve Masur, Masur & Associates, LLC 11/21/03
Pam Matthews, The Ryman Auditorium 04/08/05
Terry McBride, Nettwerk Music Group 03/01/10
Michael McCarty, ole 06/20/11
Jim McDonald, McDonald Group 12/19/03
Virginia McEnerney, HeadCount 11/26/07
Doc McGhee, McGhee Entertainment 06/14/10
Camilla McGuinn, Tour Manager 08/24/07
Andy McLean, North By Northeast (NXNE) 04/01/05
Dennis McNally, Grateful Dead historian/publicist 09/06/02
Garry McQuinn, Back Row Productions 06/14/11
Ruthann McTyre, The Rita Benton Music Library; and president of the Music Library Association 08/31/10
Dick McVey, Musician's Referral Service 10/27/07
Katherine McVicker, Music Works International 01/08/15
John Meglen, Concerts West/AEG Live 02/21/13
Mark Meharry, Music Glue 05/28/15
Jorge Mejia, Sony/ATV Music Publishing 09/17/15
Dan Melnick, Festival Productions, Inc. 02/22/02
André Ménard, Festival International de Jazz de Montréal 06/12/09
Bob Merlis, Merlis For Hire/Memphis International Records 01/16/04
Doug Merrick, Cumberland Talent Agency and Merrick Music Group 07/21/06
Louis Messina, The Messina Group 10/22/04
Louis Messina, The Messina Group/AEG Live 07/17/09
Louis Jay Meyers, North American Folk Music and Dance Alliance 03/30/07
Louis Jay Meyers, Folk Alliance International 01/23/09
Todd Miller, House Of Blues - New Orleans 11/14/03
Jeff Miller, Fantasma Productions 03/16/07
Ben Miller, Rock Ridge Music 11/02/07
J. B. Miller, Empire Entertainment 08/22/08
Richard Mills, S.L. Feldman 11/02/09
Marty Monson, Barbershop Harmony Society 07/07/16
Linda Moran, Songwriters Hall of Fame (SHOF) 04/05/09
Jesse Morreale, Nobody In Particular Presents (NIPP) 09/20/02
Chuck Morris, Live Rocky Mountains 09/28/09
Mo Morrison, Independent production 05/24/02
Kevin Morrow, Steel Wool Entertainment 01/25/17
Nick Moss, Blue Bella Records 11/30/07
Jim Musselman, Appleseed Recordings 04/14/06
Natalia Nastaskin, United Talent Agency 04/13/16
Marc Nathan, Flagship Records 07/01/05
David Neilon, Rising Star Promotions 11/30/01
Don Neuen, Star Coaches Inc. 10/10/12
Dennis Newhall, DIG Music 10/07/05
John Nittolo, John Nittolo Productions 04/13/07
Ian Noble, Metropolitan Talent 05/23/03
Fabricio Nobre, A Construtora Música e Cultura 05/04/17
Josh Norek, JN Media, LLC 07/05/02
David Norman, Tour Manager 04/20/07
Mimi Northcott, Canadian Recording Services (CRS) 04/11/08
Bill Nowlin, Rounder Records 01/05/07
John Nugent, NY JAM Inc. 11/08/02
Andy Nulman, Just For Laughs 11/20/13
Sal Nunziato, NYCD 06/01/01
Bob O'Neal, Ryman Auditorium 06/28/02
Andrea Orbeck, Prehab Health and Fitness 03/15/10
Heather Orser, Toad's Place 01/29/01
Janet Oseroff, MultiMediaProperties 11/18/05
Marc Ostrow, Boosey & Hawkes 12/05/08
Riley O’Connor, Live Nation Canada 07/24/09
Jeremy Palmer, Buddy Lee Attractions 11/02/01
John Palmer, Megawave Records 08/31/07
Panos Panay, Sonicbids 12/23/05
Julien Paquin, Paquin Artists Agency 04/30/14
Graham Parker, WQXR-FM 11/26/14
Crispin Parry, British Underground 02/24/08
Donald Passman, Gang, Tyre, Ramer & Brown 04/09/10
Donald S. Passman, Gang, Tyre, Ramer & Brown 01/06/16
Bruce Patron, Overland Entertainment 07/28/06
Alexandra Patsavas, Chop Shop Music 09/27/11
Cheryl Pawelski, Omnivore Entertainment Group 09/26/13
Kerry Peace, Alligator Records 08/18/06
Eric Peltoniemi, Red House Records 12/14/09
Scott Perry, Sperry Media 03/11/05
Lawrence Peryer, Jr., 23 Omnimedia 11/07/08
John Peters, MassConcerts 06/07/11
Holger Petersen, Stony Plain Records 04/15/05
Jon Phillips, Silverback Professional Artist Mgmt/Controlled Substance Sound 08/29/08
Dave Pichilingi, Sound City 03/30/16
Vince Pileggi, Music Inc./Music Inc. Sounds 12/01/06
Eric Pirritt, Endit! Presents / The Fox Theatre 10/17/03
Neil Portnow, The Recording Academy 02/08/11
Louis Posen, Hopeless Records 04/04/11
Stephen Posen, Estate of Glenn Gould 01/23/13
Nadia Prescher, Madison House 06/20/03
Jeff Price, TuneCore 02/28/11
Tom Principato, Powerhouse Records 02/01/08
Roger Probert, Core Records 12/08/06
John "Grinder" Procaccini, JP Squared (JP2) 01/17/03
Mark Pucci, Independent Music Publicist 09/09/05
David Pullman, The Pullman Group 11/03/00
Rod Quinton, Saigon Sound System 04/18/11
Dolphus Ramseur, Ramseur Records 10/19/07
Jack Randall, Ted Kurland Associates 04/05/02
Jack Randall, The Kurland Agency 03/08/17
Debra Rathwell, AEG Live 05/03/13
Jeff Ravitz, Visual Terrain 02/08/08
Paul Reed, Association of Independent Festivals (AIF) 06/14/17
Rich Rees, M.P.I. Talent Agency 09/19/08
John Reese, Freeze Artist Management 08/01/08
Bill Reeves, WRIII, Inc. 10/20/06
Stephen Rehage, Rehage Entertainment 07/30/04
Lisa Reiss, Pearl Productions 08/17/07
Salaam Remi, Composer, producer, musician and label executive. 01/08/14
David Renzer, Universal Music Publishing Group 08/23/09
Alison Richard, Universal Orlando Resort 05/06/05
Kelli Richards, The All Access Group 02/07/12
Gary Richards, HARD Events 08/29/13
Sam Righi, Waterfront Entertainment Group 05/30/03
Jon Rinaldo, Joker Productions 01/02/04
Geary Rindels, Geary Rindels Enterprises, Inc. 12/05/03
Doreen Ringer Ross, BMI 01/18/08
Lisette Rioux, Island Def Jam Music Group 05/16/03
Dave Roberge, Everfine Records & Everfine Artist Management 12/03/04
Sandy Roberton, Worlds End Producer Management 02/20/09
Ty Roberts, Gracenote 01/31/12
Bill Rogers, BRE Presents 07/13/07
Ian Rogers, Topspin Media 06/01/10
Benji Rogers, PledgeMusic 12/19/13
Dave Rose, Deep South Entertainment 09/15/06
Eric Rosen, Ronald S. Bienstock & Associates 05/25/01
Stuart Ross, The Ross Group 02/23/01
David Ross, President IAAM; Director, Show Me Center 09/23/05
Jack Ross, APA Canada 09/07/17
Bobby Rossi, Ruth Eckerd Hall 02/28/03
Michael Rothschild, Landslide Records 04/29/05
Robert Rowland, Red Entertainment 06/13/08
Bill Royston, Mt. Hood Jazz Festival 03/07/03
John Rudolph, Bug Music 05/24/10
Elizabeth Rush, E.R.A. / Elizabeth Rush Agency 08/20/04
Aran Rush, Expo and Foro Imperial 02/16/07
Maurice Russell, Harry Fox Agency 10/21/05
Barron Ruth, Skyline Music 02/14/03
Andrea Sabata, Skyline Music 01/07/05
Numa Saisselin, Count Basie Theatre, Inc. 02/04/05
Ron Sakamoto, Gold & Gold Productions 01/16/10
David Salidor, dis Company 07/20/07
Shaw Saltzberg, S. L. Feldman and Associates 06/21/10
Bruce Allen & Sam Feldman, A&F Music 12/19/08
Mark Samuels, Basin Street Records 06/11/04
Jacqueline Saturn, Harvest Records 01/21/15
Tamara Saviano, American Roots Publishing 07/22/05
Tamara Saviano, Author, journalist, and producer 08/18/16
Michael Scafuto, Mountain High Entertainment 12/07/01
Steve Schankman, Contemporary Productions 12/21/01
Steve Scharf, Carlin America 10/11/02
John Scher, Metropolitan Talent 11/21/08
Al Schmitt, Producer/Engineer 02/13/10
Bobby Schneider, Tour Coordinator, Third Eye Blind 01/31/03
Jake Schneider, Madison House 04/02/14
Steven Schnur, EA Music Group 07/03/13
Elaine Schock, Shock Ink 02/19/10
Stacy Schott, Mad Booking and Events 08/22/03
Daylle Schwartz, Revenge Productions 08/19/05
Dean Sciarra, ItsAboutMusic.com 11/26/04
Joel Selvin, Author and Journalist 08/07/14
Jay Sendyk, Sendyk, Leonard & Company, Inc. 05/03/02
Peter Shapiro, Ideal Entertainment 04/16/04
Seth Sheck, Access Pass & Design 01/03/03
Seth Sheck, ACCESS Event Solutions 06/22/16
Seth Shomes, The Agency Group 11/12/14
Jay Sieleman, The Blues Foundation 07/18/03
Anya Siglin, The Ark 03/05/10
Bill Silva, Bill Silva Entertainment 10/19/10
Tom Silverman, Tommy Boy Entertainment 03/06/12
Steve Simon, Clear Channel Communications 05/14/04
Ralph Simon, Live Earth 07/06/07
Ralph Simon, Mobilium 04/12/11
Michael Simon, The Harry Fox Agency 08/14/13
Ron Simpson, RCS Productions 01/11/08
John Simson, SoundExchange 07/15/05
Dion Singer, Warner Bros. 12/07/09
Gram Slaton, The Community Arts Center 02/25/05
Owen Sloane, Gladstone Michel Weisberg Willner & Sloane 10/11/10
Peter Smidt, Eurosonic Noorderslag & manager Buma Cultuur 07/17/13
Garrison Snell, Gyrosity Projects 02/23/17
Mike Snider, Paradigm Talent Agency Nashville 05/17/11
Andrew Snowhite, Musictoday 05/04/01
Bruce Solar, The Agency Group 05/14/14
Nikki Solgot, Circle Talent Agency 02/18/15
Michael Solomon, Brick Wall Management 05/25/07
Mark Sonder, Mark Sonder Productions 07/25/08
Steve Sonnier, UIC Pavilion at the University of Illinois, Chicago 09/03/04
Kathy Spanberger, peermusic 06/20/12
Carolyn Specht, CIE USA Entertainment Inc. and OCESA PRESENTS Inc. 03/26/04
David Spelman, New York Guitar Festival 10/01/04
Jason Spiewak, Rock Ridge Music 04/07/06
Dan Steinberg, Square Peg Concerts 11/29/12
Dan Steinberg, Square Peg Concerts 02/18/05
Jeremy Stephan, Ventures, LLC 04/23/04
Walter Stewart, Mars Talent Agency 02/21/03
Gail Stocker, Gail Stocker Presents 11/12/04
Jon Stoll, Fantasma Productions 10/13/00
Jesse Stoll, AEG 06/27/09
Henry Stone, Henry Stone Music 06/24/05
Jason Stone, Live Nation New York 03/31/06
Howard Stovall, Resource Entertainment Group 05/28/04
Cameron Strang, New West Records 10/18/02
Don Strasburg, AEG Live Rocky Mountains 02/27/09
Barbara Strauss, Sovereign Ventures 05/12/06
Richard Stumpf, Cherry Lane Publishing 08/07/06
Deb Suckling, SUGARRUSH Music 07/27/17
Patrick Sullivan, RightsFlow 10/25/11
Bernie Swain & Harry Rhodes, Jr., Washington Speakers Bureau 12/07/00
Dean Swett, Paramour Group 06/14/02
Jake Szufnarowski, Rocks Off 05/02/08
Marc Tanner, Chime Entertainment 12/22/06
Donald Tarlton, The Donald K Donald Group 04/12/02
Tess Taylor, Los Angeles Music Network 08/09/02
Race Taylor, WPLJ - New York 10/27/06
Race Taylor, WPLJ - New York 10/27/06
Chris Taylor, Taylor 03/15/09
Peter Tempkins, DeWitt Stern Group 03/16/01
Peter Tempkins, Momentous Insurance Brokerage 03/27/09
Lisa Tenner, Tenner & Associates (EAT'M) 08/06/01
Jeremy Tepper, Diesel Only Records 10/10/03
Allan Tepper, Bicycle Music Company 09/28/07
Martin Terefe, Kensaltown Studios 05/31/11
Milun Tesovic, MetroLeap Media 10/18/09
Mandar Thakur, Times Music 08/06/15
Jerry Thompson, Promoter Line Inc. 03/05/04
Jose Tillan, MTV Networks Latin America 12/02/05
Jon Tiven, Hormone Studios 08/05/05
Adam Tobey, Concert Ideas 08/24/17
Rob Tonkin, Marketing Factory 12/17/15
John "J.T." Toomey, 25/8 Management 11/15/11
Livia Tortella, Warner Bros. Records 01/10/12
Phil Tripp, IMMEDIA! 01/19/06
Claudio Trotta, Barley Arts Promotion 11/26/01
Chris Tsakalakis, StubHub 01/11/10
Ben Turner, Graphite Media 05/10/10
Steve Vai, Favored Nations Entertainment 04/26/02
John Valentino, Fantasma Productions 04/18/03
John Valentino, AEG Live SE 11/01/10
Don Van Cleave, Coalition of Independent Music Stores 04/09/04
Casey Verbeck, Partners in Music 06/06/03
David "Boche" Viecelli, The Billions Corporation 04/18/10
Marsha Vlasic, Artist Group International 05/31/17
Mat Vlasic, Bravado 06/28/17
Ray Waddell, Billboard Magazine 08/27/04
Rob Waggener, Foundations Recovery Network 03/07/11
Jim Walczak, Racine Civic Centre 06/03/05
Jeff Walker, The AristoMedia Group 08/16/10
Carla Wallace, Big Yellow Dog Music 11/04/05
Russell Wallach, Live Nation Network 03/20/12
Steve Walter, The Cutting Room 10/24/08
Neil Warnock, The Agency Group 05/02/09
Diane Warren, Realsongs 08/14/09
Butch Waugh, RCA Label Group Nashville 01/10/03
Lauren Wayne, The State Theatre 05/09/12
Kirt Webster, Webster PR 02/03/16
Ken Weinstein, Big Hassle Media 04/22/05
Bruce Weinstein, Bethel Woods Center for the Arts 02/15/08
Larry Weintraub, Fanscape 05/18/01
Pam Weiser, Momentous Insurance Brokerage 10/11/11
Kevin Welk, Welk Music Group 01/24/12
D-J Wendt, Dmand Management 05/09/08
Alison Wenham, Worldwide Independent Network 02/13/09
Bill Werde, Billboard 08/03/11
Joel Whitburn, Record Research 11/13/09
Judd White, Tour Manager/Accountant 02/13/04
Jeff White, In Ticketing 12/16/06
Adam White, Author 09/14/16
Lisa White, Pearl Street Warehouse 10/04/17
Adam Wilkes, AEG Live Asia 10/13/16
Fenton Williams, 04/04/08
Del Williams, Right Arm Entertainment 04/18/08
Bryan "Birdman" Williams, Cash Money Records 09/13/11
Paul Williams, ASCAP 10/19/11
J.P. Williams, Parallel Entertainment 10/03/12
Kurt Willms, Green Room Productions 09/20/03
Chris Wilson, Heartbeat Records 03/02/07
Tony Wilson, Factory Records/In The City 06/01/07
Tom Windish, The Windish Agency 07/26/10
John Wiseman, XL Touring Video 05/05/06
Thom Wolke, Twincloud.com 02/08/02
Michael Wood, City Lights Entertainment 08/08/08
Keith Wortman, Blackbird Presents 03/22/17
Nigel Wright, Independant Record Producer 11/07/03
Dusty Wright, CultureCatch.com 07/27/07
Jeremiah “Ice” Younossi, A-List Talent 09/20/09
Gail Zappa, The Zappa Family Trust 10/02/14
Kevin 'Chief' Zaruk, Chief Music Management 06/10/15
Ron Zeelens, RAZco Visas 04/20/01
Rick Zeiler, Sidney Frank Importing Company 06/04/04
Danny Zelisko, Live Nation 06/19/09
Jason Zink, Emporium Presents 10/19/17
Hillary Zuckerberg, Brick Wall Management. 07/09/04
Steve Zuckerman, Global Entertainment and Media Summit 03/22/02
Paul Zullo, Muze 01/23/04
Nanette Zumwalt, Hired Power 02/03/06
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